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Aspects of Byron’s Don Juan is, in part, a proceedings volume from the 2012 conference held by the Newstead Byron Society at Nottingham Trent University. Speakers represented in the book include Malcolm Kelsall, Peter Cochran, Diego Saglia and Itsuyo Higashinaka. Topics range from the politics of Don Juan, and its treatment of women, to its comic rhymes. One section is devoted to the poem’s importance in the literatures of Spain and Russia, another to the vast catalogue of Byron’s prose sources (from cannibalism to cookery books), and a final section to the important role played by Mary Shelley in copying most of the poem for the printer. The editor’s introduction describes the enormous literary tradition of which Don Juan forms a vital continuation, from Pulci’s Morgante Maggiore, via Rabelais, Cervantes, and Montaigne, to the novelists Sterne, Smollett and Fielding, all of whom Byron adored. Another chapter concerns the differing ways in which Don Juan has been treated by other artists, from Tirso de Molina, via E. T. A. Hoffman, to Johnny Depp.
Byron's exuberant masterpiece tells of the adventures of Don Juan, beginning with his illicit love affair at the age of sixteen in his native Spain and his subsequent exile to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favourite of the Empress Catherine who sends him on to England. Written entirely in ottava rima stanza form, Byron's Don Juan blends high drama with earthy humour, outrageous satire of his contemporaries (in particular Wordsworth and Southey) and sharp mockery of Western societies, with England coming under particular attack.
When this book was published in 1945, interest in Byron’s poetry and appreciation of his titanic role in Romanticism had been steadily increasing. Of all his vast poetic production, Don Juan, the last and greatest of his major works, offers the highest rewards to the modern reader. It not only stands out among his poems as the best expression of Byron, but it ranks with the great poems of the nineteenth century as representative of the era, and of modern European civilization. This title will be of interest to students of literature.
'A Modern Don Juan' follows the sexual adventures of Byron's picaresque anti-hero in the 21st century. Mixing low comedy and high seriousness, the book follows night-club DJ and picaresque anti-hero Donald Johnson as he stumbles from one romantic disaster to the next. Along the way, the authors pass comment on the customs and common-sense of the contemporary world.
First published in 1819, "Don Juan" is often acknowledged as one of Lord Byron's greatest poetic works. An epic poem, comprised of seventeen cantos that Byron continued to work on and expand until his death, "Don Juan" follows the adventures of the famous Spanish libertine and reflects upon many of the romantic and personal experiences that are universal to all mankind. From a forbidden love affair in Spain, to exile in Italy, from being shipwrecked in Greece, to being kept in slavery in Russia, Don Juan's adventures provide Byron with an exquisite framework of high drama to discuss, and often mock, Western societies. Full of coarse humor and extreme satire, Byron's poem was instantly famous and controversial upon its first publication. Byron turns many of the classic aspects of Don Juan's story on their head, making the famous womanizer instead into someone easily seduced and manipulated by women. Interwoven in this innovative work are Byron's thoughts on such topics as social convention, war, and human nature, with a surprising vindication of natural man's gracious and ignoble impulses. "Don Juan" endures as an entertaining, elaborate, and memorable poetic criticism of man's many foibles. This edition is printed on premium acid-free paper.
This contextual reading of Byron's epic poem argues that the importance of the Don Juan legend has been considerably underestimated. Focusing on such issues as seduction, class sexualities, and popular theatrical form, this book argues that the Don Juan legend is a vital context for understanding the poem's cultural and sexual politics. This study also critiques traditional myth-criticism and applies postmodern and feminist theories to its consideration of both Byron's poem and the legend itself.
Byron’s Don Juan is one of the greatest poems in the English language. Byron’s friends initially agreed that ‘it will be impossible to publish this’. Byron prevailed, however, and the first two cantos were issued anonymously after much editorial revision. Even in its revised form, Don Juan was perceived as a radical attack on establishment values; the poem has remained a beacon for freedom of speech and retains its power to shock. Since it was published in 1819–24, all printed editions of the poem have used the text prepared by Byron’s publishers, John Murray and John Hunt. This is the first new text of the poem to be printed in two hundred years. The Longman edition is based on a comprehensive line-by-line analysis of the manuscripts, so the text of the poem follows Byron’s own voice, pace and pauses, rather than the grammatical punctuation and more cautious word choice inserted by his nineteenth-century editors. The Longman Don Juan has been annotated afresh, allowing readers to see where Byron left open the choice of words or rhymes, and demonstrating the extraordinary breadth and depth of his literary allusions, topical and cultural references, and socially coded jokes. Textual annotation includes reception history, extensive bibliographies and a detailed chronology, situating Don Juan in the literary, scientific, dramatic, political, musical and social life of the early nineteenth century. A detailed index to the poem and annotation provides an unparalleled resource for students and scholars.
Byrons exuberant masterpiece tells of the adventures of Don Juan, beginning with his illicit love affair at the age of sixteen in his native Spain and his subsequent exile to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favorite of the Empress Catherine who sends him on to England. Written in ottava rima stanza form, Byrons Don Juan blends high drama with earthy humor, outrageous satire of his contemporaries, and sharp mockery of Western societies, with England coming under particular attack.