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After Detective Ochoa’s cousin, Detective Inspector Villalobos, persuades Athena to help him with this baffling case, she realizes a truth that horrifies her and threatens both her and Kas. While at a crowded Christmas festival in the Sierra foothill town of Grass Valley, they encounter a man who attempts to kidnap Kas’s nephew. It was Athena’s lapse of attention which nearly causes this tragedy and threatens to destroy her relationship with Kas. Only their seeking of justice can right this wrong, and they risk their lives to do so.
Following periods of mass atrocity and oppression, states are faced with a question of critical importance in the transition to democracy: how to offer redress to victims of the old regime without perpetuating cycles of revenge. Traditionally, balance has been restored through arrests, trials, and punishment, but in the last three decades, more than twenty countries have opted to have a truth commission investigate the crimes of the prior regime and publish a report about the investigation, often incorporating accounts from victims. Although many praise the work of truth commissions for empowering and healing through words rather than violence, some condemn the practice as a poor substitute for traditional justice, achieved through trials and punishment. There has been until now little analysis of the unarticulated claim that underlies the truth commissions' very existence: that language—in this case narrative stories—can substitute for violence. Acknowledging revenge as a real and deep human need, Shattered Voices explores the benefits and problems inherent when a fragile country seeks to heal its victims without risking its own future. In developing a theory about the role of language in retribution, Teresa Godwin Phelps takes an interdisciplinary approach, delving into sources from Greek tragedy to Hamlet, from Kant to contemporary theories about retribution, from the Babylonian law codes to the South African Truth and Reconciliation Report. She argues that, given the historical and psychological evidence about revenge, starting afresh by drawing a bright line between past crimes and a new government is both unrealistic and unwise. When grievous harm happens, a rebalancing is bound to occur, whether it is orderly and lawful or disorderly and unlawful. Shattered Voices contends that language is requisite to any adequate balancing, and that a solution is viable only if it provides an atmosphere in which storytelling and subsequent dialogue can flourish. In the developing culture of ubiquitous truth reports, Phelps argues that we must become attentive to the form these reports take—the narrative structure, the use of victims' stories, and the way a political message is conveyed to the citizens of the emerging democracy. By looking concretely at the work and responsibilities of truth commissions, Shattered Voices offers an important and thoughtful analysis of the efficacy of the ways human rights abuses are addressed.
Athena is recognized as an allegory or representative of Athens in most Athenian public art except in tragedy. Perhaps this is because tragedy is rarely studied as a public art form or, perhaps, because her character is not static in tragedy. Although Athena's characterization changes to fit the needs of a particular drama, her clear connection with justice remains true throughout and suggests that she is always the representative of the city and its institutions. Athens, the city Athena protected, experienced a dramatic transformation in the fifth century: its political institutions, physical landscape, military power and international prestige underwent dynamic change. Athena, its goddess and its symbol, simultaneously transformed as well, although not always for the better. Athena's Justice follows the question of civic identity and ideology in Athenian tragedy, focusing specifically on the link between tragedy and its influence upon identity creation and promotion during the period when Athens was asserting itself as an imperial power. Through examination of tragedies in which Athena appears, this book traces the process by which Athens came to identify itself with its legal system, symbolized by Athena on stage, and then suffered the corruption of that system by the exercise of imperial power. Athena's Justice is essential reading not just for classicists and ancient historians, but for anyone interested in the interaction between art and politics and the process by which human beings in any period seek to shape their identity as a people.
Essential for those who want to see ancient plays producedÑeither physically in the theater or imaginatively in their own minds.
While trying to live a normal life, clairvoyant artist Athena Butler faces obstacles and danger in her quest to help homicide detectives with their difficult cases. The Delphi Bloodline Series, an exciting romantic suspense/modern crime drama series featuring a young clairvoyant artist, Athena Butler, who is torn between her life as a successful painter and lending her strange mental powers as a homicide detective's consultant. Will Athena ever know a “normal” life, or is this what she was born to do? And how much danger to herself and her loved ones is she willing to risk to "do the right thing"? A modern-day bloodline descendant of the Delphi priestesses of ancient Greece, Athena Butler finds her psychic gifts both a curse and a blessing—and dangerous. Can a young woman with extraordinary clairvoyant powers ever live a normal life, especially when homicide detectives clamor for her help as a consultant? While Athena tries to decide whether to take her relationship with Kas Skoros to another level, she encounters two dangerous villains, a cunning murderer and a child trafficker. Contains: Athena's Secrets Book 1 Athena's Fears Book 2 Athena's Dilemma Book 3
Athena Pappas is the head writer on one of the most popular sitcoms in television history. But when Vegas comedian Stephen Cosse is brought in to beef up the show's suddenly sagging ratings, she starts to worry about her job. Sparks fly as the competition--and attraction--between the two writers heats up. Athena has never had a problem scripting the romances of her characters. So why is her own love life so hard to script? With humor and a Hollywood-insider viewpoint, Hello, Hollywood! delivers lots of laughs as the characters discover that not being in control of the plot of their lives might just be the best thing that ever happened to them.
