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A moving and personal journey, along rugged coasts and through remote villages and cities, in search of the traces of those accused of witchcraft in seventeenth-century Scotland. 'It's summer. I stand where perhaps Ellen stood, in this ground thick with new thistle and long grass. She would have kenned this coast in all weathers: in the summer when it was as gentle as a lake and in the winter, with the high winds and stinging salt spray.' In Ashes and Stones we visit modern memorials and standing stones, and roam among forests and hedge mazes, folklore and political fantasies. From fairy hills to forgotten caves, we explore a spellbound landscape. Allyson Shaw untangles the myth of witchcraft and gives voice to those erased by it. Her elegant and lucid prose weaves together threads of history and feminist reclamation to create a vibrant memorial. This is the untold story of the witches' monuments of Scotland and the women's lives they mark. Ashes and Stones is a trove of folklore linking the lives of contemporary women to the horrors of the past, a record of resilience and a call to choose and remember our ancestors.
'Beautiful... A moving reminder for us all to connect with what's gone before' STYLIST A moving and personal journey, along rugged coasts and through remote villages and cities, in search of the traces of those accused of witchcraft in seventeenth-century Scotland. In Ashes and Stones we visit modern memorials and standing stones, and roam among forests and hedge mazes, folklore and political fantasies. From fairy hills to forgotten caves, we explore a spellbound landscape. Allyson Shaw untangles the myth of witchcraft and gives voice to those erased by it. Her elegant and lucid prose weaves together threads of history and feminist reclamation to create a vibrant memorial. This is the untold story of the witches' monuments of Scotland and the women's lives they mark. Ashes and Stones is a trove of folklore linking the lives of contemporary women to the horrors of the past, a record of resilience and a call to choose and remember our ancestors. 'Allyson Shaw has built a monument in words to the thousands persecuted as witches in Scotland. A fascinating and necessary book.' Peter Ross 'A compelling and intimate pilgrimage across Scotland' Helen Callaghan
Shapeshifters exist. Monsters are real. And no good deed goes unpunished. Nursing student Ellie St. James didn't mean to get involved in a war between rival gangs of shifters, but saving the life of a local mob boss's child has dragged her into one. When Ellie's life is threatened because of her involvement, she's forced to go on the run, protected by Carter Ballis, head of security for the mobster's family, and a lethal shifter himself.Blood, fire, and warfare weren't part of Ellie's plans, but even if she survives, her life will never be the same. The world is more than she knew, and she's seen too much. People capable of morphing into deadly creatures from legends and folklore around the globe are coming for her.The cost of staying alive means trusting Carter to defend her, and he's every bit as frightening as the creatures that want her dead...
Dreams and Stones is a small masterpiece, one of the most extraordinary works of literature to come out of Central and Eastern Europe since the fall of communism. In sculpted, poetic prose reminiscent of Bruno Schulz, it tells the story of the emergence of a great city. In Tulli’s hands myth, metaphor, history, and narrative are combined to magical effect. Dreams and Stones is about the growth of a city, and also about all cities; at the same time it is not about cities at all, but about how worlds are created, trans- formed, and lost through words alone. A stunning debut by one of Europe’s finest new writers.
Ethan Harris never thought monsters and darkness would consume his daily thoughts, but every night the same visions repeat in his dreams. He's careful to project a semblance of normalcy, keeping the suffocating darkness locked inside. As much as he wishes he could focus on girls, sports, and cars like other seventeen-year-olds; nothing distracts him from his own demons or shines through. Until Nara Collins crosses his path. The blonde fascinates and intrigues him, giving him a measure of peace he's never felt before. When Ethan discovers there's more to Nara than she allows others to see, that she might have a unique secret of her own, suddenly his world comes into focus.
"The McCourt family gained fame and notoriety through the books of brothers Frank and Malachy, and in the two popular documentaries that followed. In A Long Stone's Throw, the youngest brother, Alphie, adds his gifted voice to this literary chorus with a vivid, emotional memoir that begins in Limerick, Ireland. Like his brothers, Alphie details his escape from a miserable childhood in Limerick to the U.S., where the Irish curse, aimless jobs, women, the Army and business ventures lead him to steady ground in, of all places, New York City."--BOOK JACKET.
Monster Verse: Poems Human and Inhuman brings to life a colorful menagerie of fantastical creatures from across the ages. Humans have always defined themselves by imagining the inhuman; the gloriously gruesome monsters that enliven our literary legacy haunt us by reflecting our own darkest possibilities. The poems gathered here range in focus from extreme examples of human monstrousness—murderers, cannibals, despotic Byzantine empresses—to the creatures of myth and nightmare: dragons, sea serpents, mermaids, gorgons, sirens, witches, and all sorts of winged, fanged, and fire-breathing grotesques. The ghastly parade includes Beowulf’s Grendel, Homer’s Circe, William Morris’s Fafnir, Lewis Carroll’s Jabberwock, Robert Lowell’s man-eating mermaid, Oriana Ivy’s Baba Yaga, Thom Gunn’s take on Jeffrey Dahmer, and Shakespeare’s hybrid creature Caliban, of whom Prospero famously concedes, “This thing of darkness I acknowledge mine.” Monster Verse is both a delightful carnival of literary horror and an entertainingly provocative investigation of what it means to be human.
At his London home, John Stone falls out of a window to his death. A financier and arms dealer, Stone was a man so wealthy that he was able to manipulate markets, industries, and indeed entire countries and continents. Did he jump, was he pushed, or was it merely a tragic accident? His alluring and enigmatic widow hires a young crime reporter to investigate. The story moves backward in time—from London in 1909 to Paris in 1890 and finally to Venice in 1867—and the attempts to uncover the truth play out against the backdrop of the evolution of high-stakes international finance, Europe’s first great age of espionage, and the start of the twentieth century’s arms race. Stone’s Fall is a tale of love and frailty, as much as it is of high finance and skulduggery. The mixture, then, as now, is an often fatal combination.
A solitary artisan. A legacy of bread-baking. And one secret that could collapse her entire identity. Liesl McNamara’s life can be described in one word: bread. From her earliest memory, her mother and grandmother passed down the mystery of baking and the importance of this deceptively simple food. And now, as the owner of Wild Rise bake house, Liesl spends every day up to her elbows in dough, nourishing and perfecting her craft. But the simple life she has cultivated is becoming quite complicated. Her head baker brings his troubled grandson into the bakeshop as an apprentice. Her waitress submits Liesl’s recipes to a popular cable cooking show. And the man who delivers her flour—a single father with strange culinary habits—seems determined to win Liesl’s affection. When Wild Rise is featured on television, her quiet existence appears a thing of the past. And then a phone call from a woman claiming to be her half-sister forces Liesl to confront long-hidden secrets in her family’s past. With her precious heritage crumbling around her, the baker must make a choice: allow herself to be buried in detachment and remorse, or take a leap of faith into a new life. Filled with both spiritual and literal nourishment, Stones for Bread provides a feast for the senses from award-winning author Christa Parrish. "A quietly beautiful tale about learning how to accept the past and how to let go of the parts that tie you down." —RT Book Reviews, 4.5 stars, TOP PICK!