Download Free Asbury Parks Glory Days Book in PDF and EPUB Free Download. You can read online Asbury Parks Glory Days and write the review.

Winner of the 2005 New Jersey Author Award for Scholarly Non-Fiction from the New Jersey Studies Academic Alliance Long before Bruce Springsteen picked up a guitar; before Danny DeVito drove a taxi; before Jack Nicholson flew over the cuckoo's nest, Asbury Park was a seashore Shangri-La filled with shimmering odes to civic greatness, world-renowned baby parades, temples of retail, and atmospheric movie palaces. It was a magnet for tourists, a summer vacation mecca-to some degree New Jersey's own Coney Island. In Asbury Park's Glory Days, award-winning author Helen-Chantal Pike chronicles the city's heyday-the ninety-year period between 1890 and 1980. Pike illuminates the historical conditions contributing to the town's cycle of booms and recessions. She investigates the factors that influenced these peaks, such as location, lodging, dining, nightlife, merchandising, and immigration, and how and why millions of people spent their leisure time within this one-square-mile boundary on the northern coast of the state. Pike also includes an epilogue describing recent attempts to resurrect this once-vibrant city.
The history of Asbury Park is a veritable roller coaster of challenge, triumph and change. In 1871, there was nothing but marshes and sand dunes between the sinful city of Long Branch and the holy haven of Ocean Grove, but for devout Methodist James Bradley, the deserted beachfront was a new Promised Land. Thus, the resort community Asbury Park was born as a wholesome entertainment and relaxation center for middle-class, white Protestant America. From bicycles and baby parades to brawlers and bootleggers, Bilby and Ziegler trace Asbury Park's cycles of transformation from peaceful resort to raucous amusement park, from empty boardwalk to modern, bustling center of business.
When New York brush manufacturer James Bradley founded Asbury Park in the late 1800s, he could hardly have imagined the course his seaside resort would take. Named for Methodist Episcopal bishop Francis Asbury, it was originally a Christian resort awash in Victorian architecture. Throughout the first half of the 20th century, Asbury Park's beach, boardwalk, restaurants, theaters, hotels, and amusements attracted thousands of vacationers every year. Later, the town gained a reputation as a gritty music mecca, known for the clubs where Bruce Springsteen got his start. All along, Asbury Park has had a unique ability to draw people to it, evidenced by the thousands of postcards sent home from the town each year.
In this delightful collection of personal accounts, historical anecdotes, and gorgeous photographs, Seebohm and Cook cast a fresh eye on the array of quaint cottages, quirky bungalows, and splendid mansions that generations have chosen as their summer homes.
It is a pious paradise wrested from the dunes; a salty carnival of dreamers, drifters, and just plain folks; a city made legendary by Bruce Springsteen and Stephen Crane but grounded in generations of turbulent American reality. Even those who never lived there feel proprietary about Asbury Park--a place of shared experiences and strong passions, where grand sandcastle plans wash up against changing times and tides. Legendary Locals of Asbury Park captures a parade of personalities, from the visionaries who challenged nature to the true believers who sought, against tremendous odds, to make a year-round life in this city of summers. The shopkeepers and show people, the advocates on the front lines of social change, and the chroniclers who witnessed history are all among those who helped a small town cast a giant profile, here and on the big boardwalk beyond.
Asbury Park's diverse array of landmarks creates an unforgettable impression of this legendary seaside city. They tell the story of its past, present and even future. The elegant, Art Deco-inspired Convention Hall captures the resort's glittering heyday in the 1920s and '30s, while structures like the Upstage seem to echo with the voices of aspiring musicians like Bruce Springsteen when they played at intimate venues, defining Asbury's world-renowned music scene. As the city forges ahead with ambitious redevelopment plans, many neglected buildings have been rehabilitated, but others continue to deteriorate, despite a groundswell of public opposition. From opulent movie houses to down-and-dirty rock-and-roll clubs, these landmarks trace the evolution of Asbury Park from a tiny nineteenth-century resort town to the world-famous playground of today.
Bruce Springsteen brought international attention to the Jersey shore by naming his debut album Greetings from Asbury Park, NJ. But the real Asbury Park has an even more fascinating story behind it: a seaside city of dreams that became a magnet for both the best and worst of America, playing host to John Philip Sousa, Count Basie, and Dr. Martin Luther King, as well as the mob and the Ku Klux Klan. Fourth of July, Asbury Park tells the tale of the city’s first 150 years, guiding us through the development of its lavish amusement parks and bandstands, as well as the decay of its working-class neighborhoods and spread of its racially-segregated ghettos. Featuring exclusive interviews with Springsteen and other prominent Asbury Park residents, Daniel Wolff uncovers the history of how this Jersey shore resort town came to epitomize both the promises of the American dream and the tragic consequences when those promises are broken. Hailed by The New York Times as a “wonderfully evocative...grand, sad story” when first published in 2006, this revised and expanded edition considers how Asbury Park has changed in the twenty-first century, experiencing both gentrification and new forms of segregation.
