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Fiction. Art. The broken windows of the abandoned sanitarium are foreboding and ominous, yet darkly inviting. The inmates have long since departed, but their suffering can still be felt imprinted on the stagnant air of the empty wards. The door at the front of the overgrown madhouse has been ripped from its hinges. It would be easy to cross the threshold, yet we hesitate to enter... Having spent a lifetime exploring the long-abandoned Essex Mountain Sanatorium and Overbrook Psychiatric Hospital in Northern New Jersey, Wheeler Antabanez, artist, writer, and intrepid explorer of New Jersey's abandoned and defiled places, is uniquely qualified to open doors at the Old Asylum that no one even knew existed. In these stories, illustrated with remarkably evocative paintings by the author, the broken hulk of the abandoned mental hospital comes vividly back to life, reanimated by a spirit of risk-taking, transgressive adventure, macabre humor, and the author's comprehensive artistic and personal mission to create from the ruins of our collective past an imaginative, vibrantly living whole. The book contains reproductions of a series of paintings by the author.
The Book of Other People is just that: a book of other people. Open its covers and you’ll make a whole host of new acquaintances. Nick Hornby and Posy Simmonds present the ever-diverging writing life of Jamie Johnson; Hari Kunzru twitches open his net curtains to reveal the irrepressible Magda Mandela (at 4:30a.m., in her lime-green thong); Jonathan Safran Foer's Grandmother offers cookies to sweeten the tale of her heart scan; and Dave Eggers, George Saunders, David Mitchell, Colm Tóibín, A.M. Homes, Chris Ware and many more each have someone to introduce to you, too. With an introduction by Zadie Smith and brand-new stories from over twenty of the best writers of their generation from both sides of the Atlantic, The Book of Other People is as dazzling and inventive as its authors, and as vivid and wide-ranging as its characters.
They arrive alive. They leave dead.But first, they give me their confessions.My name is Jack Steen. That name shouldn't mean anything to you. Unless you're about to die. And then I'm your bloody guardian angel. I work as a night nurse in the Asylum for the criminally insane. My name is the only real name you'll find in this book. I won't tell you which hospital I work at. I won't tell you the names of those dying.But I won't lie to you.You'll read exactly what I'm told. If you're smart, if you're deranged enough to read between the lines, you'll know who is telling the story.They could be playing their final game with me by messing with my head. Now, maybe they're messing with yours too.Inside this book are 4 confessions: One has an interesting 'appetite'. One was the Ken to his Barbie, and he would do anything to keep her happy.Another is a Nanny, but not one you want watching your kids.The other is the sweetest soul you'd ever meet but you'll have a hard time reading her confession. WARNING: There is swearing in this book. And some stories might be a trigger for something you have a hard time handling. But, these are the confessions of serial killers, mass murderers and such. NOTE: These once were published as novellas. Now they're in a full length novel. Deal with it.Want to read the next set of Confession books? Sign up for my mailing list - I'm told all the real authors have one, so I figured why not
After waking up in a small asylum in England with no memory of the past several weeks, Georgia Ferrars learns that her family believes she is an imposter.
Madeleine Roux's New York Times bestselling Asylum is a thrilling and creepy photo-illustrated novel that Publishers Weekly called "a strong YA debut that reveals the enduring impact of buried trauma on a place." For sixteen-year-old Dan Crawford, the New Hampshire College Prep program is the chance of a lifetime. Except that when Dan arrives, he finds that the usual summer housing has been closed, forcing students to stay in the crumbling Brookline Dorm. The dorm was formerly a sanatorium, more commonly known as an asylum. And not just any asylum—a last resort for the criminally insane. As Dan and his new friends Abby and Jordan start exploring Brookline's twisty halls and hidden basement, they uncover disturbing secrets about what really went on at Brookline . . . secrets that link Dan and his friends to the asylum's dark past. Because Brookline was no ordinary asylum, and there are some secrets that refuse to stay buried. Featuring found photographs from real asylums and filled with chilling mystery and page-turning suspense, Asylum is a horror story that treads the line between genius and insanity, perfect for fans of Miss Peregrine's Home for Peculiar Children. Don't miss any of the books in the Asylum series, or Madeleine Roux's shivery fantasy series, House of Furies!
