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Sangs rgyas bkra shis describes singing in a pastoral community in Mtsho sngon Province, China. Performances at weddings, family gatherings, neighborhood gatherings, and on the grassland while herding are richly contextualized. Musical instruments, what it means to be a singer, the worries of singing publicly, the introduction of electricity and cell phones and their impact on singing, singing competitions, generational preference for song types, recent prohibitions on alcohol consumption, and access to social media are examined. Musical notation, oral and literary texts, and English translation are given. Sang rgyas bkra shis’ BEING ANYTHING AND GOING ANYWHERE is a rich, vivid, and immensely informative account of songs and singing in Amdo. Written from personal experience but with a rigorous coverage and excellent illustration of music, texts, and contexts, this book is the next best thing to actually visiting Gcan tsha County. A beautiful and invaluable resource.--Anna Morcom, University of London
YESTERDAY'S TRIBE Reviewed: Kelsang Norbu; MY TWO FATHERS Reviewed: Sangs rgyas bkra shis; SMUG PA and CHU MIG DGU SGRI Reviewed: Konchok Gelek; KLU 'BUM MI RGOD Reviewed: Pad+ma rig 'dzin; PHYUR BA Reviewed: 'Brug mo skyid; TIBET'S BELOVED CHILD; Reviewed: Rinchenkhar; THE RISE OF GÖNPO NAMGYEL; Reviewed: Amy Holmes-Tagchungdarpa; IMAG(IN)ING THE NAGAS Reviewed: Mark Bender; THE DAWN OF TIBET Reviewed: Ivette M. Vargas-O'Bryan and Chelsea McGill; BRIGHT BLUE HIGHLAND BARLEY Reviewed: Limusishiden; A CACTUS OF TEARS and THE TUYUHUN KINGDOM Reviewed: Wu Jing; A CHANGE IN WORLDS Reviewed: Bill Bleisch; TIBETAN LITERARY GENRES Reviewed: Tricia Kehoe; LANGUAGE IN AN AMDO TIBETAN VILLAGE Reviewed: Zoe Tribur; EARLY CARPETS AND TAPESTRIES Reviewed: Juha Komppa; FOUNDING AN EMPIRE 1790-1840 Reviewed: Hilary Howes; CHINESE MUSLIMS Reviewed: Bianca Horlemann; THARLO and THE SACRED ARROW Reviewed: Khashem Gyal; RIVER Reviewed: Phun tshogs dbang rgyal; and AMNYE MACHEN MOUNTAIN CIRCUMAMBULATION Reviewed: Bill Bleisch. Contents Book Reviews 9-15 Yesterday's Tribe Reviewed by Kelsang Norbu 16-38 My Two Fathers Reviewed by Sangs rgyas bkra shis 39-45 Smug pa Reviewed by Konchok Gelek 46-50 Chu mig dgu sgri Reviewed by Konchok Gelek 51-65 Klu 'bum mi rgod Reviewed by Pad+ma rig 'dzin 66-72 Phyur ba Reviewed by 'Brug mo skyid 73-87 Tibet's Beloved Child Reviewed by Rinchenkhar 88-92 The Rise of Gönpo Namgyel in Kham Reviewed by Amy Holmes-Tagchungdarpa 93-97 Imag(in)ing the Nagas Reviewed by Mark Bender 98-104 The Dawn of Tibet Reviewed by Ivette M. Vargas-O'Bryan 105-110 The Dawn of Tibet Reviewed by Chelsea McGill 111-121 Bright Blue Highland Barley Reviewed by Limusishiden 122-131 A Cactus of Tears and The Tuyuhun Kingdom Reviewed by Wu Jing 132-144 A Change in Worlds on the Sino-Tibetan Borderlands Reviewed by Bill Bleisch 145-149 Tibetan Literary Genres, Texts, and Text Types Reviewed by Tricia Kehoe 150-158 Language Variation and Change in an Amdo Tibetan Village: Gender, Education and Resistance Reviewed by Zoe Tribur 159-171 Early Carpets and Tapestries on the Eastern Silk Road Reviewed by Juha Komppa 172-180 Founding an Empire on India's North-Eastern Frontiers 1790-1840 Reviewed by Hilary Howes 181-185 Chinese Muslims and the Global Ummah Reviewed by Bianca Horlemann Film Reviews 187-209 Tharlo and The Sacred Arrow Reviewed by Khashem Gyal 210-220 River Reviewed by Phun tshogs dbang rgyal 221-224 Amnye Machen Mountain Circumambulation Reviewed by Bill Bleisch
The text and more than one hundred full-page color plates document Tibetan folk music (particularly work songs), and local life in the Sman shod Valley, Sde dge County, Dkar mdzes Tibetan Autonomous Prefecture, Sichuan Province, China. Bo nyed, a local elder, describes the situation that motivated this timely documentation, "In the past we sang constantly, but now people don't sing no matter where they are or what they are doing. Now everyone is silent." The text includes richly contextualized and annotated transcriptions of the songs' Tibetan lyrics with English translations. Audio materials related to this publication can be found at: http://www.oralliterature.org/collections/zlaba001.html
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. The Monastery Rules discusses the position of the monasteries in pre-1950s Tibetan Buddhist societies and how that position was informed by the far-reaching relationship of monastic Buddhism with Tibetan society, economy, law, and culture. Jansen focuses her study on monastic guidelines, or bca’ yig. The first study of its kind to examine the genre in detail, the book contains an exploration of its parallels in other Buddhist cultures, its connection to the Vinaya, and its value as socio-historical source-material. The guidelines are witness to certain socio-economic changes, while also containing rules that aim to change the monastery in order to preserve it. Jansen argues that the monastic institutions’ influence on society was maintained not merely due to prevailing power-relations, but also because of certain deep-rooted Buddhist beliefs.
