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An “indispensable” (Chicago Tribune) collection of more than sixty previously unpublished works from Jack Kerouac, ranging from stories and poems to plays and excerpts of novels “Fascinating . . . provides a poignant picture of a life brimming with promise.”—The Boston Globe Before Jack Kerouac expressed the spirit of a generation in his classic On the Road, he spent years figuring out how he wanted to live and, above all, learning how to write. Atop an Underwood brings together works that Kerouac wrote before he was twenty-two years old, including an excerpt from The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years and reflect his primary literary influences, including the source of his spontaneous prose style. Uncovering a fascinating missing link in Kerouac’s development as a writer, Atop an Underwood is essential reading for Kerouac fans, scholars, and critics alike.
This is the authoritative biography of writer, poet, and beat generation icon Jack Kerouac (1922-1969), whose novel On the Road catapulted him to the forefront of the literary world and influenced budding writers for generations to come. A legendaryfigure in the landscape of American literature, Kerouac lived a turbulent life, one more intimately connected to his literary output than perhaps any other writer. Restless traveler, alcoholic, dissolute but devoted Catholic, and genius, Kerouac lived hard with his compatriots of the beat movement--William Burroughs, Gregory Corso, Lawrence Ferlinghetti, Allen Ginsberg, and Neal Cassady. With them, he created a new type of American literature as well as an enduring literary mythology. Kerouac: The Definitive Biography recounts in gripping detail the story of this exceptional life and the key relationships that affected Kerouac's development as an artist, including those with his three wives, numerous girlfriends, and beloved mother. Most important, Kerouac is the first biography based wholly on the vast array of primary source materials contemporary to the events described--letters, postcards, diaries, journals, notebooks, newspaper and magazine articles, legal documents, and television andaudio transcripts--sources that provide an unparalleled view of the intimate thoughts and everyday world of Kerouac.
As a precursor to such landmark works as "On the Road "and "The Dharma Bums," this is an important formative work that bears all the hallmarks of classic Kerouac: the search for spiritual meaning in a materialistic world, and spontaneous travel as the true road to freedom.
The Iron Whim is an intelligent, irreverent, and humorous history of writing culture and technology. It covers the early history and evolution of the typewriter as well as the various attempts over the years to change the keyboard configuration, but it is primarily about the role played by this marvel in the writer's life. Darren Wershler-Henry populates his book with figures as disparate as Bram Stoker, Mark Twain, Franz Kafka, Norman Mailer, Alger Hiss, William Burroughs, J. G. Ballard, Jack Kerouac, Hunter S. Thompson, Northrop Frye, David Cronenberg, and David Letterman; the soundtrack ranges from the industrial clatter of a newsroom full of Underwoods to the more muted tapping and hum of the Selectric. Wershler-Henry casts a bemused eye on the odd history of early writing machines, important and unusual typewritten texts, the creation of On the Road, and the exploits of a typewriting cockroach named Archy, numerous monkeys, poets, and even a couple of vampires. He gathers into his narrative typewriter-related rumors and anecdotes (Henry James became so accustomed to dictating his novels to a typist that he required the sound of a randomly operated typewriter even to begin to compose). And by broadening his focus to look at typewriting as a social system as well as the typewriter as a technological form, he examines the fascinating way that the tool has actually shaped the creative process.With engaging subject matter that ranges over two hundred years of literature and culture in English, The Iron Whim builds on recent interest in books about familiar objects and taps into our nostalgia for a method of communication and composition that has all but vanished.
A sensory narrative poem capturing the rhythms of the universe and secrets of the subconscious with stunning linguistic dexterity from the author of On the Road A spontaneous writing project in the form of an extended prose poem, this sonorous and spiritually playful book is one of Jack Kerouac’s most boldly experimental works. Collected from five notebooks dating from 1956 to 1959—a time in which Kerouac was immersed in Buddhist theory—Old Angel Midnight is comprised of sixty-seven short sections unified by an unwavering dedication to sounds, the subconscious, and verbal ingenuity. Friday Afternoon in the Universe, in all directions in & out you got your men women dogs children horses pones tics perts parts pans pools palls pails parturiences and petty Thieveries that turn into heavenly Buddha. Thus begins Kerouac’s Joycean language dance. From birdsong to dharmic verse, street jargon to French slang, the resonances of the universe come blaring in though the windows, unfurling their meaning as the mind lets go and listens.
From the blare of an alarm clock in the morning to snores and crickets in the evening, simple text explores the many loud noises one might hear during the course of a day.
This book captures the intensity of the relationship between writers and their typewriters from the 1880s, when the machine was first commercialized, to the 1980s, when word-processing superseded it. Drawing on examples from the United States, Britain, Europe, and Australia, The Typewriter Century focuses on "celebrity writers," including Henry James, Jack Kerouac, Agatha Christie, Georges Simenon, and Erle Stanley Gardner, who wrote prolifically and mechanically, developing routines in which typing, handwriting, and dictation were each allotted important functions. The typewriter de-personalized the text; the office typewriter bureaucratized it. At the same time, some authors found a new and disturbing distance between themselves and their compositions while others believed the typewriter facilitated spontaneous and automatic typing. The Typewriter Century provides a cultural history of the typewriter, outlining the ways in which it can be considered an agent of change as well as demonstrating how it influenced all writers, canonical and otherwise.
"In the Book of Dreams I just continue the same story but in the dreams I had of the real-life characters I always write about." Excerpt: WALKING THROUGH SLUM SUBURBS of Mexico City I'm stopped by smiling threesome of cats who've disengaged themselves from the general fairly crowded evening street of brown lights, coke stands, tortillas-Unmistakably going to steal my bag-I struggled a little, gave up-Begin communicating with them my distress and in fact do so well they end up just stealing parts of my stuff…. We walk off leaving the bag with someone-arm in arm like a gang to the downtown lights of Letran, across a field- Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Roa, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Scattered Poems, Visions of Cody, Pomes All Sizes, and Scripture of the Golden Eternity.
A dazzling collection of prose from one of the greatest poets and storytellers of the twentieth century.
"A group of travellers chance to meet, first in a castle, then a tavern. Their powers of speech are magically taken from them and instead they have only tarot cards with which to tell their tales. What follows is an exquisite interlinking of narratives, and a fantastic, surreal, and chaotic history of all human consciousness."--Goodreads