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The story of the expansion of civilization into the wilderness continues to shape perceptions of how Aboriginal people became part of nations such as Canada. Patricia McCormack subverts this narrative of modernity by examining nation building from the perspective of a northern community and its residents. Fort Chipewyan, she argues, was never an isolated Aboriginal community but a plural society at the crossroads of global, national, and local forces. By tracing the events that led its Aboriginal residents to sign Treaty No. 8 and their struggle to maintain autonomy thereafter, this groundbreaking study shows that Aboriginal peoples and others can and have become modern without relinquishing cherished beliefs and practices.
"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.
The story of steamboating in the Canadian West comes to life in the voices of those aboard the vessels of the waterways of the Prairies. Their captains were seafaring skippers who had migrated inland. Their pilots were indigenous people who could read the shoals, sandbars, and currents of Prairie waterways. Their operators were businessmen hoping to reap the benefits of commercial enterprise along the shores and banks of Canada’s inland lakes and rivers. Their passengers were fur traders, adventure-seekers, and immigrants opening up the West. All of them sought their futures and fortunes aboard Prairie steamboats, decades before the railways arrived and took credit for the breakthrough. Aboriginal people called them “fire canoes,” but in the latter half of the nineteenth century, their operators promoted them as Mississippi-type steamship queens delivering speedy transport, along with the latest in technology and comfort. Then, as the twentieth century dawned, steamboats and their operators adapted. They launched smaller, more tailored steamers and focused on a new economy of business and pleasure in the West. By day their steamboats chased freight, fish, lumber, iron ore, real estate, and gold-mining contracts. At night, they brought out the Edwardian finery, lights, and music to tap the pleasure-cruise market.
"Andra-Warner has given us a great read with this slim biography. Her story-telling skills excel at distilling historical facts into compelling narrative."—Thunder Bay Chronicle-Review A quick-paced and engaging biography of Canada's favourite northern poet, Robert Service. Born in England in 1874 to Scottish parents, Robert William Service was raised to live the practical life of a banker. Although banking proved a useful skill to fall back on from time to time, Service was destined to pursue a life of poetry, travel, and adventure. After landing on the west coast of North America at the age of twenty-one, Service found his way to Yukon, the place that would capture his heart and imagination for years to come. Despite his many adventures in Europe and around the world, Yukon remained a strong influence on the poet until his death in 1958. His best-known works, including “The Shooting of Dan McGrew” and “The Cremation of Sam McGee,” were inspired by his time there. Focusing on his Yukon period, historian Elle Andra-Warner crafts a vivid story of the poet who defined the North for generations of Canadians.