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A searing account of life in the underclass and why it persists as it does, written by a British psychiatrist.
From award-winning Nordic author and illustrator Linda Bondestam comes a new kind of climate change story, narrated by an adorable axolotl who is--possibly--the last of its kind. In a forest of seaweed there was ME, a rare and beautiful little axolotl, going for my first-ever swim. So graceful, and yet so lonesome--out of 987 eggs, mine was the only one that hatched. Who knows, maybe I was the last axolotl in these waters? At the bottom of a lake in Mexico City, our axolotl narrator goes to underwater school, collects treasures tossed away by the big lugs on land, and has dance parties with tiger salamander friends. Life is good! But as the world gets hotter and hotter, the water gets murkier. Friends become harder to find, and the lonesome axolotl grows even lonelier. Until one day when, out of the blue, a colossal wave carries the axolotl into a surprising new future.... Bittersweet, droll, existential, and hopeful, My Life at the Bottom is a tale from the climate crisis unlike any other. Combining her irresistible visual wit with exquisite aquatic art and rare empathy, Linda Bondestam brings us a story of catastrophe that bursts with life.
Discover amazing and fascinating sea creatures in the hole in the bottom of the sea! Based on the traditional cumulative song, each verse introduces a new creature and its place in the food chain, with the shark chasing the eel, who chases the squid, who chases the snail. Enhanced CD includes videso animation and audio singalong.
It’s been ages since the “incident” that estranged former best friends Adam and Thomas, and Adam has long since decided he’s better off, even if his own life hasn’t exactly turned out as planned. Ten years after the two friends spoke their last words, Adam is working as a tutor, sleeping with the mother of a student, and spending most of his nights looking up his ex-girlfriend on Facebook. But when he receives an email from Thomas’s mother begging for his help, he finds himself drawn back into his old friend’s world. Thomas hasn’t been doing well, and now he’s disappeared while traveling in India. As Adam embarks upon a magnificently strange and unlikely journey, Ben Dolnick unspools a tale of friendship, spiritual reckoning, and redemption.
From debut author London Shah, comes a thrilling futuristic Sci-Fi mystery perfect for fans of Illuminae and These Broken Stars.In the last days of the twenty-first century, sea creatures swim through the ruins of London. Trapped in the abyss, humankind wavers between hope and fear of what lurks in the depths around them, and hope that they might one day find a way back to the surface. When sixteen-year-old submersible racer Leyla McQueen is chosen to participate in the city's prestigious annual marathon, she sees an opportunity to save her father, who has been arrested on false charges. The Prime Minister promises the champion whatever their heart desires. But the race takes an unexpected turn, forcing Leyla to make an impossible choice. Now she must brave unfathomable waters and defy a corrupt government determined to keep its secrets, all the while dealing with a guarded, hotheaded companion she never asked for in the first place. If Leyla fails to discover the truths at the heart of her world, or falls prey to her own fears, she risks capture-or worse. And her father will be lost to her forever.
In a collision with a steamship, "City of Rome, on the night of September 25, 1925, the U.S. Navy Submarine S-51 sank in 132 feet of water, taking 33 sailors to the ocean floor. This is the story of the men charged with doing the impossible--rising the thousand ton sub from the bottom of the sea. Added to this modern classic of true adventure are a foreword and afterword giving specifics of the accident and the aftermath, additional photographs, a publisher's preface, and appendices.
From the New York Times bestselling author of Bird Box and Malorie comes a haunting tale of love and mystery, as the date of a lifetime becomes a maddening exploration of the depths of the heart. “Malerman expertly conjures a fairy tale nostalgia of first love, and we follow along, all too willingly, ignoring the warning signs even as the fear takes hold.”—Lit Reactor The story begins: young lovers, anxious to connect, agree to a first date, thinking outside of the box. At seventeen years old, James and Amelia can feel the rest of their lives beginning. They have got this summer and this summer alone to experience the extraordinary. But they didn’t expect to find it in a house at the bottom of a lake. The house is cold and dark, but it’s also their own. Caution be damned, until being carefree becomes dangerous. For the teens must decide: swim deeper into the house—all the while falling deeper in love? Whatever they do, they will never be able to turn their backs on what they discovered together. And what they learned: Just because a house is empty, doesn’t mean nobody’s home.
This is how it’s done. This is why it’s done this way. This is the result you can expect if you do it. These three pieces of information inform a conclusion about every part of each of our lives. Yet it is these three pieces of information that most often set an insidious trap—a trap that has held the imaginations of generations captive to the belief that because they are doing the best they can do, they are accomplishing the best that can be done. And while each of these three statements are true, not one of them is the truth. Dive deeper with bestselling author Andy Andrews as he shares his unique philosophy regarding foundational thinking. Through his unique and captivating storytelling, Andy helps you search for the reality that lies beyond the boundaries established in the name of “best practices,” “industry standards,” or “the way things are done.” For it’s at the bottom of the pool that you discover a pathway to extraordinary results that most people in your position do not even know are possible.
A contest to find a better way to create clean drinking water turns into a mystery when one of the scientists goes missing. Luckily, Jack and his genius siblings are on the case in Jack and the Geniuses: At the Bottom of the World, first in the New York Times bestselling series from Bill Nye and Gregory Mone—featuring illustrations by Nick Iluzada. Jack and his foster siblings, Ava and Matt, are not your typical kids—they’re geniuses. Well, Ava and Matt are. Ava speaks multiple languages and builds robots for fun, and Matt is an expert astronomer and math whiz. As for Jack, it’s hard to stand out when surrounded by geniuses all the time. Things get more complicated when the trio starts working for Dr. Hank Witherspoon, one of the world’s leading scientists. They travel to Antarctica with Hank for a prestigious award ceremony—but they quickly find that not all is as it seems: A scientist has gone missing. It’s up to Jack, Ava, and Matt to find her . . . and discover who’s behind it all. In the Jack and the Geniuses series, readers join Jack, Ava, and Matt on adventures around the world to tackle some of science’s biggest challenges, including new ways to create clean drinking water, to generate clean and renewable energy, and to extend information access to the entire planet. Each book in the series includes cool facts about the real-life science found in the story and a fun DIY project. Jack and the Geniuses series: Jack and the Geniuses: At the Bottom of the World (#1) Jack and the Geniuses: In the Deep Blue Sea (#2) Jack and the Geniuses: Lost in the Jungle (#3)
A View from the Bottom offers a major critical reassessment of male effeminacy and its racialization in visual culture. Examining portrayals of Asian and Asian American men in Hollywood cinema, European art film, gay pornography, and experimental documentary, Nguyen Tan Hoang explores the cultural meanings that accrue to sexual positions. He shows how cultural fantasies around the position of the sexual "bottom" overdetermine and refract the meanings of race, gender, sexuality, and nationality in American culture in ways that both enable and constrain Asian masculinity. Challenging the association of bottoming with passivity and abjection, Nguyen suggests ways of thinking about the bottom position that afford agency and pleasure. A more capacious conception of bottomhood—as a sexual position, a social alliance, an affective bond, and an aesthetic form—has the potential to destabilize sexual, gender, and racial norms, suggesting an ethical mode of relation organized not around dominance and mastery but around the risk of vulnerability and shame. Thus reconceived, bottomhood as a critical category creates new possibilities for arousal, receptiveness, and recognition, and offers a new framework for analyzing sexual representations in cinema as well as understanding their relation to oppositional political projects.