Asbury Parks Early History James A. Bradley James A. Bradley was born on Valentines Day, 1830, at the Old Blazing Star Inn in Rossville on Staten Island in New York. He was the son of Adam and Hannah Bradley. He was baptized a Catholic. When he was only five, his father died from alcohol related problems. Two years later, his mother married Charles Smith and moved to Cherry Street in the Bowery. In those years before the Civil War, the citys population was exploding. The lower east side was the first stop for tens of thousands of immigrants to America. The original buildings had no heat, light, or running water and few windows until the late 1960s when the state enacted laws that forced landlords to improve living conditions. On hot nights, you could see tenants sleeping on fire escapes to get relief from summer heat. In 1837, the year they moved, a general economic panic had taken over the city. In that year over 100 firms went under, railroads fell, banks collapsed and building construction stopped. The citys working class crowded into tiny tenement apartments. The poor sewer system and primitive health services led to massive outbreaks of typhus and cholera. Bradleys stepfather set up a notions store selling groceries, meat, clothing, shoes and other items. Bradley was only seven years old at the time. He and his stepfather had a peddlers wagon, their favorite spot was down on Catherine Street outside the new specialty store, Lord & Taylor. Bradley obtained his early education in the New York public school system, and in later life continued his education through self-directed reading. At twelve, Bradley worked as a laborer at William Daviss Paper Mill in Bloomfield, New Jersey. As a teenager, Bradley hung with a rowdy immigrant crowd. He soon developed a fondness for wine. By the early 1840s the Bowery became more of a pleasure zone. Small hotels offered free vaudevilles to attract customers including ventriloquism, dancing, circus acts and comics. Young Bradley loved the shows, he tried to attend at least three a week. At thirteen, he witnesses the development of one of the most popular styles of the day; the minstrel show. They played reels, jigs and told down-home plantation jokes. Negros were barred from Bowery theaters, but minstrel shows became the rage. Bradleys mother decided that her teenage son was learning too much too last. She sent him to Bloomfield, New Jersey where a friend from her childhood owned a farm. He spent a year in Jersey milking cows and feeding chickens. He disliked it intensely. Twice he ran away and was caught trying to catch a ferry back to the city. Finally, at age sixteen, he returned to the lower East Side. Upon returning, he apprenticed as a brushmaker in Francis R. Furnolds factory in New York City. He was made foreman at age twenty-one and remained for seven years. It was hard work in a cramped space that stunk of hog bristle and glue. The animal hair had to be washed by hand, dried in a hot room, bleached, sorted for length, shaped, tied, glued and inserted into a handle. Depending on the type of brush, a man might make six to eight dozen a day. The hours were long and when work was over, Bradley had to return to his crowded, narrow tenement apartment. During this period, Bradley married Helen M. Packard, daughter of Lewis Packard from Boston. Helen was an educated Rutgers student and a staunch Methodist. The two of them resolved to start their own business and through self-discipline, managed to save one thousand dollars. In 1857, they completed payment on a lot uptown. Then, borrowing the capital, the twenty seven year old Bradley launched his own brush company, Bradley and Smith, located in Pearl Street in New York City. It became a very successful enterprise. Bradley was a vigorous, large built man, rough in appearance, but full of energy. While his wife kept shop, he was upstairs cutting, shaping and gluing brushes. Later in life, Bradl
In Cahoots, In Asbury Park is the story of one of the most important cities in music history, from the perspective of one band, Cahoots, and their closest counterparts and fans in the Asbury Park music scene. The book begins with the stories of two musicians whose careers literally began on separate sides of the railroad tracks that divide Asbury Park in half at Springwood Avenue. In July 1970, Cahoots’ bassist, John Luraschi, was on the roof of The Upstage music club, surrounded by armed musicians who set out to protect the club, where artists such as Bruce Springsteen, Steven Van Zandt and "Southside" Johnny Lyon honed their craft, before becoming music legends. Luraschi felt indebted to the club’s owners, Tom and Margaret Potter, who provided him with a venue for self-expression during tougher times. On the west side of the tracks, Ernest “Boom” Carter benefited from the guidance and mentorship of the jazz legends that performed at its many establishments, such as the Orchid Lounge and Turf Club. From the front of Asbury Park High School, Carter, who later played drums on Springsteen’s song “Born to Run,” watched the rioters destroy everything the African-American community had built, in response to de facto segregation on the east side of the city. The book provides a thorough account of Asbury Park’s musical heritage, told in third person through the eyes of those who experienced and lived it. The book completely outlines the entire careers of Cahoots’ key members and traces how each met and together carved out a slice of the Asbury sound.
As the 20th century got under way, Asbury Park was booming. Real estate advertisements promoted a residential resort where country meets the sea. The nearly one-square-mile gridded municipality attracted individuals who saw opportunities, from architects and artists to entrepreneurs and people looking for employment. But with the death of its founder and leading benefactor, James A. Bradley, and the rise of machine politics under Mayor Clarence E.F. Hetrick, Asbury Park's civic and economic fortunes started to change. In World War II's long aftermath, suburbs, shopping malls, and modern amusement destinations sprang up outside its municipal borders. Its once-bustling economy faltered, and civil unrest festered until 1970, when it turned violent. It took more than 10 years for new changes to find their way to the drawing boards. But it was in the 21st century that new business and civic leaders with a more inclusive pioneering spirit started turning Asbury Park's fortunes around.