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An important milestone in the development of legal practice in Australia. The first of its kind, Women and the Law in Australia provides practical advice on dealing with issues in the practice of law that are of specific importance to women. It is intended not just to highlight the problems that women experience with the legal system as defendants, complainants, victims, witnesses and practitioners but also to identify pragmatic steps for solicitors, barristers and policy-makers. The text is a compilation of contributions, with all contributors experts in their area of law, who come from legal practice, academia or government; it explores the cultural and legal context of each topic.
An entertaining romp through Australian history that celebrates the badass sheroes we were never taught about in school and who deserve to be printed on our money, goddamn it! It's been said that 'well-behaved women seldom make history', but the handful of white boys who wrote our history books conveniently left most of them out. Whoops! To rectify this situation, Eliza Reilly is setting out to revive the forgotten stories of the badass Sheilas of Australian history. Chain yourself to pub counters with the determined Merle Thornton, fight for Indigenous rights alongside Faith Bandler, and lure forlorn sailors with swimmer-slash-mermaid Annette Kellerman. Deceive cranky soldiers with bushranger Mary Ann Bugg, infiltrate Nazi strongholds on the back of Nancy Wake's bike - and much, much more. Cracking with satirical wit and whole-hearted admiration, Sheilas is a cheeky, funny, inspirational celebration of the tough-titted ladies who hiked up their petticoats and fly-kicked down the doors of opportunity for modern Australia. This is a specially formatted fixed-layout ebook that retains the look and feel of the print book. Praise for Sheilas: 'A welcome and witty contribution towards redressing the balance - a must-read.' - Noni Hazlehurst 'If Kathy Lette and Monty Python had a love child, that freak would be Eliza Reilly. Lush, loose and liberated from academic orthodoxy, Reilly has the labia majoras to ask the simple but earth-quaking question: what were the women doing? As it happens: Plenty! Sheilas is a glorious romp through the Australian history you didn't learn at school. Funny and fearless, this is the book you'll want your daughters to read and your sons to worship.' - Clare Wright 'Eliza highlights an array of awesome, innovative, determined and defiant Australian women with meticulous research and a wicked sense of humour. This is the history book I've been hanging out for.' - Jane Kennedy
Bringing together bad women of every stripe and variety - the scandalous, the brash, the fearless, the downright nasty and some who just went a little bit wrong - in the one big book. Some are wicked, some are scandalous, some are downright mean and ruthless and some just went a little bit sideways. Meet the bad women of Australia: the femmes who challenge our ideas of what women should be - together in the one big book.tilly Devine, Mary Bryant, Helena Rubinstein, Lola Montez - these notorious women defied the restricted times they lived in, seducing men of power and betraying them, going from streetwalkers to standover merchants, rewriting their past as they rose to the top, or just taking to a life of crime with gusto.then there are the darker dames: women who have killed husbands, lovers, relatives, friends and children for a variety of reasons. the backyard abortionists, the poisoners, the women in lovers' pacts, the women who sought to protect themselves from violence. All of them deadly and fascinating. Profiled by Kay Saunders in Notorious Australian Women and Deadly Australian Women, the lives of these scandalous women are now available together in the one volume.
Between 1788 and 1868, approximately 25,000 women were transported to Australia. For nearly 200 years, there has been a chorus of outrage at their vulgarity, their depravity and their promiscuity. Babette Smith takes the reader beyond this traditional casting of convict women, looking for evidence of their humanity and individuality. Certainly some were desperate, overwhelmed by a relentless chain of criminal convictions, drunkenness and despair. But others were heroic, defiant. Smith offers fresh insights: the women's use of sound and voice to harass officials, for example; the extent of their deliberate resistance against authority. This resistance, she argues, has contributed significantly to broader Australian culture. The women's stories begin when their fates are decided by the British Crown. We are introduced to women who stole, set fires, rioted, committed insurance fraud, murdered; mothers of six and 12-year-old girls; women who refused to show deference to the Court, instead giving mock curtsies, 'jumping and capering about'. 'A sailor', wrote ship's surgeon Peter Cunningham, was 'more an object of pity than wrath. To see twenty wicked fingers beckoning to him, and twenty wicked eyes winking at him, at one and the same time, no wonder his virtue should sometimes experience a fall!'. Among the hysterical accounts of bad behaviour aboard female convict ships written by concerned reverends, surgeons and others are scenes that show female camaraderie, fun and intrepid spirit. Washing clothes became 'a grand water party'; caught in a storm, women came up on deck to help their fellow convicts haul water; women sang and danced before bed, putting on concerts for each other, 'dressed out in their gayest plumage'. This camaraderie continued in Australia. In Tasmania's overcrowded Cascades factory, the superintendent complained about women 'corrupting each other' in nightly conversation laced with 'obscenity'. Another interpretation is that women sought the comfort of sharing their woes with one another, telling 'war stories' of life on assignment and generally enjoying each other's company in language that was everyday for them. Defiant Voices tells the story of the Crown trying and failing to make its prisoners subservient to a harsh penal system. Convict women challenged the authorities by living in perpetual disobedience, which was often flagrant, sometimes sexual and always loud. They were not all 'the most abandoned prostitutes', but their sexual mores were certainly different from the observers who labelled them. From factory rioters to individuals like Ann Wilson, whose response-'That will not hurt me'-provoked a magistrate to pile punishment after punishment onto her, the women of Defiant Voices fought like tigers and drove men to breaking point with their collective voices, the lewd songs and 'disorderly shouting' resounding from the page.