THE WITCHES OF TIBET is a fictionalized account of a Tibetan girl's childhood in Mgo log (Golok) in Qinghai Province. The narrative begins with how a little girl's life was saved by a gift of a mysterious pill from a kind, local woman who locals regarded as a witch. These and other magic moments are from personal experiences that relatives and others related about their own lives, and what the author dreamed and imagined. This text illustrates how a Tibetan woman is influenced by those around her, the natural environment, and her dreams. In addition, four stories are given, two of which only women tell among themselves.
From the acclaimed author and scholar James C. Scott, the compelling tale of Asian peoples who until recently have stemmed the vast tide of state-making to live at arm’s length from any organized state society For two thousand years the disparate groups that now reside in Zomia (a mountainous region the size of Europe that consists of portions of seven Asian countries) have fled the projects of the organized state societies that surround them—slavery, conscription, taxes, corvée labor, epidemics, and warfare. This book, essentially an “anarchist history,” is the first-ever examination of the huge literature on state-making whose author evaluates why people would deliberately and reactively remain stateless. Among the strategies employed by the people of Zomia to remain stateless are physical dispersion in rugged terrain; agricultural practices that enhance mobility; pliable ethnic identities; devotion to prophetic, millenarian leaders; and maintenance of a largely oral culture that allows them to reinvent their histories and genealogies as they move between and around states. In accessible language, James Scott, recognized worldwide as an eminent authority in Southeast Asian, peasant, and agrarian studies, tells the story of the peoples of Zomia and their unlikely odyssey in search of self-determination. He redefines our views on Asian politics, history, demographics, and even our fundamental ideas about what constitutes civilization, and challenges us with a radically different approach to history that presents events from the perspective of stateless peoples and redefines state-making as a form of “internal colonialism.” This new perspective requires a radical reevaluation of the civilizational narratives of the lowland states. Scott’s work on Zomia represents a new way to think of area studies that will be applicable to other runaway, fugitive, and marooned communities, be they Gypsies, Cossacks, tribes fleeing slave raiders, Marsh Arabs, or San-Bushmen.
This is the first book-length study to appear in English on the literary, cultural and political roots of modern Tibetan literature. While existing scholarship on modern Tibetan writing takes the 1980s as its point of “birth” and presents this period as marking a “rupture” with traditional forms of literature, this book goes beyond such an interpretation by foregrounding instead the persistence of Tibet’s artistic past and oral traditions in the literary creativity of the present. While acknowledging the innovative features of modern Tibetan literary creation, it draws attention to the hitherto neglected aspects of continuity within the new. This study explores the endurance of genres, styles, concepts, techniques, symbolisms, and idioms derived from Tibet’s rich and diverse oral art forms and textual traditions. It reveals how Tibetan kāvya poetics, the mgur genre, life-writing, the Gesar epic and other modes of oral and literary compositions are referenced and adapted in novel ways within modern Tibetan poetry and fiction. It also brings to prominence the complex and fertile interplay between orality and the Tibetan literary text. Embracing a multidisciplinary approach drawing on theoretical insights in western literary theory and criticism, political studies, sociology, and anthropology, this research shows that, alongside literary and oral continuities, the Tibetan nation proves to be an inevitable attribute of modern Tibetan literature.
Presenting a fascinating insider's view of U.S.A.F. special operations, this volume brings to life the critical contributions these forces have made to the exercise of air & space power. Focusing in particular on the period between the Korean War & the Indochina wars of 1950-1979, the accounts of numerous missions are profusely illustrated with photos & maps. Includes a discussion of AF operations in Europe during WWII, as well as profiles of Air Commandos who performed above & beyond the call of duty. Reflects on the need for financial & political support for restoration of the forces. Bibliography. Extensive photos & maps. Charts & tables.
Orgyan Chokyi (1675-1729) spent her life in Dolpo, the highest inhabited region of the Nepal Himalayas. Illiterate and expressly forbidden by her master to write her own life story, Orgyan Chokyi received divine inspiration to compose one of the most forthright and engaging spiritual autobiographies of the Tibetan literary tradition. Her life story is the oldest of only four Tibetan autobiographies authored by women. It is also a rare example of writing by a pre-modern Buddhist woman, and thus holds a unique place in Buddhist literature as a whole. Translator Kurtis Schaeffer prefaces the text with an illuminating study of the life and times of Orgyan Chokyi and an extended analysis of the hermitess's view of the relation between gender, suffering, and liberation. Based almost entirely on primary Tibetan documents never before translated, this fascinating book will be of interest to those studying Buddhism, gender and religion, and the culture of the Tibetan world.
“A magnificent achievement. In its power to touch the heart, to awaken consciousness, [The Tibetan Book of Living and Dying] is an inestimable gift.” —San Francisco Chronicle A newly revised and updated edition of the internationally bestselling spiritual classic, The Tibetan Book of Living and Dying, written by Sogyal Rinpoche, is the ultimate introduction to Tibetan Buddhist wisdom. An enlightening, inspiring, and comforting manual for life and death that the New York Times calls, “The Tibetan equivalent of [Dante’s] The Divine Comedy,” this is the essential work that moved Huston Smith, author of The World’s Religions, to proclaim, “I have encountered no book on the interplay of life and death that is more comprehensive, practical, and wise.”