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Fields, Capitals, Habitus provides an insightful analysis of the relations between culture and society in contemporary Australia. Presenting the findings of a detailed national survey of Australian cultural tastes and practices, it demonstrates the pivotal significance of the role culture plays at the intersections of a range of social divisions and inequalities: between classes, age cohorts, ethnicities, genders, city and country, and the relations between Indigenous and non-Indigenous Australians. The book looks first at how social divisions inform the ways in which Australians from different social backgrounds and positions engage with the genres, institutions, and particular works of culture and cultural figures across six cultural fields: the visual arts, literature, music, heritage, television, and sport. It then examines how Australians' cultural preferences across these fields interact within the Australian 'space of lifestyles'. The close attention paid to class here includes an engagement with role of 'middlebrow' cultures in Australia and the role played by new forms of Indigenous cultural capital in the emergence of an Indigenous middle class. The rich survey data is complemented throughout by in-depth qualitative data provided by interviews with survey participants. These are discussed more closely in the final part of the book which explores the gendered, political, personal and community associations of cultural tastes across Australia's Anglo-Celtic, Italian, Lebanese, Chinese and Indian populations. The distinctive ethical issues associated with how Australians relate to Indigenous culture are also examined. In the light it throws on the formations of cultural capital in a multicultural settler colonial society, Fields, Capitals, Habitus makes a landmark contribution to cultural capital research.
Australia is increasingly recognised as a multicultural and diverse society. Nationally, all accrediting bodies for allied health, nursing, midwifery and medical professions require tertiary educated students to be culturally safe with regards to cultural and social diversity. This text, drawing on experts from a range of disciplines, including public health, nursing and sociology, shows how the theory and practice of cultural safety can inform effective health care practices with all kinds of diverse populations. Part 1 explores key themes and concepts, including social determinants of health and cultural models of health and health care. There is a particular focus on how different models of health, including the biomedical and Indigenous perspectives, intersect in Australia today. Part 2 looks at culturally safe health care practice focusing on principles and practice as well as policy and advocacy. The authors consider the practices that can be most effective, including meaningful communication skills and cultural responsiveness. Part 3 examines the practice issues in working with diverse populations, including Indigenous Australians, Culturally and Linguistically Diverse Australians, Australians with disabilities, Australians of diverse sexual orientation and gender identity, and ageing Australians. Part 4 combines all learnings from Parts 1–3 into practical learning activities, assessments and feedback for learners engaging with this textbook. Culture, Diversity and Health in Australia is a sensitive, richly nuanced and comprehensive guide to effective health practice in Australia today and is a key reference text for either undergraduate or postgraduate students studying health care. It will also be of interest to professional health care practitioners and policy administrators.
From jitterbugging and Big Brother to the introduction of television and the rise of file-sharing, this study explores the ways in which popular culture has developed and changed in Australia from the end of World War II to today. In order to understand the massive social and cultural changes that have taken place Down Under, popular culture is examined through three main lenses: consumerism and the development of a mass consumer society, the impact of technological change, and the ways in which popular culture contributes to and articulates individual and collective identities. Providing the first integrated account of Australian post-war culture, this reference analyzes film, television, sports, music, and leisure in relation to each other rather than as stand-alone cultural forms.
The 1970s was a decade when matters previously considered private and personal became public and political. These shifts not only transformed Australian politics, they engendered far-reaching cultural and social changes. Feminists challenged ‘man-made’ norms and sought to recover lost histories of female achievement and cultural endeavour. They made films, picked up spanners and established printing presses. The notion that ‘the personal was political’ began to transform long-held ideas about masculinity and femininity, both in public and private life. In the spaces between official discourses and everyday experience, many sought to revolutionise the lives of Australian men and women. Everyday Revolutions brings together new research on the cultural and social impact of the feminist and sexual revolutions of the 1970s in Australia. Gay Liberation and Women’s Liberation movements erupted, challenging almost every aspect of Australian life. The pill became widely available and sexuality was both celebrated and flaunted. Campaigns to decriminalise abortion and homosexuality emerged across the country. Activists set up women’s refuges, rape crisis centres and counselling services. Governments responded to new demands for representation and rights, appointing women’s advisors and funding new services. Everyday Revolutions is unique in its focus not on the activist or legislative achievements of the women’s and gay and lesbian movements, but on their cultural and social dimensions. It is a diverse and rich collection of essays that reminds us that women’s and gay liberation were revolutionary movements.
Introducing about Australia: Literature and culture.
In 2007 th eAustralian government declared that remote Aboriginal communities were in crisis and launched the Northern Territory Intervention. This dramatic move occurred against a backdrip of vigorous debate among policy makers, academics, commentators and Aboriginal people about the apparent failure of self-determination. -- back cover.
