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The tradition of Chinese wooden architecture dates back to ancient times. The construction solutions developed in this country over the centuries enchant with their refined character, while the historical wooden structures delight future generations with their dignity and aesthetic excellence. China`s wooden architecture, deeply rooted in its spiritual and religious traditions, is undoubtedly the pinnacle of this type of building in Asian culture. At the same time, it is a testimony to the national identity and reflects the specificity of the country`s material heritage. The accelerated social and economic changes in China and the constantly advancing globalization of the world have contributed to this country’s assimilation of Western concepts related to the protection of cultural heritage. The issue of authenticity in the preservation of wooden built heritage proved particularly problematic. This book brings closer the theoretical understanding and practical application of the idea of authenticity from Chinese perspective. To do this, the issue of living heritage and the reception and understanding of traditional Chinese wooden architecture and its preservation as a direct materialization of Chinese religious and philosophical traditions is discussed. The above topics are treated within the cyclic concept of time, i.e. in terms of progress and repetition, with preservation being understood as a religious practice. Finally, trends in the preservation of wooden heritage in present-day China are mentioned, including new attempts to interpret the tradition and the reinvention of the tradition of wooden building. The book aims to contribute to the understanding of the protection of wooden architectural heritage in China from a new perspective, and will be of particular interest to academics and professionals interested in or involved in the preservation of built wooden heritage. ‘(...) a highly valuable contribution to the field of wooden architecture protection and preservation’, Xiaoming Zhu (Tongji University, Shanghai, China) This book ‘(...) successfully explains the inheritance characteristics of Chinese wooden architectures from the perspective of cultural philosophy for a wide audience (...)’, Yasufumi Uekita, University of Tsukuba, Ibaraki, Japan
Rock Mechanics and Engineering Geology in Volcanic Fields includes keynote lectures and papers from the 5th International Workshop on Rock Mechanics and Engineering Geology in Volcanic Fields (RMEGV2021, Fukuoka, Japan, 9-10 September 2021). This book deals with challenging studies related to solving engineering issues around volcanic fields, including: Volcanic geology, disasters and their mitigation Resources and energy in volcanic fields Mechanical behavior of volcanic rocks and soils Groundwater and environmental problems in volcanic fields Geotechnical engineering in volcanic fields Rock Mechanics and Engineering Geology in Volcanic Fields is of great interest to civil engineers and engineering geologists working in the areas of rock and soil mechanics, geotechnical engineering, geothermal energy, engineering geology, and environmental science.
The first comprehensive overview of architectural conservation in Asia Internationally renowned author John Stubbs follows up on the success of his previous volumes Time Honored: A Global View of Architectural Conservation and Architectural Conservation in Europe and the Americas Architectural conservation is a rapidly expanding and under-researched field in Asia and is international experts are often brought in, making the subject of considerable interest to international academics Boxes and case studies by local experts add depth and interest to the authors' meticulous research A website with extra information and resources accompanies the series: http://conservebuiltworld.com
"An accomplished architect and urbanist goes back to the roots of what makes cities attractive and livable, demonstrating how we can restore function and beauty to our urban spaces for the long term. Nearly everything we treasure in the worldÕs most beautiful cities was built over a century ago. Cities like Prague, Paris, and Lisbon draw millions of visitors from around the world because of their exquisite architecture, walkable neighborhoods, and human scale. Yet a great deal of the knowledge and practice behind successful city planning has been abandoned over the last hundred yearsÑnot because of traffic, population growth, or other practical hurdles, but because of ill-considered theories emerging from Modernism and reactions to it. The errors of urban design over the last century are too great not to question. The solutions being offered todayÑsustainability, walkability, smart and green technologiesÑhint at what has been lost and what may be regained, but they remain piecemeal and superficial. In The Art of Classic Planning, architect and planner Nir Haim Buras documents and extends the time-tested and holistic practices that held sway before the reign of Modernism. With hundreds of full-color illustrations and photographs that will captivate architects, planners, administrators, and developers, The Art of Classic Planning restores and revitalizes the foundations of urban planning. Inspired by venerable cities like Kyoto, Vienna, and Venice, and by the great successes of LÕEnfantÕs Washington, HaussmannÕs Paris, and BurnhamÕs Chicago, Buras combines theory and a host of examples to arrive at clear guidelines for best practices in classic planning for todayÕs world. The Art of Classic Planning celebrates the enduring principles of urban design and invites us to return to building beautiful cities."
