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This relates Clarke to the Irish Literary Revival and the cultural contexts of his time while tracing that "fine generosity, lavish colour and concrete imagery." Contents: Portrait; Introduction; (i) Austin Clarke (1896-1974), (ii) Contexts, (iii) Catholicism, (iv) The Irish Literary Revival, (v) The Gaelic League, (vi) The Worlds of Austin Clarke, (vii) A New Generation; Part I. Remembering Our Innocence; 1 Short Poems 1916-1925, 2 Epic Narratives 1916-1925, 3 Pilgrimage (1929), 4 Night and Morning (1938), 5 Three Prose Romances, 6 Plays, 7 Conclusion; Part II. Nothing Left to Sing?; 8 Poems and Satires 1955-1962: (i) Short Peoms, (ii) Long Autobiographical Poems; 9 Flight to Africa (1963), 10 Mnemosyne Lay In Dust (1966), 11 Last Poems 1967-1974, 12 Conclusion; Notes; Bibliography; Index^R
A comprehensive study of this major Irish writer's entire work-poetry, fiction, & drama.
A fresh, accessible and authoritative study that conveys the richness and diversity of Irish poets, their lives and times.
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"Austin Clarke's first book of poetry was published in 1917, his last in 1971. In a writing life spanning much of the twentieth century, Clarke created a poetry of passionate, idiosyncratic modernity, rooted in place and time, universal in its resonance. His is poetry, writes Christopher Ricks, of 'delicate and dancing interlacings' which is also 'simple as join-hands'. Clarke can be challengingly elliptical or as robust and earthy as folk tradition; he dares the terrors of the damaged soul. His later poems Thomas Kinsella described in The Dual Tradition as 'wickedly glittering narratives ... poetry as pure entertainment, serious and successful'." "An earlier Collected Poems of Austin Clarke appeared shortly after his death in 1974. Now, newly edited and corrected, with Clarke's original Notes restored, a bibliography and an illuminating introduction by Christopher Ricks, the poetry takes its place for a new generation of readers as one of the most compelling bodies of twentieth-century Irish poetry."--BOOK JACKET.
Soundings was first published in 1969. It was intended as an 'interim' anthology of poetry for the Leaving Certificate until such time as a more permanent volume could be devised. Twenty six years later it was replaced. In the meantime it had passed through the hands of hundreds of thousands of students in Ireland. Soundings might have been replaced but it was never fully forgotten. Old copies ended up with an individual personality honed out of manual annotations and thoughts, not all of them provided by the teacher. Scrawls in biro or pencil testified to the thoughts and daydreams many users. A surprising number of copies ended up in attics only to be rediscovered with delight many years later and to be given treasured status in new homes. One former student recalled how Soundings was the first school book to treat her as an adult. It made no concessions to the 'teenager'. It didn't patronise. Its imagery was entirely in the poetry. The typography was appalling but the cover design still resonates. A decade after its demise, second hand copies of Soundings were fetching surprising prices. It was widely discussed in chat-rooms on the web. There were increasing demands for a reprint. So here is Soundings, in its original form just as you remember it. The same stony grey soil of Patrick Kavanagh's Monaghan; T.S.Eliot's same women who come and go talking of Michaelangelo. Please enjoy once more!