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Most teens daydream about things they don't have and places they've never been. But seventeen-year-old Sweet Potato Jones doesn't have the luxury of such indulgences. For the past ten years, she's been focused on raising her three younger siblings. Sweet Potato never wanted anything for herself. Just a roof over their heads, someplace safe to live, food, and clothing. She never dared dream of anything more. The family finally catches a break when they meet Mrs. Sunshine Patterson, the Bible-quoting, gospel-singing owner of the Soul Food Restaurant. But Sweet Potato has never accepted charity from anyone, and she isn't about to start now. And that sweet, Southern boy making eyes at her? He can keep that, even if he is Mrs. Sunshine's son. Family, faith, and loyalty will be tested in this spirited contemporary Young Adult fiction title from Jen Lowry.
Columbia Theatre, absolutely fireproof, Luckett & Dwyer, lessees and managers, Ned Stein, treasurer. Charles Frohman presents the laughing play of the season, E.E. Rose's dramatization of Irving Bacheller's famous novel, "Eben Holden". Produced under the stage direction of E.E. Rose, scenery by Ernest Gros, incidental music by Wm. Furst, A.L. Levering, acting manager.
Typical of the genre of literature which presented short biographies of women to demonstrate their accomplishments, this book sketches the lives of twenty prominent British women.
P. J. O’Rourke said, “Creative writing teachers should be purged until every last instructor who has uttered the words ‘Write what you know’ is confined to a labor camp… The blind guy with the funny little harp who composed The Iliad, how much combat do you think he saw?” Like O’Rourke, William Faulkner had his own take on the Other Commandment for writers, the one that goes, “Thou shalt not quit thy day job”. Faulkner, who won the 1949 Nobel Prize for Literature, had, twenty-five years before, worked at the post office in his hometown of Oxford, Mississippi. Mr Faulkner was known to say, “One of the saddest things is that the only thing a man can do for eight hours, is work. You can’t eat eight hours a day, nor drink for eight hours a day, nor make love for eight hours”. He must have been determined to give something else (writing, we may assume, perhaps a glass of whisky on the side) a whirl when he tendered his resignation to the postmaster. “I reckon I’ll be at the beck and call of folks with money all my life”, he said, “but thank God I won’t ever again have to be at the beck and call of every son of a bitch who’s got two cents to buy a stamp." The authors in this book have tried their hands at some of the same jobs you have held, or still keep. They’ve worked on the railroad, busted rocks with a sledgehammer, fought fires, wiped tables, soldiered and carpentered and spied, delivered pizzas, lacquered boat paddles, counted heads for the church, sold underwear, and delivered the mail. They’ve driven garbage trucks. And like William Faulkner before them they have quit those day jobs. And like Faulkner they write. They tell good tales. If you wonder what work preceded their efforts to produce a great pile of books, if you would like to know how they made the transition to, as William Gay said, “clocking in at the culture factory”, then this is the book you’ve been waiting for...
In her debut middle grade novel—inspired by her family’s history—Christine Day tells the story of a girl who uncovers her family’s secrets—and finds her own Native American identity. All her life, Edie has known that her mom was adopted by a white couple. So, no matter how curious she might be about her Native American heritage, Edie is sure her family doesn’t have any answers. Until the day when she and her friends discover a box hidden in the attic—a box full of letters signed “Love, Edith,” and photos of a woman who looks just like her. Suddenly, Edie has a flurry of new questions about this woman who shares her name. Could she belong to the Native family that Edie never knew about? But if her mom and dad have kept this secret from her all her life, how can she trust them to tell her the truth now?
"Growing up in the wealthy suburbs of Philadelphia, Anton Stratis is groomed to be one thing only: the #1 tennis player in the world. Trained relentlessly by his obsessive father, a former athlete who plans every minute of his son's life, Anton both aspires to greatness and resents its all-consuming demands ... Anton explodes from nowhere onto the professional scene and soon becomes one of the top-ranked players in the world, with a coach, a trainer, and an entourage. But as Anton struggles to find a balance between stardom and family, he begins to make compromises"--Amazon.com.
Theme Is What Your Story Is Really AboutTheme-the mysterious cousin of plot and character. Too often viewed as abstract rather than actionable, theme is frequently misunderstood and left to chance. Some writers even insist theme should not be purposefully implemented. This is unfortunate, because in many ways theme is story. Theme is the heart, the meaning, the point. Nothing that important should be overlooked. Powerful themes are never incidental. They emerge from the conjunction of strong plots and resonant character arcs. This means you can learn to plan and implement theme. In doing so, you will deepen your ability to write not only stories that entertain, but also stories that stay with readers long after the end.Writing Your Story's Theme will teach you:?How to create theme from plot and character.?Why every supporting character and subplot should enhance the theme.?How to prevent theme from seeming preachy or "on the nose."?What to consider in identifying the best theme for any given story.?And much more!Conscious mastery of theme will elevate every story you write and allow you to craft fiction of depth and meaning.Take Control of Your Story Via a Powerful Implementation of Theme
During his service in the Civil War, a young Union soldier matures to manhood and finds peace of mind as he comes to grips with his conflicting emotions about war