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From the infectious rhythm of the bhangra dance and the sizzle of the tandoori platter to landmark achievements in research laboratories and corporate boardrooms, the Asian Indian presence has very quickly become a lively and colorful part of the daily life of the Chicago metropolitan area. Arriving in Chicago in the mid 60s, the first wave of Indians were mostly professionals who intended to return home. But as they stayed on and were joined by others, their population began to reflect the tremendous ethnic, linguistic, and religious diversity of India. Today, Indians are the largest Asian-American immigrant group in the Chicago area. Recognizing that first-hand resources would still be available for compiling their history, the Indo-American Center appealed to Chicago area residents of Indian origin and to their organizations to select photographs and documents from their personal collections to tell the story of the community. This book is a result of their enthusiastic response. Here, then, is a history in the making, -the record, in pictures, of the life of a diverse and vibrant community as told by the people who live it and shape its course.
A study of ethnic life in the city, detailing the process of adjustment, cultural survival, and ethnic identification among groups such as the Irish, Ukrainians, African Americans, Asian Indians, and Swedes. New to this edition is a six-chapter section that examines ethnic institutions including saloons, sports, crime, churches, neighborhoods, and cemeteries. Includes bandw photos and illustrations. Annotation copyright by Book News, Inc., Portland, OR
For generations, visitors, journalists, and social scientists alike have asserted that Chicago is the quintessentially American city. Indeed, the introduction to "The New Chicago" reminds us that to know America, you must know Chicago. The contributors boldly announce the demise of the city of broad shoulders and the transformation of its physical, social, cultural, and economic institutions into a new Chicago. In this wide-ranging book, twenty scholars, journalists, and activists, relying on data from the 2000 census and many years of direct experience with the city, identify five converging forces in American urbanization which are reshaping this storied metropolis. The twenty-six essays included here analyze Chicago by way of globalization and its impact on the contemporary city; economic restructuring; the evolution of machine-style politics into managerial politics; physical transformations of the central city and its suburbs; and race relations in a multicultural era. In elaborating on the effects of these broad forces, contributors detail the role of eight significant racial, ethnic, and immigrant communities in shaping the character of the new Chicago and present ten case studies of innovative governmental, grassroots, and civic action. Multifaceted and authoritative, "The New Chicago" offers an important and unique portrait of an emergent and new Windy City.
From the infectious rhythm of the bhangra dance and the sizzle of the tandoori platter to landmark achievements in research laboratories and corporate boardrooms, the Asian Indian presence has very quickly become a lively and colorful part of the daily life of the Chicago metropolitan area. Arriving in Chicago in the mid 60s, the first wave of Indians were mostly professionals who intended to return home. But as they stayed on and were joined by others, their population began to reflect the tremendous ethnic, linguistic, and religious diversity of India. Today, Indians are the largest Asian-American immigrant group in the Chicago area. Recognizing that first-hand resources would still be available for compiling their history, the Indo-American Center appealed to Chicago area residents of Indian origin and to their organizations to select photographs and documents from their personal collections to tell the story of the community. This book is a result of their enthusiastic response. Here, then, is a history in the making, -the record, in pictures, of the life of a diverse and vibrant community as told by the people who live it and shape its course.
At some point during the 1990s the size of the Asian Indian population in the United States surpassed the one million mark. Today&’s Indians in America are a diverse group. They come from every state in India as well as from around the globe: England, Canada, South Africa, Tanzania, Fiji, Guyana, and Trinidad. They also belong to many religious faiths, including Hinduism, Islam, Sikhism, Jainism, Christianity, and Zoroastrianism. Many have high professional skills and are fluent in English and familiar with Western culture. They have settled throughout the United States, largely in metropolitan areas. Namast&é America tells this story of Indian immigrants in America, focusing on one of the largest communities, Chicago.
For generations, visitors, journalists, and social scientists alike have asserted that Chicago is the quintessentially American city. Indeed, the introduction to The New Chicago reminds us that "to know America, you must know Chicago." The contributors boldly announce the demise of the city of broad shoulders and the transformation of its physical, social, cultural, and economic institutions into a new Chicago. In this wide-ranging book, twenty scholars, journalists, and activists, relying on data from the 2000 census and many years of direct experience with the city, identify five converging forces in American urbanization which are reshaping this storied metropolis. The twenty-six essays included here analyze Chicago by way of globalization and its impact on the contemporary city; economic restructuring; the evolution of machine-style politics into managerial politics; physical transformations of the central city and its suburbs; and race relations in a multicultural era. In elaborating on the effects of these broad forces, contributors detail the role of eight significant racial, ethnic, and immigrant communities in shaping the character of the new Chicago and present ten case studies of innovative governmental, grassroots, and civic action. Multifaceted and authoritative, The New Chicago offers an important and unique portrait of an emergent and new "Windy City."