The convict women who built a continent..."A moving and fascinating story." --Adam Hochschild, author of King Leopold's Ghost Historian Deborah J. Swiss tells the heartbreaking, horrifying, and ultimately triumphant story of the women exiled from the British Isles and forced into slavery and savagery-who created the most liberated society of their time. The Tin Ticket takes us to the dawn of the nineteenth century and into the lives of Agnes McMillan, whose defiance and resilience carried her to a far more dramatic rebellion; Agnes's best friend Janet Houston, who rescued her from the Glasgow wynds and was also transported to Van Diemen's Land; Ludlow Tedder, forced to choose just one of her four children to accompany her to the other side of the world; Bridget Mulligan, who gave birth to a line of powerful women stretching to the present day. It also tells the tale of Elizabeth Gurney Fry, a Quaker reformer who touched all their lives. Ultimately, it is the story of women discarded by their homeland and forgotten by history-who, by sheer force of will, become the heart and soul of a new nation.
Shout-outs to 50 awesome Australian women with easy-to-read biographies of their incredible achievements. From Cathy Freeman to Turia Pitt, Edith Cowan to Julia Gillard, Mum Shirl to Vali Myers, plus rally car drivers, molecular biologists and more, this book is a celebration of women in all fields, from all walks of life, and from Australia's past and present.
From the bestselling author of The Land Girls comes a beautifully realised novel that speaks to the true history and real experiences of post-war Australian women. Sydney 1945 The war is over, the fight begins. The war is over and so are the jobs (and freedoms) of tens of thousands of Australian women. The armaments factories are making washing machines instead of bullets and war correspondent Tilly Galloway has hung up her uniform and been forced to work on the women's pages of her newspaper - the only job available to her - where she struggles to write advice on fashion and make-up. As Sydney swells with returning servicemen and the city bustles back to post-war life, Tilly finds her world is anything but normal. As she desperately waits for word of her prisoner-of-war husband, she begins to research stories about the lives of the underpaid and overworked women who live in her own city. Those whose war service has been overlooked; the freedom and independence of their war lives lost to them. Meanwhile Tilly's waterside worker father is on strike, and her best friend Mary is struggling to cope with the stranger her own husband has become since being liberated from Changi a broken man. As strikes rip the country apart and the news from abroad causes despair, matters build to a heart-rending crescendo. Tilly realises that for her the war may have ended, but the fight is just beginning... PRAISE 'A richly crafted novel that graphically depicts life during those harrowing years. A touching tale and an enthralling read.' Reader's Digest 'A powerful and moving book.' Canberra Weekly
The women of Ireland, bond or free, have left a distinctive mark on Australia's population and culture. Irish Women in Colonial Australia provides an intriguing picture of the richness and variety of the Irish experience in the making of a new nation. Ireland provided the majority of female convicts for the first forty years of the penal colony, and Irish women made up a significant proportion of assisted and free immigrants throughout the nineteenth century. Through nine lively essays, a rare collaboration between family historians and professional historians enables the reader to range across the lives of murderers and orphans, workers and the new rich, country maids and slum dwellers. Who were these women? Why did they come here? What did they bring with them? And what did they make of their lives in the raw, new world so different from the world they left behind?
Providing inspiration for today's women, in this book of profiles, Susanna de Vries examines what it takes to be a truly heroic Australian.
Women of Flowers pays tribute to the female colonial artists who drew and painted the indigenous wildflowers and plants of Australia. The publication focuses on the rich holdings of albums, sketchbooks and paintings in the Pictures Collection of the National Library of Australia, as well as works from other major collecting institutions. Each chapter presents a short biography of an artist, followed by a 'portfolio' section of images, in a similar layout to the previous successful title Brush with Birds. Artists include: Marianne Collinson Campbell; Ellis Rowan; Dorothy English Paty; Ida McComish; Louisa Ann Meredith.