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This is the 50,000-year story of the Australian Aboriginal rock art of Arnhem Land. Aboriginal rock art, as practised in Arnhem Land, is the world's longest continuing art tradition. It is a tradition that is not merely decorative, but provides a journey in time - a pictoral record of the longest surviving culture on earth.
A survey of Australian rock art, presenting detailed case studies revealing the significance of both recent and ancient art for Australia's living indigenous communities.
This is the 50,000-year story of the Australian Aboriginal rock art of Arnhem Land.Aboriginal rock art, as practised in Arnhem Land, is the world's longest continuing art tradition. It is a tradition that is not merely decorative, but provides a "journey in time" - a pictorial record of the longest surviving culture on earth. Occurring at thousands of different sites, and of many different styles, the rock paintings of this region date from at least 30,000 years ago, and some may have been in place as early as 50,000 years ago.The oldest galleries pre-date the Hall of Bulls and Lascaux in France. This book explores the depth and complexity of this art tradition and gives insight into the aesthetic and cultural worlds of the people who created it.Journey in Time has been written and illustrated with the permission of the Gagudju people, the traditional owners of the land.
Describes the art of the Australian Aborigines including rock painting and engraving as well as sand and bark painting; also discusses the symbolism found in these works.
Visions from the Past is a clear and comprehensive examination of Aboriginal rock art. It also provides a practical overview of precisely how and why archaeologist study prehistoric art.
The land - Ancestral past - The people - Rock art - Pre-estuarine period - Estuarine period - Freshwater period - Contact period - Rock paintings.
Survey of Australian rock art; engravings SydneyHawkesbury area, lower Murray River, Port Hedland, Panaramitee; linear and intaglio engravings subjects - Mootwingie, west and south Queensland; antiquity of petroglyphs; superiority of northern and central Australian paintings, materials used, styles (New South Wales, Queensland, Arnhem Land, Kimberleys, Central Australia); survey of sites throughout Australia with mythological interpretations; antiquity of paintings; theories of origin of Wandjunas.
The art of the Australian Aborigines is widely recognised as being the oldest art form in the world, preceding that of the Americas and Europe by many centuries. For thousands of years, however, the only art forms practised by the Aborigines were rock painting and carving, bark painting, sand painting and body painting using natural ochres, wild desert cotton, charcoal and birds' down, often carried out as part of ceremonial activities. It was not until 1971 that the Aborigines of the Papunya Tula settlement in the deserts of the Northern Territory were introduced to methods of painting on canvas and board using modern materials. This book commemorates the twenty-fifth anniversary of the Papunya Tula painting movement - the birthplace of contemporary Aboriginal painting. The work of eighty Papunya Tula artists, including some of the best known Aboriginal painters - Clifford Possum Tjapaltjarri, Michael Nelson Tjakamarra and Tim Leura Tjapaltjarri - is illustrated in this book in two hundred full-colour reproductions which demonstrates the vibrancy and sophistication of the art. Patrick Corbally Stourton's introductory text examines the events which led to the birth of this extraordinary painting movement, and illuminates the mythology of Dreamings which lies behind every Aboriginal painting.
At last! A book showcasing the Aboriginal rock art of Western Australia's Burrup Peninsula. Western Australia contains some of the oldest, most prolific, and most spectacular rock art in the world. Some of the art probably dates from about 40,000 years ago, and much dates from around the last ice age which peaked 20,000 years ago. On the Australian Heritage-listed Burrup Peninsula and surrounding islands there are an estimated one million motifs carved into the rocks. This lavishly illustrated 516-page book has more than 600 images of this amazing art.
Western Arnhem Land, in the Top End of Australia’s Northern Territory, has a rich archaeological landscape, ethnographic record and body of rock art that displays an astonishing array of imagery on shelter walls and ceilings. While the archaeology goes back to the earliest period of Aboriginal occupation of the continent, the rock art represents some of the richest, most diverse and visually most impressive regional assemblages anywhere in the world. To better understand this multi-dimensional cultural record, The Archaeology of Rock Art in Western Arnhem Land, Australia focuses on the nature and antiquity of the region’s rock art as revealed by archaeological surveys and excavations, and the application of novel analytical methods. This volume also presents new findings by which to rethink how Aboriginal peoples have socially engaged in and with places across western Arnhem Land, from the north to the south, from the plains to the spectacular rocky landscapes of the plateau. The dynamic nature of Arnhem Land rock art is explored and articulated in innovative ways that shed new light on the region’s deep time Aboriginal history.