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Strings Around the World, is designed for the student string orchestra, string quartet, or violin group. The arrangements often take the tunes a step further than their original musical intention but they are not technically difficult. Titles are: Barn Dance (Australian Folk Song) * The Black Velvet Band (Australian Folk Song) * Botany Bay (Australian Folk Song) * Brisbane Ladies (Australian Folk Song) * Click Go the Shears (Australian Folk Song) * Jim Jones at Botany Bay (Australian Folk Song) * Kookaburra (Sinclair) * Along the Road to Gundagai (O'Hagan) * A Thousand Miles Away (Australian Folk Song) * Waltzing Matilda (Cowan).
An illuminating history of the song for every kind of music lover Often today, the word ‘song’ is used to describe all music. A free-jazz improvisation, a Hindustani raga, a movement from a Beethoven symphony: apparently, they’re all songs. But they’re not. From Sia to Springsteen, Archie Roach to Amy Winehouse, a song is a specific musical form. It’s not so much that they all have verses and choruses – though most of them do – but that they are all relatively short and self-contained; they have beginnings, middles and ends; they often have a single point of view, message or story; and, crucially, they unite words and music. Thus, a Schubert song has more in common with a track by Joni Mitchell or Rihanna than with one of Schubert’s own symphonies. The Song Remains the Same traces these connections through seventy-five songs from different cultures and times: love songs, anthems, protest songs, lullabies, folk songs, jazz standards, lieder and pop hits; ‘When You Wish Upon a Star’ to ‘We Will Rock You’, ‘Jerusalem’ to ‘Jolene’. Unpicking their inner workings makes familiar songs strange again, explaining and restoring the wonder, joy (or possibly loathing) the reader experienced on first hearing. ‘As much about singing, musicianship and recording as it is about songwriting, this eclectic ride through a unique choice of songs (everyone will argue for alternatives) is cleverly curated and littered with intriguing details about the creators and their times, filled with loving cross-references to other songs and deft musical analysis. I defy anyone not to leap online to listen to the unfamiliar, or re-listen to old favourites in light of new detail. One of the best games in this book is figuring out why one song follows the other: there’s always an intelligent, often very funny, link.’ —Robyn Archer
Verandah Musicis a unique anthology of writing on traditional Australian music which provides a fascinating insight into the relationship between the music and the people that produced and perpetuated it. Through interviews, photographs and personal stories, VerandahMusic illuminates the traditions, working lives and family connections of some of Australia's most colourful characters and the music they loved. The book comes complete with two CD's, mastered by the National Library of Australia, which greatly enhances the reader's understanding and enjoyment of this unique form of Australian folk music
David Nichols tells the story of Australian rock and pop music from 1960 to 1985 – formative years in which the nation cast off its colonial cultural shackles and took on the world. Generously illustrated and scrupulously researched, Dig combines scholarly accuracy with populist flair. Nichols is an unfailingly witty and engaging guide, surveying the fertile and varied landscape of Australian popular music in seven broad historical chapters, interspersed with shorter chapters on some of the more significant figures of each period. The result is a compelling portrait of a music scene that evolves in dynamic interaction with those in the United States and the UK, yet has always retained a strong sense of its own identity and continues to deliver new stars – and cult heroes – to a worldwide audience. Dig is a unique achievement. The few general histories to date have been highlight reels, heavy on illustration and short on detail. And while there have been many excellent books on individual artists, scenes and periods, and a couple of first-rate encylopedias, there’s never been a book that told the whole story of the irresistible growth and sweep of a national music culture. Until now . . .
The 2011 post code of inner-city Sydney is comprised of five distinctly different precincts and all with colourful and extremely curious histories. From amusement parks to Sydney's highest concentration of colonial pubs, from the high life to the low life and the very low life. It's all here in the Good Old Bad Old Days
An expose of two cover-ups: one the death of a swagman by a billabong; the other, a torrid affair between Banjo Paterson and his fiancee's best friend, and how the two events come together in Australia's best-loved national song. Australians know Waltzing Matilda, written by their most popular poet Banjo Paterson, as their most loved song and unofficial national anthem. What Australians don't know is that their song is embroiled in a web of secrecy, violence and a triangular love affair. Written at a pivotal time in Australia's history, Waltzing Matilda is as important to Australian culture as events like the Eureka Stockade and the story of Ned Kelly. One hundred and fifteen years after the writing of Waltzing Matilda, Australians continue to be fascinated with the song and sing it proudly wherever they meet to celebrate. Given the facts outlined in this story, they will be further captivated and embrace the song for decades to come.
Includes the lyrics to 33 songs to help learn about 225 countries, continents, landmarks, maps, etc.
A mesmerizing journey into the musical world of Australia's Aboriginal people. Winner of the Stanner Award from the Australian Institute of Aboriginal and Torres Strait Islanders Studies (2006) Aboriginal musicians receive songs both from an eternal realm known as The Dreaming and from the ghosts of deceased ancestors. Songs, Dreamings, and Ghosts is the first book-length study of wangga, a musical and ceremonial genre of Aboriginal people of the Daly Region of Northern Australia. This work is a labor of love, the culmination of nearly 20 years of field work and research by renowned ethnomusicologist Allan Marett, and represents the only comprehensive documentation of a single major genre of Aboriginal music. With first-hand, in-depth knowledge of Northwest Australia's Aboriginal cultures, Marett provides the reader with a penetrating description and analysis of this compelling musical practice. This book makes a significant contribution to knowledge of Aboriginal studies, and provides a rare glimpse into relatively unknown traditions and cultures. It includes illustrations, musical examples, and links to a web-based virtual CD loaded with samples of this fascinating music, closely linked to the text, at http://www.wesleyan.edu/wespress/wanggacd/.
Australian music has a proud, colourful and successful history. In 2008, Australian rock and roll turned 50. This book names the best Australian albums of the last 50 years. It places each album in order (from 1 u 100) and discusses why each album deserves its place. It tells the story behind the making of the album, where the album fits in the artist's career and the album's impact on the local and world stage etc. The entries will feature new interviews with the artists and the producers/managers involved in the recording and the release of the album. It wouldn't be a good list if it didn't polarise people and we hope that this list will. We also hope that it will get people sitting around comparing their favourites and discovering or re-discovering these great albums and others. With 70 years of loving and writing about Australian music between us, we shamelessly believe we've earned the right to write this book. And we think we've got it right. Let the debate begin.o u John O'Donnell, April 2010 Finally, here is a much-needed list of argument-starting top 100 seminal/ influential/essential Australian albums of all time. Let the fight begin!