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Isaacs talks to the veterans unable to forget the war no one wanted to talk about. He explores the class divisions deepened by a conflict in which the privileged avoided service that an earlier generation had embraced as a duty. And he shows how the "Vietnam Syndrome" continues to affect nearly every major U.S. foreign policy decision, from the Persion Gulf to Somalia, Bosnia, and Haiti.
Compellingly addressing long-standing questions of whether the White House had become isolated from public opinion and whether Johnson was hardened to the voices raised against the war, Vandiver shows the president as a man who agonized, raged, and grew in response to crises in Vietnam and at home.
In Shadows and Wind, Robert Templer paints a fascinating and fresh picture of a country usually viewed with hazy nostalgia or deep suspicion. Here is Hanoi, an increasingly tense and troubled city approaching its millennium but uncertain of its direction. Here are people emerging from a long wilderness of malnutrition, discovering a new lifestyle of leisure and luxury. And everywhere are the anomalies that burst the bubble of optimism: a vastly expensive luxury hotel sitting empty in an unknown town six hours from an international airport; museums crammed with fake exhibits. And there remains the one-party Communist state, still wrapped in secrecy and corruption, and making for an uneasy bedfellow with the rapacious capitalism it now encourages.Drawing on hundreds of interviews in Vietnam and years of research, Robert Templer has produced the first in-depth examination of the problems facing modern Vietnam. Shadows and Wind is essential reading for anyone who wants to understand the Vietnam that now has emerged from a century of conflict with both foreign powers and with itself.
James F. Dunnigan and Albert A. Nofi's Dirty Little Secrets of the Vietnam War allows us to see what really happened to American forces in Southeast Asia, separating popular myth from explosive reality in a clear, concise manner. Containing more than two hundred examinations of different aspects of the war, the book questions why the American military ignored the lessons taught by previous encounters with insurgency forces; probes the use of group think and mind control by the North Vietnamese; and explores the role technology played in shaping the way the war was fought. Of course, the book also reveals the "dirty little secrets," the truth behind such aspects of the conflict as the rise of the Montagnard mercenaries--the most feared group of soldiers participating in the secret war in Laos-and the details of the hidden struggle for the Ho Chi Minh Trail. With its unique and perceptive examination of the conflict, Dirty Little Secrets of the Vietnam War by James F. Dunnigan & Albert A. Nofi offers a critical addition to the library of Vietnam War history.
Harry Truman's administration began searching for an American response to the clash in Indochina between Frech colonialism and Vietminh communism in 1945. Thirty years and five administrations later, Gerald Ford and his aides tried unsuccessfully to solicit additional aid for South Vietnam from a reluctant Congress. For Truman, Ford, and every American leader in between, the dilemma in Vietnam hung ominously over the presidency. In Shadow on the White House, seven prominent historians examine how the leadership of six presidents and an issue that grew into a difficult and often unpopular war shaped each other. Focusing on the personalities, politics, priorities, and actions of the presidents as they confronted Vietnam, the authors consider the expansion of presidential power in foreign-policy formulation since World War II. In their analyses, they chronicle the history of executive leadership as it related to Vietnam, assess presidential prerogatives and motives on war and peace issues, and clarify the interconnection between the modern presidency and the nation's frustrating, tragic, and humiliating failure in Southeast Asia. Although other histories have been written about the Vietnam experience, this book is the first systematic and comparative survey on presidential leadership as it relates to the war issue. It is organized by presidential administrations, giving a detailed examination of each president's decisions and policies. Based on the most recently opened archival sources, the essays provide a framework on which to hang the kaleidoscopic events of the war. -- Amazon.com.
He faced the dilemmas of maintaining the cohesion of the alliance, especially with the French withdrawal from NATO, while trying to reduce tensions between eastern and western Europe, managing bitter conflicts over international monetary and trade policies, and prosecuting an escalating war in Southeast Asia."--BOOK JACKET.
The American war in Vietnam was one of the most morally contentious events of the twentieth century, and it produced an extraordinary outpouring of poetry. Yet the complex ethical terrain of the conflict is remarkably underexplored, and the prodigious poetic voice of its American participants remains largely unheard. In A Shadow on Our Hearts, Adam Gilbert rectifies these oversights by utilizing the vast body of soldier-poetry to examine the war's core moral issues. The soldier-poets provide important insights into the ethical dimensions of their physical and psychological surroundings before, during, and after the war. They also offer profound perspectives on the relationships between American soldiers and the Vietnamese people. From firsthand experiences, they reflect on what it meant to be witnesses, victims, and perpetrators of the war's violence. And they advance an uncompromising vision of moral responsibility that indicts a range of culprits for the harms caused by the conflict. Gilbert explores the powerful and perceptive work of these soldier-poets through the lens of morality and presents a radically alternative, deeply personal, and ethically penetrating account of the American war in Vietnam.
Nicknamed “the truck killer,” the AC-119K gunship and its counterpart, the AC-119G, were developed in the late 1960s in response to the needs of the U.S. military in Vietnam. This important book examines the evolution of these aircraft and their role within Vietnam, military policy, and geopolitical realities. Drawing on unpublished studies and a host of primary materials, William Head discusses the events that led to the birth of the AC-119, the planning and modification processes that followed, and its operational history. The G model, or “Shadow,” focused on air support and anti-personnel missions. “Stinger,” the K model, which could carry more cargo for longer distances, was suited for destruction of enemy vehicles. Though the AC-119 was only an interim asset, its descendants—the AC-130E, H, and U—have played an active role in the recent conflict in Iraq. A narrative of the crews and pilots who executed the missions and the engineers, designers, and the politicians responsible for the aircraft, Shadow and Stinger will be of interest to Vietnam veterans, historians, and scholars, as well as aviation enthusiasts.
In Experiments in Skin Thuy Linh Nguyen Tu examines the ongoing influence of the Vietnam War on contemporary ideas about race and beauty. Framing skin as the site around which these ideas have been formed, Tu foregrounds the histories of militarism in the production of US biomedical knowledge and commercial cosmetics. She uncovers the efforts of wartime scientists in the US Military Dermatology Research Program to alleviate the environmental and chemical risks to soldiers' skin. These dermatologists sought relief for white soldiers while denying that African American soldiers and Vietnamese civilians were also vulnerable to harm. Their experiments led to the development of pharmaceutical cosmetics, now used by women in Ho Chi Minh City to tend to their skin, and to grapple with the damage caused by the war's lingering toxicity. In showing how the US military laid the foundations for contemporary Vietnamese consumption of cosmetics and practices of beauty, Tu shows how the intersecting histories of militarism, biomedicine, race, and aesthetics become materially and metaphorically visible on skin.
A novel of the black markets of the South Vietnamese city of Da Nang during the Vietnam War, based on the author’s experiences as a self-described South Korean mercenary on the side of the South Vietnamese, this is a Vietnam War novel like no other, truly one that sees the war from all sides. Scenes of battle are breathtakingly well told. The plot is thick with intrigue and complex subplots. But ultimately The Shadow of Arms is a novel of the human condition rather than of the exploits and losses of one side or the other in war.