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Step into the world of early 20th-century science fiction with "Astounding Stories of Super Science January 1930" by Ray Cummings et al. This captivating collection transports readers to a time when the possibilities of science seemed limitless and the boundaries of imagination were constantly being pushed. Are you ready to journey back in time to an era of scientific marvels and futuristic wonders? In this enthralling anthology, Ray Cummings and other visionary authors take readers on a thrilling adventure through the realms of super science. From futuristic inventions to alien encounters, each story offers a glimpse into a world where anything is possible. But here's the real question: Will you dare to explore the realms of super science and witness the wonders that await? Are you prepared to embark on a journey of discovery and imagination? Experience the excitement of early science fiction. Dive into the pages of "Astounding Stories of Super Science January 1930" and let your imagination soar. Don't miss your chance to be transported to a world of wonder and possibility. Purchase your copy of "Astounding Stories of Super Science January 1930" today and embark on an adventure that will leave you astounded.
Astounding Stories of Super-Science (Vol. I No. 1 January, 1930); pulp science fiction and horror.In this issue:Part One of “The Beetle Horde” by Victor Rousseau“The Cave of Horror” by Captain S.P. Meek“Phantoms of Reality” by Ray Cummings“The Stolen Mind” by M.L. Staley“Compensation” by C.V. Tench“Tanks” by Murray Leinster“Invisible Death” by Anthony Pelcher
Introducing- ASTOUNDING STORIES What are "astounding" stories? Well, if you lived in Europe in 1490, and someone told you the earth was round and moved around the sun-that would have been an "astounding" story. Or if you lived in 1840, and were told that someday men a thousand miles apart would be able to talk to each other through a little wire-or without any wire at all-that would have been another. Or if, in 1900, they predicted ocean-crossing airplanes and submarines, world-girdling Zeppelins, sixty-story buildings, radio, metal that can be made to resist gravity and float in the air-these would have been other "astounding" stories. To-day, time has gone by, and all these things are commonplace. That is the only real difference between the astounding and the commonplace-Time. To-morrow, more astounding things are going to happen. Your children-or their children-are going to take a trip to the moon. They will be able to render themselves invisible-a problem that has already been partly solved. They will be able to disintegrate their bodies in New York and reintegrate them in China-and in a matter of seconds. Astounding? Indeed, yes. Impossible? Well-television would have been impossible, almost unthinkable, ten years ago. Now you will see the kind of magazine that it is our pleasure to offer you beginning with this, the first number of ASTOUNDING STORIES. It is a magazine whose stories will anticipate the super-scientific achievements of To-morrow-whose stories will not only be strictly accurate in their science but will be vividly, dramatically and thrillingly told. Already we have secured stories by some of the finest writers of fantasy in the world-men such as Ray Cummings, Murray Leinster, Captain S. P. Meek, Harl Vincent, R. F. Starzl and Victor Rousseau. So-order your next month's copy of ASTOUNDING STORIES in advance!-The Editor.
This is the first of three volumes that chart the history of the science fiction magazine from the earliest days to the present. This first volume looks at the exuberant years of the pulp magazines. It traces the growth and development of the science fiction magazines from when Hugo Gernsback launched the very first, Amazing Stories, in 1926 through to the birth of the atomic age and the death of the pulps in the early 1950s. These were the days of the youth of science fiction, when it was brash, raw and exciting: the days of the first great space operas by Edward Elmer Smith and Edmond Hamilton, through the cosmic thought variants by Murray Leinster, Jack Williamson and others to the early 1940s when John W. Campbell at Astounding did his best to nurture the infant genre into adulthood. Under him such major names as Robert A. Heinlein, Isaac Asimov, A. E. van Vogt and Theodore Sturgeon emerged who, along with other such new talents as Ray Bradbury and Arthur C. Clarke, helped create modern science fiction. For over forty years magazines were at the heart of science fiction and this book considers how the magazines, and their publishers, editors and authors influenced the growth and perception of this fascinating genre.
Now in paperback! Cloth edition previously published in 1979. Volume 2: From Wells to Heinlein, samples the science fiction from a wide variety of authors that paved the way for the Golden Age.
No one starts a magazine more than two decades into the 21st century.No one!It's only an adled brain that would even toy with the idea. Print publications are on their way out. The few surviors are frightened, huddled, waiting silently for the long night to come.Well, not here at Phenomenal Stories!We never expected to have any readers, so how could we be disappointed?And we're not!OK, OK, there may be one or two readers who, ironically, are reading Phenomenal Stories on their Kindles.Other than that, though, it's safe to say that after the first four issues we are very nearly 100%% reader-free!So why are we doing this?I put it to you as a question: Why wouldn't we be doing this?OK, plenty of reasons, but we're doing it anyway.Come on along!
Alternate Worlds was first published in 1975 and became an instant classic, winning a Hugo award. This third edition brings the history of science fiction up to date, covering developments over the past forty years--a period that has seen the advent of technologies only imagined in the genre's Golden Age. As a literature of change, science fiction has become ever more meaningful, presaging dangers to humanity and, as Alvin Toffler wrote, guarding against "the premature arrival of the future." The world has begun to recognize science fiction in many different ways, incorporating its elements in products, visual media and huge conventions.
This CliffsNotes guide includes everything you’ve come to expect from the trusted experts at CliffsNotes, including analysis of the most widely read literary works.
This book illuminates how science fiction studies can support diversity, equity, and inclusion in science and engineering. Shortly before science fiction got its name, a new paradigm connected whiteness and masculinity to the advancement of civilization. In order to show how science fiction authors supported the social construction of these gender and racial norms – and also challenged them – this study analyzes the impact of three major editors and the authors in their orbits: Hugo Gernsback; John W. Campbell, Jr.; and Judith Merril. Supported by a fresh look at archival sources and the author’s experience teaching Science and Technology Studies at universities on three continents, this study demonstrates the interconnections among discourses of imperialism, masculinity, and innovation. Readers gain insights into fighting prejudice, the importance of the community of authors and readers, and ideas about how to challenge racism, sexism, and xenophobia in new creative work. This stimulating book demonstrates how education in science, technology, engineering, and mathematics (STEM) can be enhanced by adding the liberal arts, such as historical and literary studies, to create STEAM.
A detailed look at the British world of science fiction in the 1950s. John Wade grew up in the 1950s, a decade that has since been dubbed the “golden age of science fiction.” It was a wonderful decade for the genre, but not so great for young fans. With early television broadcasts being advertised for the first time as “unsuitable for children” and the inescapable barrier of the “X” certificate in the cinema barring anyone under the age of sixteen, the author had only the radio to fall back on—and that turned out to be more fertile for the budding SF fan than might otherwise have been thought. Which is probably why, as he grew older, rediscovering those old TV broadcasts and films that had been out of bounds when he was a kid took on a lure that soon became an obsession. For him, the super-accuracy and amazing technical quality of today’s science fiction films pale into insignificance beside the radio, early TV and B-picture films about people who built rockets in their back gardens and flew them to lost planets, or tales of aliens who wanted to take over, if not our entire world, then at least our bodies. This book is a personal account of John Wade’s fascination with the genre across all the entertainment media in which it appeared—the sort of stuff he reveled in as a young boy—and still enjoys today. “Not only a well–researched book grounded in hundreds of sources, but also an unmistakable labor of love.” —New York Journal of Books