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What would it mean to queer contemplation? To disentangle contemplative spirituality from heteronormativity, patriarchy, and Eurocentricity, and instead engage with openness, curiosity, and a little weirdness? The world of contemplative Christianity has yielded to the same voices for far too long, many of whom are from centuries before our time, with lives unlike our own, and often from experiences disconnected from marginalization, oppression, and what it feels like to be an outsider. Cassidy Hall, an LGBTQIA+ Christian contemplative scholar and podcast host, takes us on a journey to queer the contemplative tradition.For Hall, queering is not solely about identifying as queer or applying queer theory; it is about what is gained by seeing things differently. "Queer," she says, "is the way I tilt my head to look at the world." As queerness reawakened her own contemplative life, Hall discovered that queering and questioning the tradition allowed her to listen more closely to voices that are queer, marginalized, and oppressed--voices that have long existed but have often been overlooked or silenced. For Hall, that also meant moving differently into contemplation, into silence, into liminality and ritual. In showing us the way, she helps us envision what contemplative faith can look like, what spiritual spaces we can reclaim for welcome--and how queering contemplation, and lifting up queer contemplative voices, frees us to seek the infinite possibility of our own identity and engage our spiritual lives with open hearts and open hands.? Whether you're queer or want to queer your own perspectives, or whether you want to uncover the queerness and queer voices in the contemplative tradition--Hall throws open the doors of contemplative spirituality for all, bringing us to contemplation in very new, sometimes old, but always queer ways.
In the last few decades African-American women have experienced a revival of spirituality and creative force, fashioning a unique way to connect with the divine. In "Soul Talk", Akasha Gloria Hull examines this multifaceted spirituality that has both fostered personal healing and functioned as a formidable weapon against racism and social injustice.
This special collection assembles some of the most pre-eminent scholars in the field in African, African American, and American Studies to explore the ways writers reclaim the Black female body in African American literature using the theoretical, social, cultural, and religious frameworks of spirituality and religion. Central to these discussions is Black women’s agency within these realms—their uncanny ability to invent and reinvent themselves within individual and communal spaces that frame them as both outsider and insider, unworthy and worthy, deviant and sacred, excess and minimal. Scholars have sought to discuss these tensions, acknowledged and affirmed in prose, poetry, music, essays, speeches, written plays, or short stories. Forgiveness, healing, redemption, and reclamation provide entry into these vibrant explorations of self-discovery, passion, and self-creation that interrogate traditional views of what is spiritual and what is religious. Discussed writers include Toni Morrison, Phillis Wheatley, James Baldwin, Tina McElroy Ansa, Toni Cade Bambara, and Thomas Dorsey.
The compelling and inspirational tale of the spiritual awakening of a white South African woman details her training as a medicine woman and her spiritual and emotional rebirth as an African and a healer.
Moriyah was looking for a righteous husband to lead her to the ways of the Creator. What she did not anticipate is that her obssession with finding this husband would lead her down a path of destruction and despair. As she struggles to regain her own identity and self-worth, she discovered something way more valuable...she discovered the Divine Feminine. Take a trip with Moriyah on her journey in defining key divine principles of love, unity, and balance. Understand the unique plan that the Creator has for the woman and her role in the restoration of the black nation. Learn how to love, protect, and heal yourself so that you can bring the same love, protection, and healing to the nation. It is time for the women of Yah to reconnect with the Creator. It is time for the women of Yah to rediscover their roots. It is time for the women of Yah to Rise up, and take their rightful positions next to the Kings and Priests of this nation. It is time for the Rize of the Ezer Kenegdo!
A study of seven autobiographies by women who defied the domestic ideology of 19th-century America by serving as itinerant preachers. Literally and culturally homeless, all of them used their autobiographies to construct plausible identities as women and Christians.
Derived from the Latin abiectus, literally meaning "thrown or cast down," "abjection" names the condition of being servile, wretched, or contemptible. In Western religious tradition, to be abject is to submit to bodily suffering or psychological mortification for the good of the soul. In Cast Down: Abjection in America, 1700-1850, Mark J. Miller argues that transatlantic Protestant discourses of abjection engaged with, and furthered the development of, concepts of race and sexuality in the creation of public subjects and public spheres. Miller traces the connection between sentiment, suffering, and publication and the role it played in the movement away from church-based social reform and toward nonsectarian radical rhetoric in the public sphere. He focuses on two periods of rapid transformation: first, the 1730s and 1740s, when new models of publication and transportation enabled transatlantic Protestant religious populism, and, second, the 1830s and 1840s, when liberal reform movements emerged from nonsectarian religious organizations. Analyzing eighteenth- and nineteenth-century conversion narratives, personal narratives, sectarian magazines, poems, and novels, Miller shows how church and social reformers used sensational accounts of abjection in their attempts to make the public sphere sacred as a vehicle for political change, especially the abolition of slavery.
This special collection assembles some of the most pre-eminent scholars in the field in African, African American, and American Studies to explore the ways writers reclaim the Black female body in African American literature using the theoretical, social, cultural, and religious frameworks of spirituality and religion. Central to these discussions is Black women's agency within these realms--their uncanny ability to invent and reinvent themselves within individual and communal spaces that frame them as both outsider and insider, unworthy and worthy, deviant and sacred, excess and minimal. Scholars have sought to discuss these tensions, acknowledged and affirmed in prose, poetry, music, essays, speeches, written plays, or short stories. Forgiveness, healing, redemption, and reclamation provide entry into these vibrant explorations of self-discovery, passion, and self-creation that interrogate traditional views of what is spiritual and what is religious. Discussed writers include Toni Morrison, Phillis Wheatley, James Baldwin, Tina McElroy Ansa, Toni Cade Bambara, and Thomas Dorsey.