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In June 1923, Edith Wharton, who had not set foot on native soil since before the First World War, came home to accept an honorary degree from Yale University. In April 1995, friends of Wharton again convened at Yale. The essays collected in "A Forward Glance: New Essays on Edith Wharton" represent a portion of the ocmplex and varied scholarly work delivered at that conference. -- From publisher's description.
PARAGRAPHS AND ESSAYS WITH INTEGRATED READINGS is the higher-level companion to SENTENCES, PARAGRAPHS, AND BEYOND in the two-book Brandon series. Instruction in this text -- comprehensive, flexible, and relevant -- is predicated on the idea that reading and writing are linked and that good writing is the product of revision and rigorous editing. The hallmarks of the Brandons' books are tell-show-engage instruction, ample demonstrations of good professional and student writing, and an abundance of reading-based, high-interest general, cross-curricular, and career-related topics and prompts. The reading-based writing presented in this book provides experience in critical thinking that enables students to write competently across the disciplines and transition smoothly to the next level of the English program. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
"John D'Agata is an alchemist who changes trash into purest gold." —Guy Davenport, Harper's John D'Agata journeys the endless corridors of America's myriad halls of fame and faithfully reports on what he finds there. In a voice all his own, he brilliantly maps his terrain in lists, collage, and ludic narratives. With topics ranging from Martha Graham to the Flat Earth Society, from the brightest light in Vegas to the artist Henry Darger, who died in obscurity, Halls of Fame hovers on the brink between prose and poetry, deep seriousness and high comedy, the subject and the self.
A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013
'So compellingly personal you feel you're looking over her shoulder as she sits down to write' New York Times 'Electrically entertaining ... Funny, generous, spirited and kind' The Times This Is the Story of a Happy Marriage is an irresistible blend of literature and memoir revealing the big experiences and little moments that shaped Ann Patchett as a daughter, wife, friend and writer. Here, Ann Patchett shares entertaining and moving stories about her tumultuous childhood, her painful early divorce, the excitement of selling her first book, driving a Winnebago from Montana to Yellowstone Park, her joyous discovery of opera, scaling a six-foot wall in order to join the Los Angeles Police Department, the gradual loss of her beloved grandmother, starting her own bookshop in Nashville, her love for her very special dog and, of course, her eventual happy marriage. This Is the Story of a Happy Marriage is a memoir both wide ranging and deeply personal, overflowing with close observation and emotional wisdom, told with wit, honesty and irresistible warmth.
Paragraphs and Essays with Integrated Readings—the higher level of Lee Brandon's two-level series that also includesSentences, Paragraphs, and Beyond—provides extensive writing instruction in a fun, engaging manner. Written in Lee Brandon's unique style and voice, the text incorporates coverage of reading, a three-stage writing process, and in-depth instruction on different essay patterns. The last chapter (Chapter 16) covers research writing; and a Handbook section provides grammar, mechanics, and punctuation review for students to brush up on their skills. New to this edition are 12 full-color photographs that provide writing prompts for student essays, a wide variety of brand-new readings, and new "Mindset" features that emphasize key concepts and point to additional exercises on the accompanying Online Study Center. Also new to this edition is Lee Brandon's co-author, son Kelly Brandon, who also teaches developmental writing. Strong emphasis on the writing process covers three separate stages of writing. Three chapters cover the writing process in detail: the exploring, experimenting, and gathering information stage; writing the controlling idea, organizing, and developing support stage; and writing, revising, and editing. Engaging writing samples by both professionals and students are integrated throughout the text. This edition incorporates more examples of text-based writing and stresses the importance of locating and qualifying sources, as well as incorporating and documenting sources. Intriguing topics such as cheating on papers, low-wage jobs, flirting, and the dangers of steroids, engage students' interest; paired readings in several chapters encourage critical thinking about the pros and cons of an issue. New!Writing across the disciplines and in the workplace is emphasized in every chapter. Every chapter begins with a consideration of how a particular type of writing can be helpful in college courses across the curriculum, as well as in the workplace. New!Application exercises are now linked with four-color photographs to provide critical thinking opportunities as well as writing prompts. These Application exercises can be used for individual or group consideration and discussion, or assigned as essay topics. The effective pedagogy includes a number of student exercises in every chapter for immediate review of chapter concepts; writing process worksheets to help students develop their essays; many annotated readings; and suggested writing topics. New to this edition are special features that point students to the Online Study Center, which contains self-study quizzes with immediate feedback and rejoinders for every chapter and "Mindset" features that provide additional questions and suggestions before many of the readings. A handbook of grammar, mechanics, and punctuation helps students refresh their understanding of parts of speech, sentence structure, and mechanics such as spelling and punctuation. Also included in the handbook is a brief guide for ESL students, with additional information on subjects such as idioms.
This work presents both the range of Arendt's political thought and the patterns of controversy it has elicited. The essays are arranged in six parts around important themes in Arendt's work: totalitarianism and evil; narrative and history; the public world and personal identity; action and power; justice, equality, and democracy; and thinking and judging. Despite such thematic diversity, virtually all the contributors have made an effort to build bridges between interest-driven politics and Arendt's Hellenic/existential politics. Although some are quite critical of the way Arendt develops her theory, most sympathize with her project of rescuing politics from both the foreshortening glance of the philosopher and its assimilation to social and biological processes. This volume treats Arendt's work as an imperfect, somewhat time-bound but still invaluable resource for challenging some of our most tenacious prejudices about what politics is and how to study it. The following eminent Arendt scholars have contributed chapters to this book: Ronald Beiner, Margaret Canovan, Elisabeth Young-Bruehl, Seyla Benhabib, Jürgen Habermas, Hanna Pitkin, and Sheldon Wolin.
A dazzling collection of “remarkably elegant essays” (Newsday) on art—and the companion volume to the celebrated Just Looking and Still Looking—from one of the most gifted American writers of the twentieth century. In this book, readers are treated to a collection in which “the psychological concerns of the novelist drive the eye from work to work until a deep understanding of the art emerges” (The New York Times Book Review). Always Looking opens with “The Clarity of Things,” the Jefferson Lecture in the Humanities for 2008. Here, in looking closely at individual works by Copley, Homer, Eakins, Norman Rockwell, and others, the author teases out what is characteristically “American” in American art. This talk is followed by fourteen essays, most of them written for The New York Review of Books, on certain highlights in Western art of the last two hundred years: the iconic portraits of Gilbert Stuart and the sublime landscapes of Frederic Edwin Church, the series paintings of Monet and the monotypes of Degas, the richly patterned canvases of Vuillard and the golden extravagances of Klimt, the cryptic triptychs of Beckmann, the personal graffiti of Miró, the verbal-visual puzzles of Magritte, and the monumental Pop of Oldenburg and Lichtenstein. The book ends with a consideration of recent works by a living American master, the steely sculptural environments of Richard Serra. John Updike was a gallery-goer of genius. Always Looking is, like everything else he wrote, an invitation to look, to see, to apprehend the visual world through the eyes of a connoisseur.
Includes information on how to write an essay, the essay and its parts, the writing process, descriptive narration/moving through time and space, exemplification/writing with examples, analysis by division/examining the parts, process analysis/writing about doing, cause and effect/determining reasons and results, classification/establishing groups, comparison and contrast/showing similarities and differences, definition/clarifying terms, argument/writing to influence, argument/writing to influence, ten steps to writing a research paper, sample essays, writing the thesis, topics for essays, etc.