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Written between August and December 1938, this poem is a record of MacNeice's emotional and intellectual experience during those months. The trivia of everyday living is set against events in the world outside - the settlement in Munich and slow defeat in Spain.
Written between August and December 1938, Autumn Journal is still considered one of the most valuable and moving testaments of living through the thirties by a young writer. It is a record of the author's emotional and intellectual experience during those months, the trivia of everyday living set against the events of the world outside, the settlement in Munich and slow defeat in Spain.
Night-blooming flowers blossom across the covers of this serene journal. A dusting of gorgeous gold foil illuminates the intricate details. 192 lightly lined pages provide plenty of space for personal reflection, sketching, or jotting down favorite quotations or poems. Smooth-finish, acid-free archival paper takes a variety of pens beautifully. A satin ribbon marker keeps your place. A classic feature: gilded-gold page edging. Journal is a larger size: 7-1/4'' wide x 9'' high. Substantial hardcover binding. Raised embossing lends dimensional detailing to our cover design. Complementary endsheets. Illustration by Nansei Sakagami.
Plant the seeds of your future creations with this deluxe paperback journal. With premium quality, cream-colored, wood-free paper and a combination of lined and unlined pages, this journal is designed to be a sacred space for all facets of your self-expression. Uplifting messages, quotes, and 44 full-page color art reproductions are interspersed throughout the journal for additional inspiration. Deluxe paperback journal measure 7 x 91⁄4 with 220 pages.
This autumn journal and checklist is perfect for organizing fall decorations, listing seasonal activities, costumes for Halloween, how many pumpkin spice latte's you've had, how many piles of leaves you've jumped in, and more! Includes a checklist of some fun fall activities that you can check off as you do them. Perfect for fun with family and friends! Makes a great gift for all fall lovers! Grab yours today!
Ulysses, a middle-aged widower, is forced into early retirement from his moving job. At a loss for what to do next, the course of his life is changed by a chance encounter with a fellow lonely soul at, of all places, his son's OB/GYN office. Mediterranea, who recently lost her mother, runs a cheese shop that she took over when her beloved Corsican father died years earlier. A romance blossoms between these two people who are supposedly in the "autumn" of their lives and they soon find themselves embarking on a most unexpected odyssey.
Jabbour Douaihy's Autumn Equinox is the diary of a young man recently returned to his Lebanese village after attending college in the United States. It continues from the end of May through the September equinox of 1986, detailing his efforts to remake himself by his adjusting his reading, writing, and eating habits; his dress; his relationships. The diary begins with a description of an Israeli bombing in South Lebanon and ends with a description of refugee families fleeing to his village. Otherwise, the Lebanese Civil War intrudes very little into the narrative; however, violence is a constant undercurrent in the life of the village. America, is a far-away land of nostalgia. The village is here, at the center of the young man's narration, peopled by comic characters who insist on their unique identities and resist his attempts to be different. The Civil War and the Occupation, the author seems to be saying, are not the only sources of turmoil. Violence and revenge have long been part of the people's consciousness, and one might indeed need to redefine oneself in order to adapt to one's environment.
A celebration of the tenacious life of the enduring Irish classics, this book by one of Irish writing's most eloquent readers offers a brilliant and accessible survey of the greatest works since 1600 in Gaelic and English, which together have shaped one of the world's most original literary cultures. In the course of his discussion of the great seventeenth- and eighteenth-century Gaelic poems of dispossession, and of later work in that language that refuses to die, Declan Kiberd provides vivid and idiomatic translations that bring the Irish texts alive for the English-speaking reader. Extending from the Irish poets who confronted modernity as a cataclysm, and who responded by using traditional forms in novel and radical ways, to the great modern practitioners of such paradoxically conservative and revolutionary writing, Kiberd's work embraces three sorts of Irish classics: those of awesome beauty and internal rigor, such as works by the Gaelic bards, Yeats, Synge, Beckett, and Joyce; those that generate a myth so powerful as to obscure the individual writer and unleash an almost superhuman force, such as the Cuchulain story, the lament for Art O'Laoghaire, and even Dracula; and those whose power exerts a palpable influence on the course of human action, such as Swift's Drapier's Letters, the speeches of Edmund Burke, or the autobiography of Wolfe Tone. The book closes with a moving and daring coda on the Anglo-Irish agreement, claiming that the seeds of such a settlement were sown in the works of Irish literature. A delight to read throughout, Irish Classics is a fitting tribute to the works it reads so well and inspires us to read, and read again.