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This book marks Kenneth Burke’s breakthrough in criticism from the literary and aesthetic into social theory and the philosophy of history. In this volume we find Burke’s first entry into what he calls his theory of Dramatism; and here also is an important section on the nature of ritual.
This book marks Kenneth Burke's breakthrough in criticism from the literary and aesthetic into social theory and the philosophy of history. In this volume we find Burke's first entry into what he calls his theory of Dramatism; and here also is an important section on the nature of ritual.
Whilst legislation may have progressed internationally and nationally for disabled people, barriers continue to exist, of which one of the most pervasive and ingrained is attitudinal. Social attitudes are often rooted in a lack of knowledge and are perpetuated through erroneous stereotypes, and ultimately these legal and policy changes are ineffectual without a corresponding attitudinal change. This unique book provides a much needed, multifaceted exploration of changing social attitudes toward disability. Adopting a tripartite approach to examining disability, the book looks at historical, cultural, and education studies, broadly conceived, in order to provide a multidisciplinary and interdisciplinary approach to the documentation and endorsement of changing social attitudes toward disability. Written by a selection of established and emerging scholars in the field, the book aims to break down some of the unhelpful boundaries between disciplines so that disability is recognised as an issue for all of us across all aspects of society, and to encourage readers to recognise disability in all its forms and within all its contexts. This truly multidimensional approach to changing social attitudes will be important reading for students and researchers of disability from education, cultural and disability studies, and all those interested in the questions and issues surrounding attitudes toward disability.
In 1968, Winthrop D. Jordan set out in encyclopedic detail the evolution of white Englishmen's and Anglo-Americans' perceptions of blacks, perceptions of difference used to justify race-based slavery, and liberty and justice for whites only. This second edition, with new forewords by historians Christopher Leslie Brown and Peter H. Wood, reminds us that Jordan's text is still the definitive work on the history of race in America in the colonial era. Every book published to this day on slavery and racism builds upon his work; all are judged in comparison to it; none has surpassed it.
With this colorful collection of documents, Helen Lefkowitz Horowitz overturns the monolithic picture of Victorian sexual repression to reveal four contending views at play during the antebellum period: earthy American folk wisdom, the anti-flesh teachings of evangelical Christianity, moral reform grounded in science, and the utopian free love movement. Horowitz's introduction discusses how these diverse views shaped the antebellum conversation about the moral, social, and physical implications of sex and reflected the larger cultural and economic changes of this period of rapid industrialization and urban migration. Helpful headnotes contextualize this selection of hard-to-find documents, which includes scientific manuals, religious pamphlets, advertisements, and popular fiction. Contemporary illustrations, a chronology, and a bibliography foster students' understanding of antebellum sexual attitudes.
The Subordinated Sex traces the enduring, powerful legacy of male attitudes toward women, their sexuality, and their roles as wives and mothers. Traditionally the creators and chroniclers of opinion, men have until recently written a history that reflects only their own convictions and impressions--a history rarely punctuated by a female voice and founded on an almost universal belief in women's inferiority. Acclaimed as a pioneering study when first published in 1973, Vern Bullough's work has since established itself as a standard in historical literature on women. Updated and revised with Sarah Slavin and Brenda Shelton, The Subordinated Sex is a vast survey ranging from prehistoric to contemporary times, examining a diversity of cultures, and taking into account writings from a great variety of sources. From a consideration of Babylonian legal codes to Victorian prescriptive medical pamphlets, medieval clerical treatises to Islamic erotic poetry, Bullough and his coauthors recount not only how men have portrayed women but also how they have justified their subordination of the opposite sex. In recent years, women have successfully challenged males' self-designated role as gatekeepers of written records and have found within the past a more complete view of how women lived, what they thought, and what they achieved. By focusing, however, not on women's history but on the history of men's attitudes toward their female companions, The Subordinated Sex reveals, more than any other single work, the conditions that sparked the feminist movement and the reasons it must inspire a change in the lives of men as well as women.
For all iconophiles, that is, those who accept the dogma of the Seventh Ecumenical Council, but especially the Orthodox who claim that the icon has a sacramental and mystical character, it is naturally disquieting to hear the claim that the early Christians were aniconic and iconophobic. If this claim is true, the theology and the veneration of the icon are seriously undermined. It is, therefore, natural for iconophiles to attempt to disprove the thesis according to which the early Christians had no images whatsoever (aniconic) because they believed them to be idols (iconophobic). It is equally natural for iconophiles to want to substantiate, as much as this is possible, their deep intuition that the roots of Christian iconography go back to the apostolic age. This study weakens the notion and credibility of the alleged hostility of the early Christians to non-idolatrous images, providing a more balanced evaluation of this question.
AriA]s traces Western man's attitudes toward mortality from the early medieval conception of death as the familiar collective destiny of the human race to the modern tendency, so pronounced in industrial societies, to hide death as if it were an embarrassing family secret. -- Newsweek
Permanence and Change: An Anatomy of Change, written by American literary theorist Kenneth Burke, was first published in 1935, at the height of the Great Depression. Burke followed this with Attitudes Toward History followed just two years later. His texts proved to be revolutionary in the theory of communication, and, as classics, retain their surcharge of energy. Permanence and Change: An Anatomy of Change treats human communication in terms of ideal cooperation, and in this book, Burke establishes, in ground-breaking fashion, that form permeates society, just as it does poetry and the arts. This present volume is the Second Edition, first published in 1954, and includes an Introduction by Hugh Dalziel Duncan. “Unquestionably the most brilliant and suggestive critic now writing in America.”—W. H. Auden “One of the truly speculative American thinkers of his era.”—Malcolm Cowley “The foremost critic of our time and perhaps the greatest critic since Coleridge.”—Stanley Edgar Hyman “What Burke has done better than anyone else is to find a way of connecting literature to life without reducing either. He’s had far less attention than he deserves because he’d been so far ahead of his time. But he’s one of the major minds of the twentieth century, and he’s sure to be read in the future.”—Wayne Booth