The book contributes to a recontextualization of authenticity by investigating how this value is created, reenacted, and assigned. Over the course of the last century, authenticity figured as the major parameter for the evaluation of cultural heritage. It was adopted in local and international charters and guidelines on architectural conservation in Europe, South and East Asia. Throughout this period, the concept of authenticity was constantly redefined and transformed to suit new cultural contexts and local concerns. This volume presents colonial and postcolonial discourses, opinions, and experiences in the field of architectural heritage conservation and the use of site-specific practices based on representative case studies presented by art historians, architects, anthropologists, and conservationists from Germany, Nepal, India, China, and Japan. With more than 180 illustrations and a collection of terminologies in German, English, Sanskrit, Hindi, Nevari and Nepali, classical Chinese and standard Mandarin, and Japanese, these cross-cultural investigations document the processual re-configuration of the notion of authenticity. They also show that approaches to authenticity can be specified with key analytical categories from transcultural studies: appropriation, transformation, and, in some cases, refusal.
Vernacular architecture in general and earthen architecture in particular, with their rich variety of forms worldwide, are custodians of the material culture and identity of the peoples who built them. In addition, they are widely recognized as ancestral examples of sustainability in all their variants and interpretations, and the architecture of the present ought to learn from these when designing the sustainable architecture of the future. The conservation of these architectures – seemingly simple yet full of wisdom – is to be undertaken now given their intrinsic value and their status as genuine examples of sustainability to be learnt from and interpreted in contemporary architecture. Vernacular and earthen architecture: Conservation and Sustainability will be a valuable source of information for academics and professionals in the fields of Environmental Science, Civil Engineering, Construction and Building Engineering and Architecture.
A comprehensive approach to the preservation of historic timber structures. The authors demonstrate that repair methods must be geared towards the specific cultural, architectural and environmental conditions of the area where the timber structure is located.
Wood is a natural building material: if used in building elements, it can play structural, functional and aesthetic roles at the same time. The use of wood in buildings, which goes back to the oldest of times, is now experiencing a period of strong expansion in virtue of the sustainable dimension of wood buildings from the environmental, economic and social standpoints. However, its use as an engineering material calls for constant development of theoretical and experimental research to respond properly to the issues involved in this. In the single chapters written by experts in different fields, the book aims to contribute to knowledge in the application of wood in the building industry.
The expansion of international tourism is changing the relationship between ethnic groups and states around the globe. Yet tourism’s importance for the understanding of ethnicity in the modern world has been generally neglected within the field of ethnic studies. This pioneering volume investigates how international tourism development, state policies of ethnic management, and the active responses of local ethnic groups intersect to reshape ethnic identities and ethnic relations in Asian and Pacific societies. It analyzes the ways in which the very meaning of ethnicity and culture are being contested and reworked in the wake of tourism’s impact. Following an introduction that explores the close but often ambivalent relationship between tourism promotion and state ethnic policies, individual contributors examine tourism’s varied effects in China, Singapore, Malaysia, Thailand, Indonesia, and the island Pacific in rich ethnographic detail.
The Mogao Grottoes, a World Heritage Site in northwestern China, are located along the ancient caravan routes—collectively known as the Silk Road—that once linked China with the West. Founded by a Buddhist monk in the late fourth century, Mogao flourished over the following millennium, as monks, local rulers, and travelers commissioned hundreds of cave temples cut into a mile-long rock cliff and adorned them with vibrant murals. More than 490 decorated grottoes remain, containing thousands of sculptures and some 45,000 square meters of wall paintings, making Mogao one of the world’s most significant sites of Buddhist art. In 1997 the Getty Conservation Institute, which had been working with the Dunhuang Academy since 1989, began a case study using the Late–Tang dynasty Cave 85 to develop a methodology that would stabilize the deteriorating wall paintings. This abundantly illustrated volume is the definitive report on the project, which was completed in 2010.