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After breaking through a stronghold of old friends and enemies, Zeke hands down his plan for the Eldians to Eren. But what Eren was plotting with his rumbling powers leaves his brother in the dust, betrayed and alone once more. Now, with some help from Ymir, a parade of massive Titans are roused from their centuries-long slumber, breaking free of the Walls to answer their founder’s call. Where the march leads, only Eren knows…
AN EXCLUSIVE LOOK AT THE CREATION OF EREN & THE TITANS! ? This exhaustive guide to the smash hit manga that inspired the sensational anime includes: ???･?New exclusive interviews with Attack on Titan creator Hajime Isayama, his editor, and the staff of the anime adaptation ???･?Concept art from behind the scenes of the anime and manga, including 16 pages in full color ???･?An exhaustive guide to the characters, from life behind the walls to death in a Titan's belly, including new, original art by Isayama ???･?Papercraft kit to create your own Colossal Titan head ???･?The 54-page, never-before-seen Attack on Titan pilot manga! GO BEHIND THE WALLS AND DISCOVER THE SECRETS OF ATTACK ON TITAN!
Memoirs of the Phenomenal Primex: Book 1: That Time I was Sun Wukong by S. Salim Shihab
This edited volume explores political motives, discourses and agendas in Japanese manga and graphic art with the objective of highlighting the agency of Japanese and wider Asian story-telling traditions within the context of global political traditions. Highly illustrated chapters presented here investigate the multifaceted relationship between Japan’s political storytelling practices, media and bureaucratic discourse, as played out between both the visual arts and modern pop-cultural authors. From pioneering cartoonist Tezuka Osamu, contemporary manga artists such as Kotobuki Shiriagari and Fumiyo Kōno, to videogames and everyday merchandise, a wealth of source material is analysed using cross-genre techniques. Furthermore, the book resists claims that manga, unlike the bandes dessinées and American superhero comic traditions, is apolitical. On the contrary, contributors demonstrate that manga and the mediality of graphic arts have begun to actively incorporate political discourses, undermining hegemonic cultural constructs that support either the status quo, or emerging brands of neonationalism in Japanese society. The Representation of Politics in Manga will be a dynamic resource for students and scholars of Japanese studies, media and popular cultural studies, as well as practitioners in the graphic arts.
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