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As the main character lives an entire millennium, he witnesses firsthand various milestones of forgotten generations such as the Crusades, the Renaissance, and the devastating World Wars in an emotionally charged way that no textbook could ever describe. Savor the deepest hopes and fears of well-known individuals of ages past. Unveil the delicate humanity within history's heroes and villains, who are not much different than us. History is no longer a detached subject, but an intimate force like a grandparent's weary heart and unconditional love, with an inextinguishable promise of hope for the future. As the pages unfurl, you will learn things you may not even know about yourself. Discover the simplest but most profound secrets of life. Discover how your very existence was ultimately determined a thousand years ago, and how you, yourself have been carving the next millennium since the day you were born, engraving your own name in the essence of time itself. Ashes and Roses of a Millennium holds a legacy of love that will surely provoke a deep and intimate passion for history in the young and old alike.
Polidore is a little book about little people in the dark recesses of show business. Both of the story's principals are real. Lenny, the more contemporary of the two, is somewhat more fictionalized than the title character, Polidore. Often, when being interviewed, theatrical celebrities will confess that they occasionally suffer from stage fright. Whether they actually do or not is secondary to the reaction it evokes: it humanizes them. We relate to them, at least briefly, because they've revealed a flaw. The two men whose lives are examined in Polidore are affected by a condition less understandable than opening night jitters. It could aptly be termed "reverse stage fright"; the fear of stepping out of the spotlight. In doing so, they are plunged into a terrifying labyrinth of confu­sion and past horrors. Are they, then, the forerunners of the "Evil Clown" that today's media titillates our darker senses with? The greasepainted gargoyle with a basement full of corpses? No. With one poignantly psychotic exception they killed only the things they loved most, themselves.
The previous two volumes of this acclaimed anthology set forth a globally decentered revision of twentieth-century poetry from the perspective of its many avant-gardes. Now editors Jerome Rothenberg and Jeffrey C. Robinson bring a radically new interpretation to the poetry of the preceding century, viewing the work of the romantic and post-romantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism. Global in its range, volume three gathers selections from the poetry and manifestos of canonical poets, as well as the work of lesser-known but equally radical poets. Defining romanticism as experimental and visionary, Rothenberg and Robinson feature prose poetry, verbal-visual experiments, and sound poetry, along with more familiar forms seen here as if for the first time. The anthology also explores romanticism outside the European orbit and includes ethnopoetic and archaeological works outside the literary mainstream. The range of volume three and its skewing of the traditional canon illuminate the process by which romantics and post- romantics challenged nineteenth-century orthodoxies and propelled poetry to the experiments of a later modernism and avant-gardism.
Since its beginnings, Poland has been a moving target, geographically as well as demographically, and the very definition of who is a Pole has been in flux. In the late medieval and early modern periods, the country grew to be the largest in continental Europe, only to be later wiped off the map for more than a century. The Polish phoenix that rose out of the ashes of World War I was obliterated by the joint Nazi-Soviet occupation that began with World War II. The postwar entity known as Poland was shaped and controlled by the Soviet Union. Yet even under these constraints, Poles persisted in their desire to wrest from their oppressors a modicum of national dignity and, ultimately, managed to achieve much more than that. Poland is a sweeping account designed to amplify major figures, moments, milestones, and turning points in Polish history. These include important battles and illustrious individuals, alliances forged by marriages and choices of religious denomination, and meditations on the likes of the Polish battle slogan "for our freedom and yours" that resounded during the Polish fight for independence in the long 19th century and echoed in the Solidarity period of the late 20th century. The experience of oppression helped Poles to endure and surmount various challenges in the 20th century, and Poland's demonstration of strength was a model for other peoples seeking to extract themselves from foreign yoke. Patrice Dabrowski's work situates Poland and the Poles within a broader European framework that locates this multiethnic and multidenominational region squarely between East and West. This illuminating chronicle will appeal to general readers, and will be of special interest to those of Polish descent who will appreciate Poland's longstanding republican experiment.
This award-winning multi-volume series is dedicated to making literature and its creators better understood and more accessible to students and interested readers, while satisfying the standards of librarians, teachers and scholars. Dictionary of Literary Biography provides reliable information in an easily comprehensible format, while placing writers in the larger perspective of literary history. Dictionary of Literary Biography systematically presents career biographies and criticism of writers from all eras and all genres through volumes dedicated to specific types of literature and time periods. For a listing of Dictionary of Literary Biography volumes sorted by genre click here. 01
In the almost total isolation of the tropical lands of the Yucatán Peninsula, the Maya developed a science-based civilization more than 1,000 years before European explorers arrived. Overlooking the emerald rainforest were their majestic skylines. Architectural wonders with magnificent carvings adorned with hieroglyphic inscriptions, these wonders were stunners. This sophisticated urban center was the largest on Earth during the middle of the first millennium A.D. More than technologically stunning works of art and architecture, the sprawling Maya city-states were conceived to overwhelm observers with a sense of wonder. In addition to being centers of power, these cities were incubators of science and technology, places of learning, and hubs of commercial activity that generated wealth for the kingdom. After the demise of the Maya civilization, these magnificent cities survived against all odds for more than a millennium. Due to the innovative Maya technology employed during their construction, the structures have remained intact despite environmental degradation, the ravages of time, natural disasters, and the prying roots of the jungle. These brilliant societies developed scientific advances and technological methods of discovery that were a millennium ahead of those produced by European sciences to preserve their cities. It is even more impressive that these technological advances were created without the influence of outside cultures, unlike in Europe. Maya cities were designed and built on a grand scale with functional efficiency and artistic elegance. Each city was a triumph of grace and power, with its monumental palaces and temples. There are no other styles of architecture like Mayan. Unlike any different culture in Mesoamerica and any other world style of architecture, its inventive design is alien and bizarre. Where did this style originate? Their art style also inspires their veneration of the cosmos and its impact on the Maya civilization's philosophy. Ancient Egypt had fewer cities and pyramids than the Maya civilization, which was among history's longest-lived cultures. More than 50 independent city-states governed the Maya world, spread out over 125,000 square miles.
A behind-the-scenes companion to the Millennium TV series which provides background information on the real-life events threaded through every episode. It includes interviews with FBI agents and the predictions of varied futurists such as Nostradamus and Asimov.
This is the first volume to provide a wide range of postcolonial interpretations of and commentaries upon significant texts in the Hebrew Bible. The volume intersects with the work of the key theorists in postcolonial studies such as Fanon, Senghor, Said and Spivak as well as with scholars such as Sugirtharajah, Kwok Pui-lan, and Segovia who have applied this theory to biblical studies. Texts have been chosen specifically for their relevance to postcolonial discourse, rather than seeking to cover each biblical document. This volume is designed to demonstrate how historical criticism, postmodernism, and the important concerns of postcolonial readings may be integrated to obtain an informed explanation of the Hebrew Bible and the writings of early Judaism. The chapters are written by scholars who represent a spectrum of national, indigenous, and diasporic contexts. Taken together these perspectives and the interpretations they yield represent a continued expansion of the manner in which Old Testament texts are read and interpreted through postcolonial lenses, reminding readers that the interpretive trajectories of these texts are almost inexhaustible. As such the volume serves as not only an addition to ongoing scholarship on postcolonialism but also as an expansion of the horizon for dialogue.