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"This collection of stories, mostly interlinked and largely autobiographical, chart the descent of the narrator from the onset of neurosis to final incarceration at a Swiss clinic. The sense of paranoia, of persecution by a foe or force that is never given a name evokes The Trial by Franz Kafka, the writer with whom Kavan is most often compared, though Kavan's deeply personal, restrained and almost foreign-accented style has no true model. The same characters who recur throughout -- the protagonist's unhelpful 'advisor', the friend/lover who abandons her at the clinic, and an assortment of deluded companions -- are sketched without a trace of the rage, self-pity or sentiment that have marked more recent prozac memoirs." -- From publisher's website.
A collection of horror short stories by Ian Madison Keller centered around a very furry apocalypse. Read about a park ranger who needs to escape from intelligent forest creatures out for her blood, a house cat who must decide between revenge or helping her friends, a girl trying to remember who she is with the help of her ghost dog, a vampire who steals the wrong artifact and ends up in over her head, and a half-bat girl out to solve a series of brutal murders. Collection includes The Fluffpocalypse, Escape from the Wild, Survivors of the Holocene, So That They May Rule, Clary's Asylum, Romancing the Tombstone, and Poppy and the Great Expo.
Stories within stories, a few contemporary fables, a hint of the narrative complexity of Borges, a whiff of the gritty realism of pre- and post-communist life in Eastern Europe - these are the elements that come together in a unique and surprising way in the wildly imaginative and endlessly engaging short stories of Georgi Gospodinov. Whether a tongue-in-cheek crime/horror story or the Christmas story of a pig, a language game leading to an unexpected epiphany or an inward-looking tale built on the complexity of a puzzle box, the work in this collection offers a kaleidoscopic experience of a writer whose style has been described as anarchic, experimental (New Yorker) and compulsively readable (New York Times). Gospodinov's debut prose work Natural Novel was hailed as a go-for-broke postmodern construction - a devilish jam of jump-cut narration, pop culture riffs, wholesale quotation, and Chinese-box authorship (Village Voice). At once familiar and fantastic, his writing is high comedy, high seriousness, and of very high order.
Originally published in 1953, What Shall I Read Next? lists nearly 2000 works published after 1900, with the compiler's own appreciatory comments on selected items. It was a companion volume to Mr Seymour Smith's English Library. Both books are published on behalf of the National Book League. In his introduction, explaining the scope and purpose of the book, Mr Seymour Smith wrote: 'Some will find it useful merely as a shopping list, reminding them of books they know something about already, and serving as a remembrancer. To others, and particularly to younger readers, it may introduce books which have so far escaped their notice. It is hoped, too, that for booksellers and librarians it will have a practical use as a desk-book, for answering enquiries, for serving as a check list for stock, and for use as a reference book when memory fails'.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
AT first the two yards were as much alike as the two houses, each house being the exact copy of the other. They were just two of those little red brick dwellings that one is always seeing side by side in the outskirts of a city, and looking as if the occupants must be alike too. But these two families were quite different. Mr. Gilton, who lived in one, was a pretty cross sort of man, and was quite well-to-do, as cross people sometimes are. He and his wife lived alone, and they did not have much going out and coming in, either. Mrs. Gilton would have liked more of it, but she had given up thinking about it, for her husband had said so many times that it was women's tomfoolery to want to have people, whom you weren't anything to and who weren't anything to you, ringing your doorbell all the time and bothering around in your dining-room,—which of course it was; and she would have believed it if a woman ever did believe anything a man says a great many times. In the other house there were five children, and, as Mr. Gilton said, they made too large a family, and they ought to have gone somewhere else. Possibly they would have gone had it not been for the fence; but when Mr. Gilton put it up and Mr. Bilton told him it was three inches too far on his land, and Mr. Gilton said he could go to law about it, expressing the idea forcibly, Mr. Bilton was foolish enough to take his advice. The decision went against him, and a good deal of his money went with it, for it was a long, teasing lawsuit, and instead of being three inches of made ground it might have been three degrees of the Arctic Circle for the trouble there was in getting at it. So Mr. Bilton had to stay where he was. It was then that the yards began to take on those little differences that soon grew to be very marked. Neither family would plant any vines because they would have been certain to heedlessly beautify the other side, and consequently the fence, in all its primitive boldness, stood out uncompromisingly, and the one or two little bits of trees grew carefully on the farther side of the enclosure so as not to be mixed up in the trouble at all. But Mr. Gilton's grass was cut smoothly by the man who made the fires, while Mr. Bilton only found a chance to cut his himself once in two weeks. Then, by and by, Mr. Gilton bought a red garden bench and put it under the tree that was nearest to the fence. No one ever went out and sat on it, to be sure, but to the Bilton children it represented the visible flush of prosperity. Particularly was Cora Cordelia wont to peer through the fence and gaze upon that red bench, thinking it a charming place in which to play house, ignorant of the fact that much of the red paint would have come off on her back. Cora Cordelia was the youngest of the five. All the rest had very simple names,—John, Walter, Fanny, and Susan,—but when it came to Cora Cordelia, luxuries were beginning to get very scarce in the Bilton family, and Mrs. Bilton felt that she must make up for it by being lavish, in one direction or another. She had wished to name Fanny, Cora, and Susan, Cordelia, but she had yielded to her husband, and called one after his mother and one after herself, and then gave both her favorite names to the youngest of all. Cora Cordelia was a pretty little girl, prettier even than both her names put together.
The Satirical and Bitter Side of Mark Twain “Man is made of dirt - I saw him made. I am not made of dirt. Man is a museum of diseases, a home of impurities; he comes to-day and is gone tomorrow; he begins as dirt and departs as stench; I am of the aristocracy of the Imperishables. And man has the Moral Sense. You understand? He has the Moral Sense. That would seem to be difference enough between us, all by itself." - Mark Twain, The Mysterious Stranger The Mysterious Stranger and Other Stories is a collection of nine short stories meant to divulge the human’s wicked nature. The Mysterious Stranger is more of a novella in which Satan observes - yet doesn’t intervene - the human kind. He speaks of our precarious morality and fear and also about our innate compulsion of following the boldest and at the same time the most impulsive individual, thus acting more like sheep than wolves. Isn’t there any hope? This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes.