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Today, roughly 100,000 Gypsies call Australia home, yet until now their experiences have been hidden from our history, and from our present. Here, award-winning memoirist and novelist Mandy Sayer weaves together a wide-ranging and exuberant history of Gypsies in Australia. She begins with the roots of Romani culture, and traces the first Gypsy people to arrive in Australia, including James Squire, the colony's first brewer. She meets Gypsy families who live all over Australia, who share the stories of their ancestors and their own lives. With her own nomadic early life and experiences as a street performer, Sayer brings unique insight into the lives of the people she meets, and a strong sense of their extraordinary history. She also demolishes some longstanding but baseless myths along the way. Her original and compelling book reveals a rich part of our history that few of us even know is there.
Romany culture is perhaps the most Indo-European of all. The ancestors of the Gypsies left India around 1000 years ago and mixed with every culture on the way to produce a variety of Romany dialects and well-known cultural achievements from Hungarian Gypsy music to the English Gypsy caravan. Such images somehow co-exist, however, with continuous persecution.
Australia is one of the most ethnically diverse societies in the world today. From its ancient indigenous origins to British colonisation followed by waves of European then international migration in the twentieth century, the island continent is home to people from all over the globe. Each new wave of settlers has had a profound impact on Australian society and culture. The Australian People documents the dramatic history of Australian settlement and describes the rich ethnic and cultural inheritance of the nation through the contributions of its people. It is one of the largest reference works of its kind, with approximately 250 expert contributors and almost one million words. Illustrated in colour and black and white, the book is both a comprehensive encyclopedia and a survey of the controversial debates about citizenship and multiculturalism now that Australia has attained the centenary of its federation.
This volume provides a contemporary reflection on the journey of many former European communities that migrated to Australia in the post-war period and their stories of settlement, assimilation and integration. The chapters provide perspectives from a range of disciplines and approaches across different communities. There are common themes that emerge, as well as unique issues which define these communities.
Un-Australian Fictions sets out to analyse a subset of Australian literary fictions published between 1988 and 2008 – from the bicentenary of British settlement to the global financial crisis and into a new millennium. During a new transnational era, Australians faced sober and unsettling times. Already accorded the status of national obsession, issues of national identity were vigorously contested. Concepts such as the nation, multiculturalism and globalisation became topics for heated discussion in the public sphere. Australia’s literary communities were not immune or isolated from these ongoing discussions. The “un-Australian fictions” which this book studies represent the challenges which these texts, in their own unique way, bring to the Australian national ethos and the national mythology, which is predicated on traditions such as masculism; a bush ethos; the pre-eminence of white colonial settlement; connectedness to an imaginative European geography; as well as an unbreakable tie to Britain. As un-Australian fictions, these texts reflect the destabilisation of what were once certain, spatial and psychic borders and orders of Australianness. They affect as well as reflect, the wider conversation that continues today about what being Australian means in a new millennium.
The first monograph to be published on Gypsies in Britain using the perspective of social anthropology.
An irresistible call lured Australian artists abroad between 1890 and 1914, a transitional period immediately pre- and post-federation. Travelling enabled an extension of artistic frontiers, and Paris – the centre of art – and London – the heart of the Empire – promised wondrous opportunities. These expatriate artists formed communities based on their common bond to Australia, enacting their Australian-ness in private and public settings. Yet, they also interacted with the broader creative community, fashioning a network of social and professional relationships. They joined ateliers in Paris such as the Académie Julian, clubs like the Chelsea Arts Club in London and visited artist colonies including St Ives in England and Étaples in France. Australian artists persistently sought a sense of belonging, negotiating their identity through activities such as plays, balls, tableaux, parties, dressing-up and, of course, the creation of art. While individual biographies are integral to this study, it is through exploring the connections between them that it offers new insights. Through utilising extensive archival material, much of which has limited or no publication history, this book fills a gap in existing scholarship. It offers a vital exploration re-consideration of the fluidity of identity, place and belonging in the lives and work of Australian artists in this juncture in British-Australian history.
Brian Belton's powerfully original book examines Gypsy lives against the framework of social theories that illustrate how identity arises out of the cultural complexity of individual biographies, families, and communities. Addressing the lack of contextual and social perspectives in the existing literature and the underlying assumption of a consistent Gypsy lineage, he explores the subject of identity to include the broader social context in which the population exists. He argues that Gypsy identity is created and maintained not only by tradition and heredity, but also by social and ideological factors that give rise to the "ethnic narrative" of Gypsy identity. Growing up in an English Gypsy family, Belton offers a unique "outsider-insider" perspective to Questioning Gypsy Identity, writing what are essentially stories of people--how they are made, their social force, and what they collectively create.