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Discussing the diverse relationships between law and the artistic image, this book includes coverage of the history of the relationship between art and law, and the ways in which the visual is made subject to the force of the law.
This book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700.
"This collection of essays is the result of a multi-year exchange program between medievalists at the University of Illinois at Urbana-Champaign and research teams of France Centre National de la Recherche Scientifique."
The quest to escape authority has been a persistent feature of the modern world, animating liberals and Marxists, Westerners and non-Westerners alike. Yet what if it turns out that authority is intrinsic to humanity? What if authority is characteristic of everything we are and do as those created in God's image, even when we claim to be free of it? What if kings and commoners, teachers and students, employers and employees all possess authority? This book argues that authority cannot be identified with mere power, is not to be played off against freedom, and is not a mere social construction. Rather it is resident in an office given us by God himself at creation. This central office is in turn dispersed into a variety of offices relevant to our different life activities in a wide array of communal settings. Far from being a conservative bromide, the call to respect authority is foundational to respect for humanity itself.
Geographical imagination and the authority of images collects three papers and an interview on the themes presented and discussed during the 2005 Hettner lectures. Cosgrove examines the roles that vision and imagination have played in shaping material and represented landscapes at scales ranging from the local and regional to the global and cosmic. The book presents substantive studies of cosmographic and global mapping, the picturesque tradition and suburban Los Angeles, and the use of aeTranspennine' England as a geographical art gallery. Embedded in these are theoretical and ethical reflections on the ways that we come to know the world, ourselves and each other through geographical engagements, especially when these are mediated through graphic images. The interview locates these themes within the context of Denis Cosgrove's development as a geographer and his response to debates within the discipline about the roles of imagination, culture and representation within geographies's humanities tradition. Contents Peter Meusburger / Hans Gebhardt: Introduction: Hettner-Lecture 2005 in Heidelberg Denis Cosgrove: Apollo's eye: a cultural geography of the globe Denis Cosgrove: Landscape, culture and modernity Denis Cosgrove: Regional art: Transpennine geography remembered and exhibited Tim Freytag / Heike Joens: Vision and the, culturalae in geography: a biographical interview with Denis Cosgrove The Klaus Tschira Foundations gGmbH u Photographic representations: Hettner-Lecture 2005 u List of participants.
From one of the greatest Shakespeare scholars of our time, a beloved professor who has taught the Bard for over half a century—an intimate, wise, deeply compelling portrait of Lear, arguably Shakespeare’s most tragic and compelling character, the third in a series of five short books hailed as Harold Bloom’s “last love letter to the shaping spirit of his imagination” (The New York Times Book Review). King Lear is one of the most famous and compelling characters in literature. The aged, abused monarch—a man in his eighties, like Bloom himself—is at once the consummate figure of authority and the classic example of the fall from grace and widely agreed to be Shakespeare’s most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are seventeen and another when we are forty, Bloom writes about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that the book also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. Now he brings that insight to his “measured, thoughtful assessment of a key play in the Shakespeare canon” (Kirkus Reviews). “Lear is a “short, superb book that has a depth of observation acquired from a lifetime of study” (Publishers Weekly).
"In this edited volume, Richard Davis and his colleagues examine how religious images are understood by practitioners in Asia and what social, cultural, and political aspects are connected to the "mira"
Next Generation Indie Book Awards, Best Non Fiction 2019 National Indie Excellence Award Winner Nautilus Book Awards, Gold #1 Amazon Best Seller in Architecture History & Periods Amazon Best Seller in Art Subjects & Themes Seeing the World Through Shape How do humans make sense of the world? In answer to this timeless question, award winning documentary filmmaker, Lois Farfel Stark, takes the reader on a remarkable journey from tribal ceremonies in Liberia and the pyramids in Egypt, to the gravity-defying architecture of modern China. Drawing on her experience as a global explorer, Stark unveils a crucial, hidden key to understanding the universe: Shape itself. The Telling Image is a stunning synthesis of civilization’s changing mindsets, a brilliantly original perspective urging you to re-envision history not as a story of kings and wars but through the lens of shape. In this sweeping tour through time, Stark takes us from migratory humans, who imitated a web in round-thatched huts and stone circles, to the urban ladder of pyramids and skyscrapers, organized by hierarchy and measurements, to today’s world of interconnected networks. ​In The Telling Image Stark reveals how buildings, behaviors, and beliefs reflect humans’ search for pattern and meaning. We can read the past and glimpse the future by watching when shapes shift. Stark’s beautifully illustrated book asks of all its readers: See what you think.