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From one of our most widely admired art critics comes a bold and timely manifesto reaffirming the independence of all the arts—musical, literary, and visual—and their unique and unparalleled power to excite, disturb, and inspire us. As people look to the arts to promote a particular ideology, whether radical, liberal, or conservative, Jed Perl argues that the arts have their own laws and logic, which transcend the controversies of any one moment. “Art’s relevance,” he writes, “has everything to do with what many regard as its irrelevance.” Authority and Freedom will find readers from college classrooms to foundation board meetings—wherever the arts are confronting social, political, and economic ferment and heated debates about political correctness and cancel culture. Perl embraces the work of creative spirits as varied as Mozart, Michelangelo, Jane Austen, Henry James, Picasso, and Aretha Franklin. He contends that the essence of the arts is their ability to free us from fixed definitions and categories. Art is inherently uncategorizable—that’s the key to its importance. Taking his stand with artists and thinkers ranging from W. H. Auden to Hannah Arendt, Perl defends works of art as adventuresome dialogues, simultaneously dispassionate and impassioned. He describes the fundamental sense of vocation—the engagement with the tools and traditions of a medium—that gives artists their purpose and focus. Whether we’re experiencing a poem, a painting, or an opera, it’s the interplay between authority and freedom—what Perl calls “the lifeblood of the arts”—that fuels the imaginative experience. This book will be essential reading for everybody who cares about the future of the arts in a democratic society.
Originally published in 1950 and updated in 1968, this book discusses the functions and status of native chiefs in what were the French colonies in West Africa. It also examines the relation of the French legal code to native law and custom and the activities of Christian missions. Analysing changes which took place in the early 20th century as a result of Africa's entry into the world economy, the book includes proposals for increasing agricultural production and co-operative marketing.
Academic freedom rests on a shared belief that the production of knowledge advances the common good. In an era of education budget cuts, wealthy donors intervening in university decisions, and right-wing groups threatening dissenters, scholars cannot expect that those in power will value their work. Can academic freedom survive in this environment—and must we rearticulate what academic freedom is in order to defend it? This book presents a series of essays by the renowned historian Joan Wallach Scott that explore the history and theory of free inquiry and its value today. Scott considers the contradictions in the concept of academic freedom. She examines the relationship between state power and higher education; the differences between the First Amendment right of free speech and the guarantee of academic freedom; and, in response to recent campus controversies, the politics of civility. The book concludes with an interview conducted by Bill Moyers in which Scott discusses the personal experiences that have informed her views. Academic freedom is an aspiration, Scott holds: its implementation always falls short of its promise, but it is essential as an ideal of ethical practice. Knowledge, Power, and Academic Freedom is both a nuanced reflection on the tensions within a cherished concept and a strong defense of the importance of critical scholarship to safeguard democracy against the anti-intellectualism of figures from Joseph McCarthy to Donald Trump.
Western society is in a crisis: all of us want to be free, but many do not know what true freedom is, much less how to achieve it. Even within the church differing views about the authority of Scripture and its role in Christian life and thought have left split some denominations and left others on the verge of schism. In Freedom & Authority, J.I. Packer shows the true nature of freedom and the only way to experience it. "True freedom," writes Packer, "is found where Jesus Christ is Lord in living personal fellowship. It is under the authority of a fully trusted Bible that Christ is most fully known and this God-given freedom most fully enjoyed. If therefore we have at heart the spiritual renewal for society, for churches, and for our own lives, we shall make much of the entire trustworthy--that is, the inerrancy--of Holy Scripture as the inspired and liberating Word of God." J. I. Packer is Board of Governors' Professor of Theology at Regent College in Vancouver, British Columbia. Dr. Packer is author of many books, including Knowing God, A Grief Sanctified, and Keep in Step with the Spirit.
The Two Faces of American Freedom boldly reinterprets the American political tradition from the colonial period to modern times, placing issues of race relations, immigration, and presidentialism in the context of shifting notions of empire and citizenship. Today, while the U.S. enjoys tremendous military and economic power, citizens are increasingly insulated from everyday decision-making. This was not always the case. America, Aziz Rana argues, began as a settler society grounded in an ideal of freedom as the exercise of continuous self-rule—one that joined direct political participation with economic independence. However, this vision of freedom was politically bound to the subordination of marginalized groups, especially slaves, Native Americans, and women. These practices of liberty and exclusion were not separate currents, but rather two sides of the same coin. However, at crucial moments, social movements sought to imagine freedom without either subordination or empire. By the mid-twentieth century, these efforts failed, resulting in the rise of hierarchical state and corporate institutions. This new framework presented national and economic security as society’s guiding commitments and nurtured a continual extension of America’s global reach. Rana envisions a democratic society that revives settler ideals, but combines them with meaningful inclusion for those currently at the margins of American life.
Letty M. Russell's Household of Freedom addresses concerns important to all those struggling with issues of authority and equality in the church. Known for her work in feminist and liberation theologies, Russell now looks at the question of authority: that is, legitimate power in the context of Christianity. She uses the image of community, God's household of freedom, to describe ways in which human beings can better live and work together in faith.
From one of our most widely admired art critics comes a bold and timely manifesto reaffirming the independence of all the arts—musical, literary, and visual—and their unique and unparalleled power to excite, disturb, and inspire us. As people look to the arts to promote a particular ideology, whether radical, liberal, or conservative, Jed Perl argues that the arts have their own laws and logic, which transcend the controversies of any one moment. “Art’s relevance,” he writes, “has everything to do with what many regard as its irrelevance.” Authority and Freedom will find readers from college classrooms to foundation board meetings—wherever the arts are confronting social, political, and economic ferment and heated debates about political correctness and cancel culture. Perl embraces the work of creative spirits as varied as Mozart, Michelangelo, Jane Austen, Henry James, Picasso, and Aretha Franklin. He contends that the essence of the arts is their ability to free us from fixed definitions and categories. Art is inherently uncategorizable—that’s the key to its importance. Taking his stand with artists and thinkers ranging from W. H. Auden to Hannah Arendt, Perl defends works of art as adventuresome dialogues, simultaneously dispassionate and impassioned. He describes the fundamental sense of vocation—the engagement with the tools and traditions of a medium—that gives artists their purpose and focus. Whether we’re experiencing a poem, a painting, or an opera, it’s the interplay between authority and freedom—what Perl calls “the lifeblood of the arts”—that fuels the imaginative experience. This book will be essential reading for everybody who cares about the future of the arts in a democratic society.
Using William Morris as an archetype, Freedom and Authority argues that the major concern of the important nineteenth-century libertarian thinkers was the use and abuse of State power. This critique began one of the principal themese of New Left literature in the mid-twentieth century. This study identifies the personalities, organisations, and ideas important to the development of libertarian thought in the English-speaking world. Member of this diverse school, who were anti-statist and opposed Marx's socialism, variously called themselves "anarchists", "communists" and socialists" as well as "libertarians." United only in the vview that any increase in State power was anathema to the freedom of the individual, they mainted that the growth of government intervention would jeopardise the chances of creating anti-authoritarian society. The book includes libertarian critique of John Stuart Mill. These early radicals were the precursors of the social movements that now struggle for participatory democracy and community power.