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With the questionable help of his friends, Charlie Brown makes it through another year of such problems as a watch dog who's afraid of the night, an unrequited love, and a last-place baseball team.
THIS TIMELESS CLASSIC COMIC STRIP IS BELOVED BY FANS OF ALL AGES, AND CONTINUES TO FIND NEW FANS ALIKE. The latest edition in Titan Comics hugely popular Peanuts Facsimile series sees the release of this, the 16th volume in the series and features 126 pages of classic Peanuts daily newspaper strips from 1963 and 1964. This facsimile edition features 122 classic comic strips from 1963-1964 and features many classic characters, including Charlie Brown, Snoopy, Lucy, Linus, Pig Pen, and many. Join them as they navigate their way through school, first crushes, the complexities of baseball, and the world of the forever unseen grown-ups and their crazy rules.
Despite--or because of--its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang. In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table. Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Peanuts was a daily conversation about very real hopes and fears and the political realities of the Cold War world. As thousands of fan letters, interviews, and behind-the-scenes documents reveal, Charles Schulz used his comic strip to project his ideas to a mass audience and comment on the rapidly changing politics of America. Charlie Brown's America covers all of these debates and much more in a historical journey through the tumultuous decades of the Cold War as seen through the eyes of Charlie Brown, Lucy, Linus, Peppermint Patty, Snoopy and the rest of the Peanuts gang.
"Based on the Peanuts comic strip by Charles M. Schulz."
In this collection of touching and funny Charles Schulz strips from 1968 and 1969, disaster strikes when the little red-haired girl comes to the ball park and makes Charlie Brown so nervous he can't pitch and has to go home--and Charlie Brown finds out he was NOT Snoopy's original owner. Snoopy is a "used" pet!
Charlie Brown has started feeling very strange and Linus decides that Charlie must be in love
Charlie Brown comic strip classics by Charles M. Schulz.
Drawn from the archives of the Charles M. Schulz Museum, an in-depth look at Peanuts with a “wealth of original art” (The New York Times). Charles M. Schulz believed that the key to cartooning was to take out the extraneous details and leave in only what’s necessary. For fifty years, from October 2, 1950, to February 13, 2000, Schulz wrote and illustrated Peanuts, the single most popular and influential comic strip in the world. In all, 17,897 strips were published, making it “arguably the longest story ever told by one human being,” according to Robert Thompson, professor of popular culture at Syracuse University. For Only What’s Necessary: Charles M. Schulz and the Art of Peanuts, renowned designer Chip Kidd was granted unprecedented access to the extraordinary archives of the Charles M. Schulz Museum and Research Center in Santa Rosa, California. Reproducing the best of the Peanuts newspaper strip, all shot from the original art by award-winning photographer Geoff Spear, Only What’s Necessary also features exclusive, rare, and unpublished original art and developmental work—much of which has never been seen before. “Glorious...equal parts museum and monument, a masterwork of curatorial rigor and an affectionate homage.”—Brain Pickings