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Over a century after the death of Queen Victoria, historians are busy re-appraising her age and achievements. However, our understanding of the Victorian era is itself a part of history, shaped by changing political, cultural and intellectual fashions. Bringing together a group of international scholars from the disciplines of history, English literature, art history and cultural studies, this book identifies and assesses the principal influences on twentieth-century attitudes towards the Victorians. Developments in academia, popular culture, public history and the internet are covered in this important and stimulating collection, and the final chapters anticipate future global trends in interpretations of the Victorian era, making an essential volume for students of Victorian Studies.
Table of contents
Victorian Literary Mesmerism offers eleven interdisciplinary essays on the intersections between mesmerism and nineteenth-century literature. Its scope is complex and ambitious: ranging from considerations of the impact of literature on quasi-scientific writings of the early 1800s, to a study of Arthur Conan Doyle's use of ‘magnetic' ideas at the fin de siècle . The collection boldly leaps across generic, disciplinary, and cultural boundaries; essays on George Eliot and Elizabeth Gaskell sit snugly besides studies of Edgar Allan Poe and Wilkie Collins. Medicine, the law, spiritualism, physics, and literature are all discussed in light of their respective impact on Australian, British, and American history.
This book aims to intervene in current critical contexts for the study of nineteenth-century literature within the academy and beyond. Topics discussed include science and technology, poetry and philosophy, the Gothic, anatomical exhibitions, the global spread of liberalism, Anglo-American publishing, Punjabi popular culture and the neo-Victorian in literature, film and performance. By bringing together a broad range of intellectually challenging perspectives, the book offers an engaging critical overview of the field of nineteenth-century literary studies that will appeal both to scholars working within the field and students and teachers encountering this fascinating area of study for the first time.
'Our deeds carry their terrible consequences...consequences that are hardly ever confined to ourselves.' Pretty Hetty Sorrel is loved by the village carpenter Adam Bede, but her head is turned by the attentions of the fickle young squire, Arthur Donnithorne. His dalliance with the dairymaid has unforeseen consequences that affect the lives of many in their small rural community. First published in 1859, Adam Bede carried its readers back sixty years to the lush countryside of Eliot's native Warwickshire, and a time of impending change for England and the wider world. Eliot's powerful portrayal of the interaction of ordinary people brought a new social realism to the novel, in which humour and tragedy co-exist, and fellow-feeling is the mainstay of human relationships. Faith, in the figure of Methodist preacher Dinah Morris, offers redemption to all who are willing to embrace it. This new edition is based on the definitive Clarendon edition and Eliot's corrected text of 1861. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
In the mid-nineteenth century successive cultural Bohemias were proclaimed in Paris, London, New York, and Melbourne. Focusing on networks and borders as the central modes of analysis, this book charts for the first time Bohemia’s cross-Channel, transatlantic, and trans-Pacific migrations, locating its creative expressions and social practices within a global context of ideas and action. Though the story of Parisian Bohemia has been comprehensively told, much less is known of its Anglophone translations. The Bohemian Republic offers a radical reinterpretation of the phenomenon, as the neglected lives and works of British, Irish, American, and Australian Bohemians are reassessed, the transnational networks of Bohemia are rediscovered, the presence and influence of women in Bohemia is reclaimed, and Bohemia’s relationship with the marketplace is reconsidered. Bohemia emerges as a marginal network which exerted a paradoxically powerful influence on the development of popular culture, in the vanguard of material, social and aesthetic innovations in literature, art, journalism, and theatre. Underpinned by extensive and original archival research, the book repopulates the concept of Bohemianism with layers of the networked voices, expressions, ideas, people, places, and practices that made up its constituent social, imagined, and interpretive communities. The reader is brought closer than ever to the heart of Bohemia, a shadowy world inhabited by the rebels of the mid-nineteenth century.