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Winner of the 2002 Scotiabank Giller Prize and of the 2003 Commonwealth Writers’ Prize: Best Book (Canada and the Caribbean) When an elderly Bimshire village woman calls the police to confess to a murder, the result is a shattering all-night vigil that brings together elements of the African diaspora in one epic sweep. Set on the post-colonial West Indian island of Bimshire in 1952, The Polished Hoe unravels over the course of 24 hours but spans the lifetime of one woman and the collective experience of a society informed by slavery. As the novel opens, Mary Mathilda is giving confession to Sargeant, a police officer she has known all her life. The man she claims to have murdered is Mr. Belfeels, the village plantation owner for whom she has worked for more than thirty years. Mary has also been Mr. Belfeels’ mistress for most of that time and is the mother of his only son, Wilberforce, a successful doctor. What transpires through Mary’s words and recollections is a deep meditation about the power of memory and the indomitable strength of the human spirit. Infused with Joycean overtones, this is a literary masterpiece that evokes the sensuality of the tropics and the tragic richness of Island culture.
Austin Clarke’s luminous novel, written in vivid, hypnotic prose, reveals the dislocations of place and the nature of memory and the past. Two elderly Barbadian men, childhood friends who haven’t seen each other in fifty years, collide in a snowstorm on a Toronto street. In the warmth of a nearby bar, through the afternoon and into the night, they relate stories, exchange opinions, and share memories of a past in Barbados when, as children, neither could conceive any other place existed for them. As these two men confess to each other their innermost truths, their exploits and their love affairs, one tells the haunting story of a young Chinese woman, the other of the real reason for his visit to Toronto. Infused with pathos and humour, and with an affecting nostalgia for the idea of home, The Origin of Waves is a stunning and original novel by one of the country’s most gifted writers.
From the author of the Giller Award - winning novel The Polished Hoe comes a new collection of 20 of his best short stories. Choosing His Coffin is a selection of Austin Clarke’s finest work from more than 40 years of storytelling, drawing on his Caribbean roots and his years in Canada. These stories range in theme from growing up in West Indian society and what it means to be black in both the United States and Canada to surviving as an immigrant in a predominantly Anglo-Saxon culture. Clarke has become one of the most respected authors in North America and is one of Canada’s national literary treasures. He is a master of fictional invention.
This is the second book in Austin Clarke’s groundbreaking Toronto Trilogy about the lives of black people in Canada. In Storm of Fortune, Clarke brings us into a circle of West Indian domestics—their friends, lovers, spouses, and employers—living in Toronto in the late 1950s. In lush, invigorating prose, Clarke illuminates the world of Bernice Leach—a world inhabited by earthy, garrulous, but terribly isolated people, all living, working, and struggling within an alien, white, Canadian culture. He brilliantly articulates the unsettled attitudes of his characters towards themselves, their community, and their fellow immigrants, exploring questions of status and social mobility. In turn, he unites these themes into a devastating commentary on the quest for success in North America. Dominated by warm, superbly drawn characters and pulsing with the nation language of Clarke’s characters’ speech, Storm of Fortune is a window into one of the most dynamic periods of Canadian history—one that has brought so much to bear on our present.
A compelling collection that explores the lives of Afro-Caribbean immigrants living in Canada, these eight short stories delve into the experiences of displaced persons living in contemporary society--all with a richness of language and rhythm that is authentically urban.
At the news of her son BJ's involvement in gang crime, Idora Morrison, a maid at the local university, collapses in her basement apartment. For four days and nights she retreats into a vortex of memory, pain, and disappointment that becomes a riveting exposÉ of her life as a Caribbean immigrant living abroad. While she struggled to make ends meet, her deadbeat husband, Bertram, abandoned her for a better life in New York. Left alone to raise her son, Idora has done her best to survive against immense odds. But now that BJ has disappeared into a life of crime, she recoils from his loss and is unable to get out of bed, burdened by feelings of invisibility. As she summons the strength to investigate her son's troubles—and her own weaknesses—the book quietly builds to its crescendo. Eventually Idora finds her way back into the light with a courage that is both remarkable and unforgettable. More zeroes in, with laserlike intensity, on the interior life of an extraordinary "ordinary woman," showcasing Clarke's skill as a writer of inimitable force.
"Set in Barbados in the early 1950s, this uncompromising novel depicts the pain of childhood in a world where poverty and blackness are despised, and kids are treated as objects on which adults can take out their self-contempt and frustration. Milton Sobers is a nine-year-old on the run from a series of sadistic beatings from both his schoolmaster and his washer-woman mother. Dreaming of a life in Harlem, which is predominately black, open, and free, Milton encounters many comic and sad adventures that inevitably return him to the situation he was trying to escape. Originally published in 1965, this pertinent portrayal of the destruction of innocence explores the commonality of physical violence in the lives of Caribbean youth while offering hope for the intelligent child protagonist."--Goodreads
An autobiographical account of growing up in colonial Barbados during and after the Second World War.
Verhalen over immigranten uit West-Indie die zich in hun gastland, hier Canada, vaak gereduceerd zien tot tweederangsburgers.