Geller and Harris's accompanying history of both societal and psychiatric standards for women reveals that often even the prevailing conventions reinforced the perception that these women were "mad.".
FROM THE WINNER OF THE CWA INTERNATIONAL DAGGER 2010 FOR THE DARKEST ROOM 'A compelling and scary psychological thriller' - Sunday Mirror Who amongst us can really say theyâe(tm)re sane? Jan has just started working at the Dell nursery. But this is no normal nursery. Itâe(tm)s linked to a high-security asylum by a dimly-lit underground tunnel, which is used for the children to visit their parents. Who are some of the most dangerous psychopaths in the country. And Jan has complicated reasons for being here. Thereâe(tm)s something heâe(tm)s not telling people about his past. And thereâe(tm)s someone in the asylum who he really wants to see . . .
A man who does not recognise his own face, an aristocrat who keeps his amputated limbs in jars on the shelf, an infant that commits suicide, a cat that is secretly writing a novel, a rooster that rebels against fate -- those are some of the characters that make Bahram Sadeqi's stories intriguing, incomparable and inimitable. Sadeqi is an original story-teller who depicts familiar facts and mundane realities in such a way that shocks us to the core and makes us call everything into question. With a subtle irony reminiscent of Poe, Kafka and Marquez, he engages us in an intricate quest to explore the meaning of life, death and the cosmos. Considering the slight body of work Sadeqi left behind after his untimely death, one cannot help but be struck by the impact his work has had on Persian literature nevertheless. Sadeqi consistently transgressed established literary ideologies with an easy confidence, pioneering an entirely new style of literature and presenting his own unique perspective on the human condition. His presence in contemporary Persian prose fiction was like that of a lone meteorite: appearing in a blinding flash, instantly yet fleetingly illuminating its surroundings, then abruptly fading into the darkness, leaving only a completely original, overwhelming and fantastic trail, the remainder of something singularly magnificent that we cannot hope to ever see repeated. Ever since he first published his stories in literary journals as a young writer, Sadeqi's works have been widely reprinted, finding vast audiences among each new generation of Iranians. This collection contains some of Sadeqi's best short stories, as well as Malakut, his magnum opus, a novella that took everyone by surprise in the 1960s, still fascinating readers and critics alike.
A collection of horror short stories by Ian Madison Keller centered around a very furry apocalypse. Read about a park ranger who needs to escape from intelligent forest creatures out for her blood, a house cat who must decide between revenge or helping her friends, a girl trying to remember who she is with the help of her ghost dog, a vampire who steals the wrong artifact and ends up in over her head, and a half-bat girl out to solve a series of brutal murders. Collection includes The Fluffpocalypse, Escape from the Wild, Survivors of the Holocene, So That They May Rule, Clary's Asylum, Romancing the Tombstone, and Poppy and the Great Expo.
Stories within stories, a few contemporary fables, a hint of the narrative complexity of Borges, a whiff of the gritty realism of pre- and post-communist life in Eastern Europe - these are the elements that come together in a unique and surprising way in the wildly imaginative and endlessly engaging short stories of Georgi Gospodinov. Whether a tongue-in-cheek crime/horror story or the Christmas story of a pig, a language game leading to an unexpected epiphany or an inward-looking tale built on the complexity of a puzzle box, the work in this collection offers a kaleidoscopic experience of a writer whose style has been described as anarchic, experimental (New Yorker) and compulsively readable (New York Times). Gospodinov's debut prose work Natural Novel was hailed as a go-for-broke postmodern construction - a devilish jam of jump-cut narration, pop culture riffs, wholesale quotation, and Chinese-box authorship (Village Voice). At once familiar and fantastic, his writing is high comedy, high seriousness, and of very high order.