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At various times in a span of fifteen years, John McPhee made geological field surveys in the company of Eldridge Moores, a tectonicist at the University of California at Davis. The result of these trips is Assembling California, a cross-section in human and geologic time, from Donner Pass in the Sierra Nevada through the golden foothills of the Mother Lode and across the Great Central Valley to the wine country of the Coast Ranges, the rock of San Francisco, and the San Andreas family of faults. The two disparate time scales occasionally intersect—in the gold disruptions of the nineteenth century no less than in the earthquakes of the twentieth—and always with relevance to a newly understood geologic history in which half a dozen large and separate pieces of country are seen to have drifted in from far and near to coalesce as California. McPhee and Moores also journeyed to remote mountains of Arizona and to Cyprus and northern Greece, where rock of the deep-ocean floor has been transported into continental settings, as it has in California. Global in scope and a delight to read, Assembling California is a sweeping narrative of maps in motion, of evolving and dissolving lands.
Drawing on his travels along the fault lines of the earth's shifting plates, the author discusses how a half dozen large pieces of country have drifted from far and near to coalesce as California.
The Pulitzer Prize-winning view of the continent, across the fortieth parallel and down through 4.6 billion years Twenty years ago, when John McPhee began his journeys back and forth across the United States, he planned to describe a cross section of North America at about the fortieth parallel and, in the process, come to an understanding not only of the science but of the style of the geologists he traveled with. The structure of the book never changed, but its breadth caused him to complete it in stages, under the overall title Annals of the Former World. Like the terrain it covers, Annals of the Former World tells a multilayered tale, and the reader may choose one of many paths through it. As clearly and succinctly written as it is profoundly informed, this is our finest popular survey of geology and a masterpiece of modern nonfiction. Annals of the Former World is the winner of the 1999 Pulitzer Prize for Nonfiction.
The first of John McPhee's works in his series on geology and geologists, Basin and Range is a book of journeys through ancient terrains, always in juxtaposition with travels in the modern world—a history of vanished landscapes, enhanced by the histories of people who bring them to light. The title refers to the physiographic province of the United States that reaches from eastern Utah to eastern California, a silent world of austere beauty, of hundreds of discrete high mountain ranges that are green with junipers and often white with snow. The terrain becomes the setting for a lyrical evocation of the science of geology, with important digressions into the plate-tectonics revolution and the history of the geologic time scale.
California has some of the most distinctive and unique geology in the United States. It is the only state with all three types of plate boundaries, an extraordinary history of earthquakes and volcanoes, and it has many rocks and minerals found nowhere else. The Golden State includes both the highest and lowest point in the continental US and practically every conceivable geological feature known. This book discusses not only the important geologic features of each region in California, but also the complex geologic four-dimensional puzzle of how California was assembled, beginning over 2 billion years ago. The author provides up-to-date and authoritative review of the geology and geomorphology of each geologic province, as well as recent revelations of tectonic history of California’s past. There are separate chapters on some of California’s distinctive geologic resources, including gold, oil, water, coastlines, and fossils. An introductory section describes basic rock and mineral types and fundamental aspects of plate tectonics, so that students and other readers can make sense of the bizarre, wild, and crazy jigsaw puzzle that is California's geological history.
"Rough-Hewn Land tells the geologic story of the American West--the story of its rocks, rivers, mountains, earthquakes, and mineral wealth, including gold. It tells it by taking you on a 1000-mile-long field trip across the rough side of the continent from the California coast to the Rocky Mountains. This book puts you on the outcrop, geologic hammer in hand, to explore the evidence for how the spectacular, rough-hewn lands of the West came to be. When North America broke free from Eurasia and Africa some 200 million years ago, it triggered a cascade of violent geologic events that shaped the West we see today. As the west-moving continent crunched across the seabed of the ancient Pacific, islands and assorted pieces of ocean floor collected against its prow to build California--and plant gold there too. Meanwhile, mountains squeezed upward from California to Colorado, and vast quantities of molten rock seeded the crust with precious metals while spewing volcanic fire across the land. Later, the land stretched like an accordion to form the washboard-like Basin and Range province and Great Basin within it, while California began to crackle along the San Andreas fault. Throughout the West today, a near-constant drumroll of earthquakes testifies to a world still reshaping itself in response to the ceaseless movements of the Earth's tectonic plates. Rough-Hewn Land weaves these stories into the human history of the West. As we follow the adventures of John C. Frémont, Mark Twain, the Donner party, and other historic characters, we see how geologic forces have shaped human experience, just as they direct the fate of the West today"--
Pulitzer Prize-winning author John McPhee continues his Annals of the Former World series about the geology of North America along the fortieth parallel with Rising from the Plains. This third volume presents another exciting geological excursion with an engaging account of life—past and present—in the high plains of Wyoming. Sometimes it is said of geologists that they reflect in their professional styles the sort of country in which they grew up. Nowhere could that be more true than in the life of a geologist born in the center of Wyoming and raised on an isolated ranch. This is the story of that ranch, soon after the turn of the twentieth century, and of David Love, the geologist who grew up there, at home with the composition of the high country in the way that someone growing up in a coastal harbor would be at home with the vagaries of the sea.
Pynchon’s California is the first book to examine Thomas Pynchon’s use of California as a setting in his novels. Throughout his 50-year career, Pynchon has regularly returned to the Golden State in his fiction. With the publication in 2009 of his third novel set there, the significance of California in Pynchon’s evolving fictional project becomes increasingly worthy of study. Scott McClintock and John Miller have gathered essays from leading and up-and-coming Pynchon scholars who explore this topic from a variety of critical perspectives, reflecting the diversity and eclecticism of Pynchon’s fiction and of the state that has served as his recurring muse from The Crying of Lot 49 (1965) through Inherent Vice (2009). Contributors explore such topics as the relationship of the “California novels” to Pynchon’s more historical and encyclopedic works; the significance of California's beaches, deserts, forests, freeways, and “hieroglyphic” suburban sprawl; the California-inspired noir tradition; and the surprising connections to be uncovered between drug use and realism, melodrama and real estate, private detection and the sacred. The authors bring insights to bear from an array of critical, social, and historical discourses, offering new ways of looking not only at Pynchon’s California novels, but at his entire oeuvre. They explore both how the history, geography, and culture of California have informed Pynchon’s work and how Pynchon’s ever-skeptical critical eye has been turned on the state that has been, in many ways, the flagship for postmodern American culture. CONTRIBUTORS: Hanjo Berressem, Christopher Coffman, Stephen Hock, Margaret Lynd, Scott MacLeod, Scott McClintock, Bill Millard, John Miller, Henry Veggian
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