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Excerpt from Asheville City Plan The motive of the City Commission in printing the City Plan for general distribution is that it may be studied by the tax-payers and citizens of Asheville and their purposes toward it determined upon the basis of a full knowledge of the arrangements and changes proposed therein. The City Plan, as prepared by Dr. John Nolen and adopted by the preeding administration, is merely a groundwork of ideas tentatively designed to improve existing situations in Asheville and largely to control the future growth of the city. But the plan is only a plan, we should remember, and its realization or rejection rests in the decisions that public sentiment shall formulate in regard to its utility and desirability as a whole and the practicability of its several parts and details. It is hoped, therefore, that the people of Asheville will most carefully examine and learn the City Plan as presented herein. And from time to time, as matters relating to it are considered by the City Commission and City Planning Commission, expressions of the will of the citizenship of Asheville will be given due hearing and heed. Suggestion from any interested source will cordially be welcomed at all times. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"The Ultimate Guide to Asheville & the Western North Carolina Mountains is the regional guidebook to Asheville and vast mountain region of North Carolina. In print since 1998, this latest up-to-date edition written by a local author Lee James Pantas is a wonderful resource for vacation or relocation planning. An easy-to-use, superbly indexed guide that covers every aspect of Asheville as well as in-depth coverage of all of the other 70 cities and towns, from the foothills to the highest peaks, including Boone, Hendersonville, Hickory, Lenoir, Morganton and Waynesville"--Amazon.com.
In the early days, the River Arts District was home to Cherokees; the estate of Asheville's first millionaire, James McConnell Smith; and the Southern Railroad Depot. It was also known as Asheville's first industrial district; one of the area's most vibrant African American communities, which has since been decimated by urban renewal; and the base of prominent grassroots organizations such as RiverLink, Mountain Housing Opportunities, the West-End Clingman Avenue neighborhood, and the River District Artists. In 1989, Asheville's citizens developed a long-range revitalization plan for the city. As Asheville boomed in the early 1990s, the River Arts District lagged behind. In 1995, fire destroyed the district's most prominent landmark, the Asheville Cotton Mill, prompting a phoenix-like renaissance.
Now available from Thomas Wolfe’s original publisher, the final novel by the literary legend, that “will stand apart from everything else that he wrote” (The New York Times Book Review)—first published in 1940 and long considered a classic of twentieth century literature. A twentieth-century classic, Thomas Wolfe’s magnificent novel is both the story of a young writer longing to make his mark upon the world and a sweeping portrait of America and Europe from the Great Depression through the years leading up to World War II. Driven by dreams of literary success, George Webber has left his provincial hometown to make his name as a writer in New York City. When his first novel is published, it brings him the fame he has sought, but it also brings the censure of his neighbors back home, who are outraged by his depiction of them. Unsettled by their reaction and unsure of himself and his future, Webber begins a search for a greater understanding of his artistic identity that takes him deep into New York’s hectic social whirl; to London with an uninhibited group of expatriates; and to Berlin, lying cold and sinister under Hitler’s shadow. He discovers a world plagued by political uncertainty and on the brink of transformation, yet he finds within himself the capacity to meet it with optimism and a renewed love for his birthplace. He is a changed man yet a hopeful one, awake to the knowledge that one can never fully “go back home to your family, back home to your childhood…away from all the strife and conflict of the world…back home to the old forms and systems of things which once seemed everlasting but which are changing all the time.”
There is nothing stronger than a mother’s love . . . except a good glass of moonshine. The mountains of North Carolina are rich—lush with the greens and blues of the seven-mile views and bursting with a culture where the ways of Old Appalachia meet the new South. This is the heart of moonshine country, where they practice an art passed down from generation to generation, crafted not only out of pride and ingenuity, but also out of a daring to push the boundaries of the law to create a product that has come, in many ways, to symbolize America. Troy Ball is a classic Southern belle, with an easy charm, impeccable manners, a wide smile, and golden-blond hair. But beneath that crisp white blouse and strand of pearls is a streak of tenacity a mile wide. In the early 2000s, Troy and her husband, Charlie, left their native Texas for the up-and-coming town of Asheville, North Carolina, because the climate was better for the health of their two severely ill, special-needs sons. Troy found there something the dedicated mom never expected: time for herself. And then along came Forrest Jarrett, an Appalachian raconteur with a pickup truck, a thousand stories to tell, and a sip or two of white squeezings, aka moonshine, to share with the newcomer. What followed was a surprising friendship and a five-year journey into the heart of distilling old-fashioned corn whiskey. Stretching back to Colonial times and forward to today and the Byzantine laws Troy had to navigate to become the first female legal moonshiner in the history of the South, this a true moonshine-making odyssey that will touch your soul. When the real estate crash wiped out her family financially and threatened the safety of her children, Troy realized that moonshine was more than a hobby . . . her world-class whiskey (and newfound friends) could save her family, too. Pure Heart is a story of dedication, inspiration, and days spent in a run-down shack in the company of some of the finest and funniest good-old boys you’d ever want to meet. It is the story of how a strong woman used grit and determination to launch a thriving business, and what a mother will do to help her children. It is also about sharing a drink with friends—and all that is great about the South.
Over seven decades, Librarian, Ada Shook, is witness to the racism laced through her Southern city; the paradox of religion as both comfort and torment; and the survival networks created by gay people. Eleven interconnected stories cover the sweep of one woman’s personal history as she reaches her own form of Southern womanhood—compassionate, resilient, principled, lesbian.
There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.