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The Ashmolean's holdings of Indian art are the most extensive in Britain after the great London collections of the British Museum and the V&A. This book is arranged chronologically in three separate sections -- Hindu, Buddhist and Jain sculpture; folk bronzes and paintings; paintings and decorative arts of the Mughal and British periods.
The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.
This beautifully designed book is a celebration of one of the world's most creative, dynamic and fascinating cities: Tokyo. It spans 400 years, with highlights including Kano school paintings; the iconic woodblock prints of Hiroshige; Tokyo Pop Art posters; the photography of Moriyama Daido and Ninagawa Mika; manga; film; and contemporary art by Murakami Takashi and Aida Makoto. Visually bold and richly detailed, this publication looks at a city which has undergone constant destruction and renewal and it tells the stories of the people who have made Tokyo so famous with their insatiable appetite for the new and innovative - from the samurai to avantgarde artists today. Co-edited by Japanese art specialists and curators Lena Fritsch and Clare Pollard from Oxford University, this accessible volume features 28 texts by international experts of Japanese culture, as well as original statements by influential artists.
A publication in the series of books detailing the Nasser D. Khalili Collection of Islamic Art.
"Antinous: Boy Made God is the catalogue of an exhibition that center's around one of the most important surviving portraits of Antinous, an inscribed bust from Syria found in 1879 and currently in a private collection. The piece is basically unpublished and will be presented for the first time to the wider public in this volume. Other key portraits, as well as coins of Antinous, medals and bronze figurines, feature here, and help contextualise the image of this country boy who was greatly loved by the Emperor Hadrian and became a hero and a god within the Empire. The exhibition and the book's narrative highlight the range and variety of Antinous' reception and shows how the fascination and reach of his image went well beyond antiquity into the modern world. It reconstructs a visual biography of an extraordinarily fascinating figure, representing an ideal of perfect beauty for many centuries after his tragic death."--Publisher's website.
- Never-seen-before textiles with a wide appeal - Accompanies major exhibition of Greek Island embroideries at the Ashmolean Museum in Oxford - dates to be confirmed Embroideries from the Greek islands dazzle with their bright colors and charming motifs. This publication reveals little-known pieces from the Ashmolean Museum at the University of Oxford, newly photographed and published here for the first time. The embroideries include fragments of pillowcases, bed valances, tents and curtains, as well as items of dress. As with all collections of textiles, the story of the Ashmolean holdings is chiefly about their makers and their ingenuity. Once forming the bulk of bridal trousseaux, Greek embroidered textiles were produced and maintained by young and old women for themselves and the house using locally produced materials. A mark of their worth and a platform for self-expression, embroidered textiles also helped Greek women to negotiate their place in the community, signaling status and affiliation.
For the first time ever, all paintings in the Department of Western Art in the Ashmolean Museum have been brought together in one volume. Every picture is illustrated and almost all are represented in colour. Biographies of all known artists in the collection are also included, making this catalogue an invaluable reference work for specialist libraries, collectors and general readers alike.
This book focuses on the Ashmolean Museum's important collection of Buddhist metal sculptures and other works of religious art from the Himalayan regions of Tibet and Nepal. Mainly these works date from the late eighteenth to the early twentieth century