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In this book, O'Flaherty applies structural methods to trace the development of an Indian approach to navigating the conflict between spiritual aspirations and human desires by examining several Hindu myths featuring the god Shiva. In the myths that she analyses Shiva encounters and confronts two themes that are seemingly contradictory, especially to those from other cultures: asceticism and eroticism. O'Flaherty makes a point of clearly delineating the contradiction as she explains Shiva, generally considered to be "the great ascetic," is simultaneously "the god of the phallus." O'Flaherty identifies numerous myths about Shiva that engage with myriad themes and ideas, including different sexual orientations demonstrated by Shiva and his Vedic antecedents, Shiva's role as the sexual creator in opposition to Bhrama's role as the Creator of the Universe, the importance of Shiva's off-spring, Shiva testing the sages for their chastity and teaching them that spiritual meditation is the only way to overcome sexual desire, and the probable dangers that are caused due to extreme chastity. There are even references to ancient medical procedures that can be compared to the modern-day practice of surrogacy, as in one myth when Shiva's seed is dropped into the Ganges River, and impregnates the wives of seven sages who were bathing in it at the time. O'Flaherty also examines different sexual forms of Shiva in various myths as both androgynous and intersexual. This orientation is commonly known as Shiva's Ardhanadheshwara avatar, which is often depicted as possessing physical characteristics that are half-male and half-female. Throughout the book, she examines interlinking aspects portrayed in several myths related to Shiva with a particular focus on the balance she sees between asceticism and eroticism in his identity and actions.
On Hindu mythology and the god Siva.
This work deals at length with various theories about relgion prevalent at the time when Megasthenes visited India very interesting and scholarly views have been put forth regarding investigations of Megasthenes their reliability and the reliability of his reporters.
Originally published under the title Asceticism and Eroticism in the Mythology of Siva, this book traces the development of an Indian approach to an enduring human dilemma: the conflict between spiritual aspirations and human desires. The work examines hundreds of related myths and a wide range of Indian texts--Vedic, Puranic, classical, modern, and tribal--centering on the stories of the great ascetic, Siva, and his erotic alter ego, Kama.
With imaginative lushness and narrative elan, Mehta provides a novel that combines Indian storytelling with thoroughly modern perceptions into the nature of love--love both carnal and sublime, treacherous and redeeming. "Conveys a world that is spiritual, foreign, and entirely accessible."--Vanity Fair.
Many modern scholars say Shiva linga is a phallic symbol. Most devotees disagree. Who is right? To make sense of a mythological image one has to align the language heard stories] with the language performed rituals], and the language seen symbols]. This book also looks at the sexual metaphors.
In this book, O'Flaherty applies structural methods to trace the development of an Indian approach to navigating the conflict between spiritual aspirations and human desires by examining several Hindu myths featuring the god Shiva. In the myths that she analyses Shiva encounters and confronts two themes that are seemingly contradictory, especially to those from other cultures: asceticism and eroticism. O'Flaherty makes a point of clearly delineating the contradiction as she explains Shiva, generally considered to be "the great ascetic," is simultaneously "the god of the phallus." O'Flaherty identifies numerous myths about Shiva that engage with myriad themes and ideas, including different sexual orientations demonstrated by Shiva and his Vedic antecedents, Shiva's role as the sexual creator in opposition to Bhrama's role as the Creator of the Universe, the importance of Shiva's off-spring, Shiva testing the sages for their chastity and teaching them that spiritual meditation is the only way to overcome sexual desire, and the probable dangers that are caused due to extreme chastity. There are even references to ancient medical procedures that can be compared to the modern-day practice of surrogacy, as in one myth when Shiva's seed is dropped into the Ganges River, and impregnates the wives of seven sages who were bathing in it at the time. O'Flaherty also examines different sexual forms of Shiva in various myths as both androgynous and intersexual. This orientation is commonly known as Shiva's Ardhanadheshwara avatar, which is often depicted as possessing physical characteristics that are half-male and half-female. Throughout the book, she examines interlinking aspects portrayed in several myths related to Shiva with a particular focus on the balance she sees between asceticism and eroticism in his identity and actions.
An engrossing and definitive narrative account of history and myth that offers a new way of understanding one of the world's oldest major religions, The Hindus elucidates the relationship between recorded history and imaginary worlds. The Hindus brings a fascinating multiplicity of actors and stories to the stage to show how brilliant and creative thinkers have kept Hinduism alive in ways that other scholars have not fully explored. In this unique and authoritative account, debates about Hindu traditions become platforms to consider history as a whole.
In The Ring of Truth, Wendy Doniger expertly unfolds the cultural and historical significance of rings and other kinds of circular jewelry through timeless stories taken from mythology, religious traditions, and literature. Each chapter, like a separate charm on a charm bracelet, considers a different constellation of stories, linked by a common cluster of meanings: the mutual imitation of real and fake, legal and illegal, marital and extra-marital jewelry; the circular form of rings and bracelets, miming the circle of eternity, which persists in the face of human ephemera