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Richard Ayoade - in this foren, perhaps one of the most 'insubstantial' people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don't care about. It's a journey deep within, in a way that's respectful and non-invasive; a journey for which we will all pay a heavy price, even if you've waited for the smaller paperback edition. Ayoade argues for the canonisation of this brutal masterpiece, a film that celebrates capitalism in all its victimless glory; one we might imagine Donald Trump himself half-watching on his private jet's gold-plated flat screen while his other puffy eye scans the cabin for fresh, young prey."
In this book Richard Ayoade - actor, writer, director, and amateur dentist - reflects on his cinematic legacy as only he can: in conversation with himself. Over ten brilliantly insightful and often erotic interviews, Ayoade examines himself fully and without mercy, leading a breathless investigation into this once-in-a-generation visionary. Only Ayoade can appreciate Ayoade's unique methodology. Only Ayoade can recognise Ayoade's talent. Only Ayoade can withstand Ayoade's peculiar scent. Only Ayoade can truly get inside Ayoade. They have called their book Ayoade on Ayoade: A Cinematic Odyssey. Take the journey, and your life will never be the same again. Ayoade on Ayoade captures the director in his own words: pompous, vain, angry and very, very funny.
From actor-author-broadcaster-comedian-filmmaker Richard Ayoade comes a book narrated by . . . a book. Quirky, smart, and genre-busting, this is the saga of a book that nobody wants to read—until the day it meets YOU. The life of a book isn’t easy, especially when people judge you by your cover (not every book can be adorned with sparkly unicorns!). And this narrator should know—it’s the book itself, and it has a lot of opinions. It gets irritated when readers bend its pages back, and it finds authors quite annoying. But it does have a story to tell. Through witty direct address and charming illustrations, readers meet a book that has never been read, with a cover the boring color of a school lunch table and pages so dry they give bookworms indigestion. But what happens when this book meets you, a curious reader? Multitalented author Richard Ayoade and award-winning illustrator Tor Freeman bring to life a hilariously subversive take on the nature of books and reading, with a heartening theme of finding the courage to tell our own stories. Readers of all ages will be delighted by the myriad bookish references and laughs on every page.
Join Howard Moon, Vince Noir, Naboo, Bollo, Bob Fossil, Old Gregg, the Moon, and all your other favourite characters on a unique journey in to the world of The Mighty Boosh. Content includes: *An extract from Howard's jazz detective novel Trumpet Full of Memories *Vince's Christmas Toy story *Bollo's letters to Peter Jackson *Bob Fossil's postcards from 'Nam *A new Charlie story *Ol' Gregg's watercolours *Naboo's guide to black magic *Dixon Bainbridge's Turkish Challenge *Crimp lyrics Incredibly funny, visually dynamic, surreal, musical, wildly creative... The Mighty Boosh is unlike anything else on British television, and this beautifully illustrated humour book is utterly unique.
Toast on Toast is the must-have book for all budding actors - and non-actors too. In this part memoir, part 'how to act' manual, Steven Toast draws on his vast and varied experiences, providing the reader with an invaluable insight into his journey from school plays to RADA, and from 'It's a Right Royal Knockout' to the Colony Club. Along the way, he reveals the secrets of his success. He discloses how to brush up on and expand your technical and vocal skills, how to nail a professional voiceover, and how to deal with difficult work experience staff in a recording studio. He also reveals the dangers of typecasting, describes the often ruthless struggle for 'top billing', and shares many awesome nuggets of advice. The end result is a book that will inspire and educate anyone who wants to tread the floorboards. It will also inform (and entertain) anybody who simply wants to discover what a jobbing actor's life is actually like.
Three's a crowd, but four's a war. Big girl undies? Check. Speech planned? Check. Nerves of steel? Check. A single crush? …not check…? What do you do when you find your best friend/crush kissing your other best friend on the day you were going to declare your feelings for him? You only agree to fake date your crush’s rival. The King of the Bows, popular golden (play)boy, and all around douche, Xander wouldn’t be my last choice for a boyfriend. Across the school, battlelines are drawn and sides are taken between the new ’it’ couple of my former best friends and the excitingly scandalous pairing of me and King Douche. Xander keeps distracting me from the plan; make Jason jealous. He insists on holding my hand and kissing me and being nice. Ugh. Xander’s not nice and he’s not the relationship type, but he’s doing a damned good job of acting both parts. He calls it ‘keeping up appearances’, I call it ‘take one more pass at my arse and I’ll break your nose’. They say all’s fair in love and war, but what’s so fair about falling for the wrong guy when your two best friends are on the other side of the battlelines? Please be aware that this story is set in Australia and therefore uses Australian English spelling and syntax.
NOW A MAJOR MOTION PICTURE • “[Dunthorne’s] precocious talent and cheerful fondness for the teenage male are showcased in Submarine. . . . Oliver’s voice is funny and dead-on.”—The New York Times Book Review(Editors’ Choice) At once a self-styled social scientist, a spy in the baffling adult world, and a budding, hormone-driven emotional explorer, Oliver Tate is stealthily nosing his way forward through the murky and uniquely perilous waters of adolescence. His objectives? Uncovering the secrets behind his parents’ teetering marriage, unraveling the mystery that is his alluring and equally quirky classmate Jordana Bevan, and understanding where he fits in among the mystifying beings in his orbit. Struggling to buoy his parents’ wedded bliss, deep-six his own virginity, and sound the depths of heartache, happiness, and the business of being human, what’s a lad to do? Poised precariously on the cusp of innocence and experience, Oliver Tate aims to damn the torpedoes and take the plunge. BONUS: This edition contains an excerpt from Joe Dunthorne's Wild Abandon. Praise for Submarine “[Joe Dunthorne is] probably destined to be compared with Mark Haddon and Roddy Doyle.”—The Miami Herald “This absolutely winning debut novel isn’t so much a coming-of-age tale as it is a reflection on what it means to be a certain age and of an uncertain mind.”—Los Angeles Times “A brilliant first novel by a young man of ferocious comic talent.”—The Times (London) “Preternaturally wise, slightly devious and highly entertaining.”—USA Today
Inspired by Dostoyevsky's short story, The Double tells the story of Simon, a timid man, scratching out an isolated existence in an indifferent world. He is overlooked at work, scorned by his mother, and ignored by the woman of his dreams. He feels powerless to change any of these things. The arrival of a new co-worker, James, serves to upset the balance. James is both Simon's exact physical double and his opposite - confident, charismatic and good with women. To Simon's horror, James slowly starts taking over his life.
At Ted's instigation, the old gang gather once more at the almost legendary club The Talk House. Ten years on and presided over still by the kindly Nellie, there's the same genteel atmosphere, familiar drinks, unchanging special snacks. But the era of Walter Barclay is long gone. A playwright, a composer, an actress. The possibility of a pleasant night. Evening at the Talk House by Wallace Shawn premiered at the National Theatre, London, in November 2015.
Winner of the Pulitzer Prize “A masterwork . . . the novel astonishes with its inventiveness . . . it is nothing less than a grand comic fugue.”—The New York Times Book Review A Confederacy of Dunces is an American comic masterpiece. John Kennedy Toole's hero, one Ignatius J. Reilly, is "huge, obese, fractious, fastidious, a latter-day Gargantua, a Don Quixote of the French Quarter. His story bursts with wholly original characters, denizens of New Orleans' lower depths, incredibly true-to-life dialogue, and the zaniest series of high and low comic adventures" (Henry Kisor, Chicago Sun-Times).