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Fort becomes entangled with legendary creatures and foes in this thrilling fourth novel in the fantastical series from the author of the New York Times bestselling Story Thieves! The future has been saved, but at a cost: Fort Fitzgerald has been expelled from the Oppenheimer School, and some of Fort’s friends have been lost in time. But time is the one thing Fort, Rachel, and Jia don’t have, as they’ll soon be facing one of the eternal Old Ones, the Timeless One, for the fate of the world. If they lose, the Old Ones will return, and humanity is doomed. If they win, the Old Ones will still return, and humanity is doomed. Because the Timeless One can see every possibility, and plan for it. How can Fort and his friends defeat a creature like that? And what does this all have to do with the real-life Merlin, from King Arthur’s days?
Magic has been confounded too long with the jugglery of mountebanks, the hallucinations of disordered minds and the crimes of certain unusual malefactors. There are otherwise many who would promptly explain Magic as the art of producing effects in the absence of causes; and on the strength of such a definition it will be said by ordinary people-with the good sense which characterises the ordinary, in the midst of much injustice-that Magic is an absurdity. But it can have no analogy in fact with the descriptions of those who know nothing of the subject; furthermore, it is not to be represented as this or that by any person whomsoever: it is that which it is, drawing from itself only, even as mathematics do, for it is the exact and absolute science of Nature and her laws. Eliphas Levi
“Perfect for fans of Rick Riordan.” —Booklist When long-dead magical creatures are discovered all around the world, each buried with a book of magic, only children can unlock the dangerous power of the books in this start to an “imaginative and exciting” (Brandon Mull, #1 New York Times bestselling author) series from the author of the New York Times bestselling Story Thieves! Thirteen years ago, books of magic were discovered in various sites around the world alongside the bones of dragons. Only those born after “Discovery Day” have the power to use the magic. Now, on a vacation to Washington, DC, Fort Fitzgerald’s father is lost when a giant creature bursts through the earth, attacking the city. Fort is devastated, until an opportunity for justice arrives six months later, when a man named Dr. Opps invites Fort to a government-run school, the Oppenheimer School, to learn magic from those same books. But life’s no easier at the school, where secrets abound. What does Jia, Fort’s tutor, know about the attacks? Why does Rachel, master of destructive magic, think Fort is out to destroy the school? And why is Fort seeing memories of an expelled girl every time he goes to sleep? If Fort doesn’t find out what’s hiding within the Oppenheimer School, more attacks will come, and this time, nothing will stop them!
For fans of Rick Riordan and Brian Selznick, author-artist Armand Baltazar introduces Timeless: Diego and the Rangers of the Vastlantic, the first in a new science fiction/fantasy series that explores a world painted new by the Time Collision. Integrating art and text, this epic and cinematic adventure features more than 150 full-color illustrations. You’ve never seen Earth like this before: continents reshaped, oceans re-formed, cities rebuilt, and mountains sculpted anew. Dinosaurs roam the plains alongside herds of buffalo, and giant robots navigate the same waters as steam-powered ships. This is the world Diego Ribera was born into. The past, present, and future coexisting together. In New Chicago, Diego’s middle school hallways buzz with kids from all eras of history and from cultures all over the world. The pieces do not always fit together neatly, but this is the world he loves. There are those, however, who do not share his affection. On his thirteenth birthday, Diego learns of a special gift he has within, a secret that is part of something much bigger—something he cannot understand. When his father, New Chicago’s top engineer, is taken by the Aeternum, Diego must rescue him and prevent this evil group from disrupting the fragile peace humanity has forged.
The Book of Ceremonial Magic - Arthur Edward Waite - The Book of Ceremonial Magic by Arthur Edward Waite was originally called The Book of Black Magic and of Pacts. It was first published in a limited run in 1898, and distributed more widely under the title The Book of Ceremonial Magic in 1910Writing in the late 19th century, Waite had studiously researched many obscure tenets of magic. Much of this book concerns the obscure occult tomes, which the author condenses and presents to readers in this single volume. Waite's studies uncover a variety of knowledge; there are thousands of spells and rituals that date back to Medieval times and have a theological basis. Many exist to ward off devils, witches or other evil phenomena, while others seek to conjure beneficent spirits. Another intriguing aspect of ceremonial magic is the ability to form pacts with supernatural beings. These rituals in themselves act to compel supernatural entities to assist a human being; none of them involve offering one's soul. However, many require one or more materials and ingredients to begin - grave dust or a certain plant for instance. Waite disapproves of those who reprint and sell the older magical grimoires for two principle reasons. Firstly the quality of the English translations is low, often proscribing completely different instructions and requisites for a given ritual than was given in the original source text. Secondly these books make no distinction between 'white' or 'black' magic; such lack of organization makes it difficult for the modern reader to distinguish the practices. Over 150 symbols, seals, insignia, charts and other illustrations populate this text, each offering insight into how the magician correctly undertakes his tasks. Waite includes many scripts that the performer of magic must read out loud as he attempts to conjure, summon or communicate with forces from other planes of existence.
Though his work was little known outside Italian intellectual circles for most of the twentieth century, anthropologist and historian of religions Ernesto de Martino is now recognized as one of the most original thinkers in the field. This book is testament to de Martino's innovation and engagement with Hegelian historicism and phenomenology--a work of ethnographic theory way ahead of its time. This new translation of Sud e Magia, his 1959 study of ceremonial magic and witchcraft in southern Italy, shows how De Martino is not interested in the question of whether magic is rational or irrational but rather in why it came to be perceived as a problem of knowledge in the first place. Setting his exploration within his wider, pathbreaking theorization of ritual, as well as in the context of his politically sensitive analysis of the global south's historical encounters with Western science, he presents the development of magic and ritual in Enlightenment Naples as a paradigmatic example of the complex dynamics between dominant and subaltern cultures. Far ahead of its time, Magic is still relevant as anthropologists continue to wrestle with modernity's relationship with magical thinking.
Angelique's spirit is almost broken.She has sacrificed, she has trained, and she has driven herself to exhaustion while battling her way across the continent. But all her efforts have led to nothing. She still hasn't uncovered Evariste's location, or the identity of his captors.Yet the occurrences of evil magic across the continent show no sign of slowing. Wyverns, goblins, trolls, and other evil creatures have become almost commonplace. And the attacks on the royal families and her fellow mages have continued to escalate.When Angelique is ambushed by one of those who kidnapped Evariste, she is forced to face the truth: her core magic-which she despises-may be the only thing standing between her world and the coming darkness.For those who have captured Evariste aren't finished.And their plans are far older and more devastating than anyone could have guessed.
The restoration of a cursed painting transports a shy conservator back in time, trapping her in an alien world where she is accused of witchcraft; a crime punishable by death. Uncovering an image hidden beneath the painting she is repairing, Beatrice removes the false layer, activating a centuries old curse, which strands her in Elizabethan England. Her unexplainable arrival draws negative attention from the suspicious townsfolk, who imprison her when the mutilated body of a prominent merchant is discovered. Awaiting trial–and her impending death–Beatrice places her faith in Nicholas, the only man willing to defend her innocence. However, Nicholas is not who he claims, and when his dark secret is revealed, both face immediate execution. Anne Rice meets Diana Gabaldon in this intriguing blend of romance, historical fiction, and mystery. Dive into the past with Timeless Magic. Click now!