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Read Peter's Op-ed on Trump's Immigration Ban in The New York Times The rise of dual citizenship could hardly have been imaginable to a time traveler from a hundred or even fifty years ago. Dual nationality was once considered an offense to nature, an abomination on the order of bigamy. It was the stuff of titanic battles between the United States and European sovereigns. As those conflicts dissipated, dual citizenship continued to be an oddity, a condition that, if not quite freakish, was nonetheless vaguely disreputable, a status one could hold but not advertise. Even today, some Americans mistakenly understand dual citizenship to somehow be “illegal”, when in fact it is completely tolerated. Only recently has the status largely shed the opprobrium to which it was once attached. At Home in Two Countries charts the history of dual citizenship from strong disfavor to general acceptance. The status has touched many; there are few Americans who do not have someone in their past or present who has held the status, if only unknowingly. The history reflects on the course of the state as an institution at the level of the individual. The state was once a jealous institution, justifiably demanding an exclusive relationship with its members. Today, the state lacks both the capacity and the incentive to suppress the status as citizenship becomes more like other forms of membership. Dual citizenship allows many to formalize sentimental attachments. For others, it’s a new way to game the international system. This book explains why dual citizenship was once so reviled, why it is a fact of life after globalization, and why it should be embraced today.
Read Peter's Op-ed on Trump's Immigration Ban in The New York Times The rise of dual citizenship could hardly have been imaginable to a time traveler from a hundred or even fifty years ago. Dual nationality was once considered an offense to nature, an abomination on the order of bigamy. It was the stuff of titanic battles between the United States and European sovereigns. As those conflicts dissipated, dual citizenship continued to be an oddity, a condition that, if not quite freakish, was nonetheless vaguely disreputable, a status one could hold but not advertise. Even today, some Americans mistakenly understand dual citizenship to somehow be “illegal”, when in fact it is completely tolerated. Only recently has the status largely shed the opprobrium to which it was once attached. At Home in Two Countries charts the history of dual citizenship from strong disfavor to general acceptance. The status has touched many; there are few Americans who do not have someone in their past or present who has held the status, if only unknowingly. The history reflects on the course of the state as an institution at the level of the individual. The state was once a jealous institution, justifiably demanding an exclusive relationship with its members. Today, the state lacks both the capacity and the incentive to suppress the status as citizenship becomes more like other forms of membership. Dual citizenship allows many to formalize sentimental attachments. For others, it’s a new way to game the international system. This book explains why dual citizenship was once so reviled, why it is a fact of life after globalization, and why it should be embraced today.
The IPPY Award–winning anthology of poetry, memoir, and essays—“accounts of assimilation and nostalgia, celebration and resistance” (Rick Barot, author of The Galleons). This collection contains contributions from sixty-five writers who were either born and/or raised in the United States by one or more immigrant parent. Their work describes the many contradictions, discoveries and life lessons one experiences when one is neither seen as fully American nor fully foreign. Contributors include Richard Blanco, Tina Chang, Joseph Lagaspi, Li-Young Lee, Timothy Liu, Naomi Shihab Nye, Oliver de la Paz, Ira Sukrungruang, Ocean Vuong, and many other talented writers from throughout the United States. Winner of a Bronze Medal from the Independent Publisher Book Awards for Multicultural Nonfiction “When you hold in your DNA two countries—the cultures, the languages, the delicious foods and stories—you embody richness. These writers know on the cellular level many-layered ways to live, to struggle, to love. Here are voices we need to hear, writers we need to read. This is a brilliant, timely book, an antidote to divisiveness.” —Peggy Shumaker, former Alaska State Writer Laureate “The poets and writers in Two-Countries show that one result of our ongoing national experiment is a rich deepening in our literature. We may be in perilous times as a country, but our writers have never been in more ferocious health.” —Rick Barot, author of The Galleons
The lure of living abroad is one that nearly everyone has felt, at one time or another, whether or not we give into it. And while traveling for a week or two at a time to a new country can be a thrilling experience, it doesn't quite satisfy the same desire as spending years getting to know a place. Chelsea Fagan had always been in love with France, and after a two-week vacation in Paris, decided that she would live there. Five months later, she was all moved in. In Between Two Countries, a collection of her essays on travel, she shares what it means to immigrate intelligently, learn from your host culture, and make it work on a budget. And yes, you can do it, too.
He was getting more and more anglicized with every passing year and almost felt embarrassed of being the son of his parents. He felt that they were out of tune with life in Britain...' Having survived the horrors of Partition, young lovers, Guru and Sukhi, begin a journey of blissful matrimony. Supporting each other through the various ups and downs of life, they migrate to England,
Presents a brief history of the Statue of Liberty and describes how France gave the statue to New York City to commemorate the realtionship between the two countries, the creation and erection of the statue, and how its meaning has changed.
As Hong Kong is integrated into the People’s Republic of China, ever fewer people in the city identify as Chinese. Two Systems, Two Countries explains why. Two Systems, Two Countries traces the origins of Hong Kong nationalism and introduces readers to its main schools of thought: city-state theory, self-determination, independence, and returnism. The idea of Hong Kong independence, Kevin Carrico shows, is more than just a provocation testing Beijing’s red lines: it represents a collective awakening to the failure of One Country Two Systems and the need to transcend obsolete orthodoxies. With a conclusion that examines Hong Kong nationalism’s influence on the 2019 protest movement, Two Systems, Two Countries is an engaging and accessible introduction to the tumultuous shifts in Hong Kong politics and identity over the past decade.
My Love of Two Countries is the life story of Winnie Goodies Prins. Winnie's family worked in the Dutch Resistance during World War II in the Netherlands and immigrated to the United States in 1949. Winnie and her husband, Gerrit Prins, owned a farm in Eastmanville, Michigan, and raised seven children. In all of life's joys and struggles, the Lord has been Winnie's strength and guide.
The Iranian revolution of 1979 launched a vast, global diaspora, with many Iranians establishing new lives in the United States. In the four decades since, the diaspora has expanded to include not only those who emigrated immediately after the revolution but also their American-born children, more recent immigrants, and people who married into Iranian families, all of whom carry their own stories of trauma, triumph, adversity, and belonging that reflect varied and nuanced perspectives on what it means to be Iranian or Iranian American. The essays in My Shadow Is My Skin are these stories. This collection brings together thirty-two authors, both established and emerging, whose writing captures the diversity of diasporic experiences. Reflecting on the Iranian American experience over the past forty years and shedding new light on themes of identity, duality, and alienation in twenty-first-century America, the authors present personal narratives of immigration, sexuality, marginalization, marriage, and religion that offer an antidote to the news media’s often superficial portrayals of Iran and the people who have a connection to it. My Shadow Is My Skin pulls back the curtain on a community that rarely gets to tell its own story.
We all have one life. Some of us spend it in one country, but I was fortunate to live, study and work in multiple countries. I was forced to deal with circumstances, good and bad. The key to success is how I handled my challenges. I did it my way and encourage everyone to leave this world better than we met it.