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An out-of-this-word Passover fantasy! When Asteroid Goldberg and her parents get stuck in outer space for Passover, Asteroid plans a Passover seder for herself and her family that is truly out-of-this-world! With Jupiter’s moons for matzoh balls and the Big Dipper for a ladle, you’ve never seen a Passover seder like this one. A celebration of Jewish creativity and mighty Jewish girls!
"When Asteroid and her parents get stuck in outer space for Passover, Asteroid plans a Passover seder for her family that is truly out-of-this-world"--
They range in size from microscopic particles to masses of many tons. The geologic diversity of asteroids and other rocky bodies of the solar system are displayed in the enormous variety of textures and mineralogies observed in meteorites. The composition, chemistry, and mineralogy of primitive meteorites collectively provide evidence for a wide variety of chemical and physical processes. This book synthesizes our current understanding of the early solar system, summarizing information about processes that occurred before its formation. It will be valuable as a textbook for graduate education in planetary science and as a reference for meteoriticists and researchers in allied fields worldwide.
A historic international space mission explodes with crimes and crises after scientists, engaged in a moon-mining expedition, receive information from outer space about how to reverse the aging process. Corporate espionage, murders, political assassinations, and finally, the threat of a new Cold War follow a revolutionary message on the human genome from mysterious and possibly demonic beings from another dimension. U.S. Representative Scott Andrews begins to doubt the motives of these "benign" messengers and suspects that they harbor designs of biblical proportions against the entire earth. This political/sci-fi/spiritual thriller pulls the reader onto a roller-coaster plot, with twists and turns through cutting-edge space and energy technology, genetic manipulation, back-room political machinations, and international intrigue on the highest levels.
The last thing Ben Shepherd wanted was another war. But sometimes the universe won’t take no for an answer. His body and spirit mangled by a lifetime of combat, Shepherd, a retired Navy SEAL, has retreated to the desolate desert of New Mexico to heal his wounds and dodge his demons. All he wants now is peace and quiet. Both are shattered one starry night, when an alien ship crashes nearby. Out of the ship crawls the last, dying member of a conquered civilization. It’s been shot down by an extraterrestrial enemy, the vanguard of a ravenous force hunting for a new homeland. With its last gasp, the wounded alien injects Shepherd with a high-tech serum that gives him near superhuman powers. Now, with a new body but a soul as fractured as ever, Shepherd becomes the reluctant leader of the human resistance against the coming invasion. With enemies on all sides, the man who couldn’t bear the guilt of seeing one more friend die in battle now finds himself charged with protecting the entire planet.
“So…are we insane?” “Yes.” “And?” “What.” “What.” “Yes?” “You said we were insane.” “Yes. Yes, we’re insane. You asked if we were insane, right?” “And?” “And YES, we’re INSANE. Jesus, Bob.”
Zusammenfassung: This conference attracts GN&C specialists from across the globe. The 2022 Conference was the 44th Annual GN&C conference with more than 230 attendees from six different countries with 44 companies and 28 universities represented. The conference presented more than 100 presentations and 16 posters across 18 topics. This year, the planning committee wanted to continue a focus on networking and collaboration hoping to inspire innovation through the intersection of diverse ideas. These proceedings present the relevant topics of the day while keeping our more popular and well-attended sessions as cornerstones from year to year. Several new topics including "Autonomous Control of Multiple Vehicles" and "Results and Experiences from OSIRIS-REx" were directly influenced by advancements in our industry. In the end, the 44th Annual GN&C conference became a timely reflection of the current state of the GN&C ins the space industry. The annual American Astronautical Society Rocky Mountain Guidance, Navigation and Control (GN&C) Conference began 1977 as an informal exchange of ideas and reports of achievements among guidance and control specialists local to the Colorado area. Bud Gates, Don Parsons, and Bob Culp organized the first conference, and began the annual series of meetings the following winter. In March 1978, the First Annual Rocky Mountain Guidance and Control Conference met at Keystone, Colorado. It met there for eighteen years, moving to Breckenridge in 1996 where it has been for over 25 years
“A great read… Goldberg is an excellent guide.”—Mario Livio, bestselling author of The Golden Ratio Physicist Dave Goldberg speeds across space, time and everything in between showing that our elegant universe—from the Higgs boson to antimatter to the most massive group of galaxies—is shaped by hidden symmetries that have driven all our recent discoveries about the universe and all the ones to come. Why is the sky dark at night? If there is anti-matter, can there be anti-people? Why are past, present, and future our only options? Saluting the brilliant but unsung female mathematician Emmy Noether as well as other giants of physics, Goldberg answers these questions and more, exuberantly demonstrating that symmetry is the big idea—and the key to what lies ahead.
Honorable Mention, ATHE's 2018 Outstanding Book Award Contextualizing the techniques and methods of the incredibly rich and vital genre of site-specific performance, author Bertie Ferdman traces the evolution of that term. Originally used for experimental staging practices and then later also for engaged situational events, site-specific is no longer sufficient for the genre’s many contemporary variations. Using the term off-site, Ferdman illustrates five distinct ways artists have challenged the disciplinary framework of site-specific theatre: blurring the traditional boundaries between the fictional and the real; changing how the audience and actor interact with each other and whether they are physically together or apart; fabricating sites from physically bound, conceptually constructed, or virtual spaces; staging live situations in real/nonreal and often mediated encounters; and challenging our preconceived notions of time and space. Tracing the genealogy of site-based work through the twentieth and twenty-first centuries, Ferdman outlines the theoretical groundwork for her study in the introduction. Individual chapters focus on distinct types of off-sites—the interdisciplinary discourse of disciplinary sites; the spaces of audience engagement with spectator sites; the dislocation of time for temporal sites; and the historiographical spaces of mapping for urban sites. Ferdman examines site-based work being done in the Americas by contemporary companies and artists experimenting with new forms and practices for site-driven theatre. Key productions discussed include Private Moment by David Levine, Geyser Land by Mary Ellen Strom and Ann Carlson, Jim Findlay’s Dream of the Red Chamber, and Lola Arias’ Mi Vida Después.