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It is a short story by author Kate Chopin about a young woman who flees from her husband's Louisiana home by accident and lives covertly in New Orleans. Athénase, the story's married lady, is stuck, confined by the possibilities that society provides her. After abandoning an unpleasant convent house, the fictitious Athénase finds herself in a marriage that is similarly "wretched," so she flees once more. She was unable to submit a legally binding complaint against her spouse. The loss of freedom is her biggest objection to marriage.
Written by Chopin the author of the much celebrated novel "The Awakening" comes another classic rich piece of late 19th century feminist american literature. Set in the heart of America’s deep south, "Athénaïse" is a short story exploring the timeless theme of women conforming to society’s expectations, rebellion, relationships and coming of age. From the cotton plantations to New Orleans we follow the title character, Athénaïse, a strong, independent and daring young woman on her journey of self-discovery. Feeling trapped in her marriage Athénaïse with the help of her brother flees to New Orleans. She soon discovers she is pregnant; will this change her perspective on her marriage? Will her husband accept her back? An American novelist and short story writer of French and Irish descent, Kate Chopin (1850 -1904) is one of the most celebrated feminist authors of the twentieth century. Most of her fiction is set in Louisiana where she lived depicting the lives of intelligent young women, Creole culture and society in the American south. She wrote over 100 short stories including children’s tales that were all published in some of the most prestigious magazines but her most notable work is her novel ‘The Awakening’ which firmly has a place in American literature.
Kate Chopin was a nationally acclaimed short story artist of the local color school when she in 1899 shocked the American reading public with The Awakening, a novel which much resembles Madame Bovary. Though the critics praised the artistic excellence of the book, it was generally condemned for its objective treatment of the sensuous, independent heroine. Deeply hurt by the censure, Mrs. Chopin wrote little more, and she was soon forgotten. For decades the few critics who remembered her concentrated on the regional aspects of her work. In the Literary History of the United States, where Kate Chopin is highly praised as a local colorist, The Awakening is not even mentioned. In recent years, however, a few critics have given new attention to the novel, emphasizing its courageous realism. In the present book, Mr. Seyersted carries out an extensive re-examination of both the life and work of the author, basing it on her total oeuvre. Much new Kate Chopin material, such as previously unknown stories, letters, and a diary, has recently come to light. We can now see that she was a much more ambitious and purposeful writer than we have hitherto known. From the beginning, her special theme was female self-assertion. As each new success increased her self-confidence, she grew more and more daring in her descriptions of emancipated woman who wants to dictate her own life. Mr. Seyersted traces the author’s growth as an artist and as a penetrating interpreter of the female condition, and shows how her career culminated in The Awakening and the unknown story ‘The Storm.’ With these works, which were decades ahead of their time, Kate Chopin takes her place among the important American realist writers of the 1890’s.
In this indispensable volume, fourteen intellectually compelling essays consider Kate Chopin’s life and art from a variety of critical perspectives—biographical, New Historicist, materialist, poststructuralist, feminist—with several of the pieces focusing on Chopin’s classic novel, The Awakening. “ A worthwhile collection of essays offering usefully eclectic critical perspectives of Chopin and her work.”—Mississippi Quarterly
"An illuminating, and at the same time, thoroughly entertaining compilation, Louisiana Stories is enhanced by an introductory essay that is a contribution not only to the literary history of the state but also of the South." Lewis P. Simpson, former professor of English at Louisiana State University and editor of The Southern Review. Southern writers have always excelled in the short story form. Eudora Welty, Flannery O'Connor, and Peter Taylor are the yardsticks by which short story writers are judged not only within the realm of Southern literature but also within that of American literature. By compiling an impressive array of stories by many of the Deep South's finest writers, anthologist Ben Forkner demonstrates how Louisianans in particular have influenced the development of the short story. Forkner writes in his insightful introductory essay: "These same native Louisiana stories manage to announce the central themes of modern Southern fiction more emphatically, and earlier, than the writing of any other single Southern region."Included in this compilation are works by Henry Clay Lewis, George Washington Cable, Lafcadio Hearn, Grace King, Kate Chopin, William Faulkner, Lyle Saxon, Arna Bontemps, Zora Neale Hurston, E.P. O'Donnell, Shirley Ann Grau, Ernest Gaines, Andre Dubus, James Lee Burke, Robb Forman Dew, and John William Corrington.Ben Forkner is the director of the English department at the University of Angers in France where he teaches American and Irish literature. A graduate of Stetson University in Florida, he received his M.A. and Ph.D. from the University of North Carolina at Chapel Hill. He has co-edited three anthologies of Southern literature, Stories of the Modern South , AModern Southern Reader, and Stories of the Old South .
A feminist before such a term was created and most famous for The Awakening, the controversial Kate Chopin was also the author of a second novel, At Fault, as well as numerous short stories. This reference book begins with a brief introduction to Kate Chopin's varied background and her fictional work. A chronology traces the main events of her private and professional lives. Hundreds of alphabetically arranged entries follow, summarizing the plots of her novels and short stories, identifying her fictional characters, and relating them to her own experiences, to her family members and to her friends. Many entries include bibliographical citations.
From the author of The Awakening comes this collection, which features 24 distinctive tales of Southern life, filled with fascinating characters, idiosyncratic customs, and sometimes shocking details.
Set in New Orleans and the Gulf Coast at the end of the nineteenth century, The Awakening centers on Edna Pontellier, an apparently happy twenty-eight-year-old wife and mother of two. But when a summer romance reignites Edna’s appetite for life, she discovers that her conventional family, friends, and surroundings do not make her happy. Boldly—and to the astonishment of her husband and the consternation of New Orleans society—Edna begins to discover the joys of solitude, creative expression, and erotic freedom. A scandal and a shock to readers when it was first published in 1899, The Awakening remains a daring portrayal of a woman rejecting domesticity in favor of her own happiness and self-expression. This edition includes some of Chopin’s most studied short stories, including “Desiree’s Baby,” “A Pair of Silk Stockings,” and “The Story of an Hour.”
Upon its publication in 1871, Charles Darwin's The Descent of Man and Selection in Relation to Sex sent shock waves through the scientific community and the public at large. In an original and persuasive study, Bert Bender demonstrates that it is this treatise on sexual selection, rather than any of Darwin's earlier works on evolution, that provoked the most immediate and vigorous response from American fiction writers. These authors embraced and incorporated Darwin's theories, insights, and language, creating an increasingly dark and violent view of sexual love in American realist literature. In The Descent of Love, Bender carefully rereads the works of William Dean Howells, Henry James, Elizabeth Stuart Phelps, Sarah Orne Jewett, Kate Chopin, Harold Frederic, Charles W. Chesnutt, Edith Wharton, and Ernest Hemingway, teasing from them a startling but utterly convincing preoccupation with questions of sexual selection. Competing for readership as novelists who best grasped the "real" nature of human love, these writers also participated in a heated social debate over racial and sexual differences and the nature of sex itself. Influenced more by The Descent of Man than by the Origin of Species, Bender's novelists built upon Darwin's anthropological and zoological materials to anatomize their character's courtship behavior, returning consistently to concerns with physical beauty, natural dominance, and the power to select a mate. Bringing the resources of the history of science and intellectual history to this, the first full-length study of the impact of Darwin's theories in American literature, Bender revises accepted views of social Darwinism, American literary realism, and modernism in American literature, forever changing our perceptions of courtship and sexual interaction in American fiction from 1871 to 1926 and beyond.