Athena Pappas is the head writer on one of the most popular sitcoms in television history. But when Vegas comedian Stephen Cosse is brought in to beef up the show's suddenly sagging ratings, she starts to worry about her job. Sparks fly as the competition--and attraction--between the two writers heats up. Athena has never had a problem scripting the romances of her characters. So why is her own love life so hard to script? With humor and a Hollywood-insider viewpoint, Hello, Hollywood! delivers lots of laughs as the characters discover that not being in control of the plot of their lives might just be the best thing that ever happened to them.
After fending off Persia in the fifth century BCE, Athens assumed a leadership position in the Aegean world. Initially it led the Delian League, a military alliance against the Persians, but eventually the league evolved into an empire with Athens in control and exacting tribute from its former allies. Athenians justified this subjection of their allies by emphasizing their fairness and benevolence towards them, which gave Athens the moral right to lead. But Athenians also believed that the strong rule over the weak and that dominating others allowed them to maintain their own freedom. These conflicting views about Athens’ imperial rule found expression in the theater, and this book probes how the three major playwrights dramatized Athenian imperial ideology. Through close readings of Aeschylus’ Eumenides, Euripides’ Children of Heracles, and Sophocles’ Oedipus at Colonus, as well as other suppliant dramas, Angeliki Tzanetou argues that Athenian tragedy performed an important ideological function by representing Athens as a benevolent and moral ruler that treated foreign suppliants compassionately. She shows how memorable and disenfranchised figures of tragedy, such as Orestes and Oedipus, or the homeless and tyrant-pursued children of Heracles were generously incorporated into the public body of Athens, thus reinforcing Athenians’ sense of their civic magnanimity. This fresh reading of the Athenian suppliant plays deepens our understanding of how Athenians understood their political hegemony and reveals how core Athenian values such as justice, freedom, piety, and respect for the laws intersected with imperial ideology.
A smart, scrappy teacher is called upon by her traditional Mexican-American grandmother to help a relative in Mexico escape the clutches of a dangerous cartel. Reluctantly, she agrees, but in coming to her grandmother’s aid, she needs the help of The Hated One, an ex-fiancé who broke her heart years before. Together, they must devise a plan to rescue her desperate, long-lost cousin and her cousin’s child. To do so, Dina Salazar must enter the dreaded turf of the Zetas, a ruthless Mexican drug cartel. Such a mission is not for the faint of heart!
Die Europäische Richtervereinigung EAJ beschäftigt sich seit Jahren mit der Situation der Justiz und des Rechtsstaates in Europa. Sie stellt mit grosser Sorge fest, dass die Unabhängigkeit der Justiz, die Gewaltenteilung und die Rule of Law in vielen Ländern keine Selbstverständlichkeit mehr sind. Ein Beispiel für diese negative Entwicklung – in ihrem Ausmass in diesem Jahrhundert einmalig – sind die Geschehnisse in der Türkei. Die Beiträge in diesem Buch stammen von Richterinnen und Richtern aus ganz Europa und von Juristinnen und Juristen aus der Türkei, welche über die Entwicklung in ihrem Land aus erster Hand berichten. Die Autoren aus der Türkei schreiben jeweils unter einem Pseudonym: Unter den heutigen Bedingungen können sie es nicht wagen, unter ihrem Namen offen Kritik an der rechtsstaatlichen Situation zu äussern: Bereits dieser Umstand alleine ist eine wichtige Aussage im Kontext des behandelten Themas. Die Beiträge wenden sich an Juristinnen und Juristen, Politikerinnen und Politiker, aber auch an alle anderen an Rechtsstaatlichkeit, gewaltenteiliger Demokratie und unabhängiger Justiz interessierte Leserinnen und Leser in ganz Europa – inklusive der Türkei – und in Übersee. Das Buch ist vielsprachig: Die Beiträge sind auf Englisch, Deutsch oder Französisch geschrieben; sie enthalten je eine Kurzzusammenfassung in Englisch, Französisch, Deutsch und Türkisch.