Japan in Australia is a work of cultural history that focuses on context and connection between two nations. It examines how Japan has been imagined, represented and experienced in the Australian context through a variety of settings, historical periods and circumstances. Beginning with the first recorded contacts between Australians and Japanese in the nineteenth century, the chapters focus on 'people-to people' narratives and the myriad multi-dimensional ways in which the two countries are interconnected: from sporting diplomacy to woodblock printing, from artistic metaphors to iconic pop imagery, from the tragedy of war to engagement in peace movements, from technology transfer to community arts. Tracing the trajectory of this 150-year relationship provides an example of how history can turn from fear, enmity and misunderstanding through war, foreign encroachment and the legacy of conflict, to close and intimate connections that result in cultural enrichment and diversification. This book explores notions of Australia and 'Australianness' and Japan and 'Japaneseness', to better reflect on the cultural fusion that is contemporary Australia and build the narrative of the Japan-Australia relationship. It will be of interest to academics in the field of Asian, Japanese and Japanese-Pacific studies.
A bold and provocative book about Australia's national identity and a plea to keep Australia's famed open-mindedness, Cater tracks the seismic changes in Australian culture and outlook since Donald Horne published THE LUCKY COUNTRY in 1964. 'A great book.' Rupert Murdoch A bold and provocative book about Australia's national identity and how it is threatened by the rise of a ruling class. Nick Cater, senior editor at the Australian, tracks the seismic changes in Australian culture and outlook since Donald Horne wrote the Lucky Country in 1964. His belief is that countries don't get lucky; people do. the secret of Australia's good fortune is not found in its geography or history. the key to its success is the Australian character, the nation's greatest renewable resource. Liberated from the constraints of the old world, Australia's pioneers mined their reserves of enterprise, energy and ingenuity to build the great civilization of the south. their over-riding principle was fairness: everybody had a right to a fair go and was obliged to do the right thing by others. today that spirit of egalitarianism is threatened by the rise of a new breed of sophisticated Australians - the 'bunyip alumni' - who claim to better understand the demands of the age. their presumption of elitism and superior virtue tempts them to look down on others and dismiss opposing views. Half a century after Donald Horne named Australia 'the Lucky Country', Nick Cater takes stock of the new battle to define Australia and the rift that divides a presumptive ruling class from a people who refuse to be ruled. the Lucky Culture is a lively and original take on 21st century Australia and its people. Sometimes rousing, often provocative and always good-humoured, its unexpectedly moving message cannot be ignored. 'tHE LUCKY CULtURE is a great book and particularly relevant as it comes in a moment of high political excitement. I particularly loved Nick Cater's passion for the great Australian dream. It is the first step in restoring that dream.' Rupert Murdoch
How One Company Is Redefining The Meaning Of Going To Work Tristan White's story started like many others. He had a dream to work in a job that inspired him. He didn't find that job, so he created it. In 2004, The Physio Co (TPC) was born with one team member: Tristan White. In the thirteen years since, TPC has become a remarkable healthcare success story based upon fast growth and a thriving, systemized company culture. Tristan's obsession with creating an inspiring place to work for himself and others has resulted in more than a decade of learning, testing and refining. If you've ever wondered how to build and sustain a thriving company culture, the Culture Is Everything system developed by Tristan White and The Physio Co team is your answer. The Physio Co story and Culture Is Everything system explained in this book will give you the confidence and knowledge to create a strong culture in your very own business or team.
A mesmerizing journey into the musical world of Australia's Aboriginal people. Winner of the Stanner Award from the Australian Institute of Aboriginal and Torres Strait Islanders Studies (2006) Aboriginal musicians receive songs both from an eternal realm known as The Dreaming and from the ghosts of deceased ancestors. Songs, Dreamings, and Ghosts is the first book-length study of wangga, a musical and ceremonial genre of Aboriginal people of the Daly Region of Northern Australia. This work is a labor of love, the culmination of nearly 20 years of field work and research by renowned ethnomusicologist Allan Marett, and represents the only comprehensive documentation of a single major genre of Aboriginal music. With first-hand, in-depth knowledge of Northwest Australia's Aboriginal cultures, Marett provides the reader with a penetrating description and analysis of this compelling musical practice. This book makes a significant contribution to knowledge of Aboriginal studies, and provides a rare glimpse into relatively unknown traditions and cultures. It includes illustrations, musical examples, and links to a web-based virtual CD loaded with samples of this fascinating music, closely linked to the text, at http://www.wesleyan.edu/wespress/wanggacd/.