E/Merge: Art of the Indian Diaspora is the catalog for a special exhibition of the same name organized by the National Indo-American Museum (NIAM) to inaugurate its new Umang and Paragi Patel Center in Lombard, Illinois in September 2021. Founded in 2008, NIAM represents the full spectrum of the cultural, linguistic, regional, socio-economic and religious diversity of Indians living in the US. The museum builds bridges across generations and connects cultures through the diverse, colorful stories of Indian Americans.The exhibition was curated by Shaurya Kumar, Associate Professor and Chair of Faculty, , School of the Art Institute of Chicago, who also provided an essay for the catalog, along with art historian Dr. Karin Zitzewitz, Associate Professor of Art History and Visual Culture, Michigan State University. The catalog features photographs of the work of the nine Indian American modern artists participating in the exhibition, as well as artists' statements, biographies and portraits. According to Kumar, "All [these] artists have moved past the oversimplified notion of diaspora and were arguably never there. They travel through multiple narratives of different nations and feel at home in the world, moving in relation to and often beyond their transnational roots." They are: Avantika Bawa, Sarika Goulatia, Sreshta Rit Premnath, Kaveri Raina, Nandita Raman, Surabhi Saraf, Kuldeep Singh, Neha Vedpathak, and Kushala Vora, and their works range from site-specific installation to deconstruction and transformation of objects, to film, sculpture and paintings. Several artists have invented new unique methods of working, such as Vedpathak's "plucking". Zitzewitz describes the work in the exhibition this way: "There is little outward reference to the particularities of the Indian diasporic experience or the circumstances of the time, but rather a deliberate turn toward abstraction." The catalog concludes with a brief history of NIAM and an exhibition checklist of works displayed at the Patel Center from September 2021 through March 2022. Major funding for the catalog, the exhibition, and associated programs was provided by a grant from the National Endowment for the Arts.
This book provides a comprehensive portrayal of the growth and development of Chicago from the mudhole of the prairie to today's world-class city. This completely revised fourth edition skillfully weaves together the geography, history, economy, and culture of the city and its suburbs with a special emphasis on the role of the many ethnic and racial groups that comprise the "real Chicago" of its neighborhoods.
In We Were Adivasis, anthropologist Megan Moodie examines the Indian state’s relationship to “Scheduled Tribes,” or adivasis—historically oppressed groups that are now entitled to affirmative action quotas in educational and political institutions. Through a deep ethnography of the Dhanka in Jaipur, Moodie brings readers inside the creative imaginative work of these long-marginalized tribal communities. She shows how they must simultaneously affirm and refute their tribal status on a range of levels, from domestic interactions to historical representation, by relegating their status to the past: we were adivasis. Moodie takes readers to a diversity of settings, including households, tribal council meetings, and wedding festivals, to reveal the aspirations that are expressed in each. Crucially, she demonstrates how such aspiration and identity-building are strongly gendered, requiring different dispositions required of men and women in the pursuit of collective social uplift. The Dhanka strategy for occupying the role of adivasi in urban India comes at a cost: young women must relinquish dreams of education and employment in favor of community-sanctioned marriage and domestic life. Ultimately, We Were Adivasis explores how such groups negotiate their pasts to articulate different visions of a yet uncertain future in the increasingly liberalized world.
When did categories such as a national space and economy acquire self-evident meaning and a global reach? Why do nationalist movements demand a territorial fix between a particular space, economy, culture, and people? Producing India mounts a formidable challenge to the entrenched practice of methodological nationalism that has accorded an exaggerated privilege to the nation-state as a dominant unit of historical and political analysis. Manu Goswami locates the origins and contradictions of Indian nationalism in the convergence of the lived experience of colonial space, the expansive logic of capital, and interstate dynamics. Building on and critically extending subaltern and postcolonial perspectives, her study shows how nineteenth-century conceptions of India as a bounded national space and economy bequeathed an enduring tension between a universalistic political economy of nationhood and a nativist project that continues to haunt the present moment. Elegantly conceived and judiciously argued, Producing India will be invaluable to students of history, political economy, geography, and Asian studies.