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A history of the Confederated tribes of Coos, Lower Umpqua and Siuslaw Indians. Indians of the Oregon Coast. A compilation of 12 years of research and 60 articles written by the author, Don Whereat. Also includes individual articles written by Dr. Stephen Dow Beckham, Patty Whereat Phillips, Reg Pullman, Ron Thomas, and Melody Caldera. Book cover painting by Pam Stoehsler.
The methods of Indian basket weaving explained in this excellent manual are the very ones employed by native practitioners of the craft. members of the Navajo School of Basketry have set down their secrets in clear and simple language, enabling even the beginner to create work that can rival theirs in grace, design, and usefulness. Beginning with basic techniques, choice of materials, preparation of the reed, splicing, the introduction of color, principles and methods of design, shaping the basket and weaves from many cultures, such as Lazy Squaw, Mariposa, Taos, Samoan, Klikitat, and Shilo, each accompanied by specific instructions. There are suggestions for the weaving of shells, beads, feathers, fan palms, date palms, and even pine needles, and recipes for the preparation of dyes. Examples of each type of basket are illustrated by photographs, often taken from more than one angle so that the bottom can be seen as well as the top and sides. Close-up photography of the various types of stitching, especially at the crucial stage of beginning the basket, is an invaluable aid to the weaver. In addition, the authors have provided line drawings which are exceptionally clear magnifications of the various weave patterns. Anyone who follows the lessons contained in this book will have a knowledge of basketry unattainable in any other way. They are so lucid and complete that the amateur as well as the experienced weaver will be able to manufacture baskets distinguishable from authentic native articles only in that they were not woven by Indians. For those who merely seek a broader knowledge of American Indian arts, the book provides a comprehensive introduction to the subject of basketry.
A provocative rethinking of how humans and fire have evolved together over time—and our responsibility to reorient this relationship before it's too late.​ The Pyrocene tells the story of what happened when a fire-wielding species, humanity, met an especially fire-receptive time in Earth's history. Since terrestrial life first appeared, flames have flourished. Over the past two million years, however, one genus gained the ability to manipulate fire, swiftly remaking both itself and eventually the world. We developed small guts and big heads by cooking food; we climbed the food chain by cooking landscapes; and now we have become a geologic force by cooking the planet. Some fire uses have been direct: fire applied to convert living landscapes into hunting grounds, forage fields, farms, and pastures. Others have been indirect, through pyrotechnologies that expanded humanity's reach beyond flame's grasp. Still, preindustrial and Indigenous societies largely operated within broad ecological constraints that determined how, and when, living landscapes could be burned. These ancient relationships between humans and fire broke down when people began to burn fossil biomass—lithic landscapes—and humanity's firepower became unbounded. Fire-catalyzed climate change globalized the impacts into a new geologic epoch. The Pleistocene yielded to the Pyrocene. Around fires, across millennia, we have told stories that explained the world and negotiated our place within it. The Pyrocene continues that tradition, describing how we have remade the Earth and how we might recover our responsibilities as keepers of the planetary flame.