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James Galvin is a Wyoming rancher and on the permanent faculty at the Iowa Writers' Workshop.
The teachings presented in As It Is, Volume I are primarily selected from talks given by the Dzogchen master, Tulku Urgyen Rinpoche, in 1994 and 1995, during the last two years of his life. The unambiguous Buddhist perception of reality is transmitted in profound, simple language by one of the foremost masters in the Tibetan tradition. Dzogchen is to take the final result, the state of enlightenment itself, as path. This is the style of simply picking the ripened fruit or the fully bloomed flowers. Tulku Urgyen's way of communicating this wisdom was to awaken the individual to their potential and reveal the methods to acknowledge and stabilize that prospective. His distinctive teaching style was widely known for its unique directness in introducing students to the nature of mind in a way that allowed immediate experience. This book offers the direct oral instructions of a master who inspired admiration, delight in practice, and deep trust and confidence in the Buddhist way.
Examines how healthcare and medical issues circulate in the social, cultural, economic, and political aspects of our world.
Shortlisted for the 2017 Center for Fiction First Novel Prize “Simeon Marsalis’s As Lie Is to Grin is not a satire meant to teach us lessons, nor a statement of hope or despair, but something more visionary—a portrait of a young man’s unraveling, a depiction of how race shapes and deforms us, a coming–of–age story that is also a confrontation with American history and amnesia. The book achieves more in its brief span than most books do at three times the length.” —Zachary Lazar, author of I Pity the Poor Immigrant David, the narrator of Simeon Marsalis’s singular first novel, is a freshman at the University of Vermont who is struggling to define himself against the white backdrop of his school. He is also mourning the loss of his New York girlfriend, whose grandfather’s alma mater he has chosen to attend. When David met Melody, he lied to her about who he was and where he lived, creating a more intriguing story than his own. This lie haunts and almost unhinges him as he attempts to find his true voice and identity. On campus in Vermont, David imagines encounters with a student from the past who might represent either Melody’s grandfather or Jean Toomer, the author of the acclaimed Harlem Renaissance novel Cane (1923). He becomes obsessed with the varieties of American architecture “upon land that was stolen,” and with the university’s past and attitudes as recorded in its newspaper, The Cynic. And he is frustrated with the way the Internet and libraries are curated, making it difficult to find the information he needs to make connections between the university’s history, African American history, and his own life. In New York, the previous year, Melody confides a shocking secret about her grandfather’s student days at the University of Vermont. When she and her father collude with the intent to meet David’s mother in Harlem—craving what they consider an authentic experience of the black world—their plan ends explosively. The title of this impressive and emotionally powerful novel is inspired by Paul Laurence Dunbar’s poem “We Wear the Mask” (1896): “We wear the mask that grins and lies . . .”
"As Is" pries into the world of the female collective conscious. Amy Gelb offers her subjects anonymity, they are free to express themselves fully without fear or consequence. Her work explores the compartmentalization of the female form and its responsibility for the dehumanization of women. By forcing her subjects into figurative boxes, Gelb recreates the fragmentation of a woman's identity. In combining multi layered large format pieces on glass she invites the viewer to try and discern that which makes one woman a unique individual versus that which all women collectively share.
THE STORY: The time is now, the place New York City. Rich, a young writer who is beginning to find success, is breaking up with his longtime lover, Saul, a professional photographer. The split is particularly difficult for Saul, who still loves Ric
“Is it wrong that I wanted to underline every single word in this book? Simmons brilliantly crystallizes contemporary girls’ dilemma: the way old expectations and new imperatives collide; how a narrow, virtually unattainable vision of ‘success’ comes at the expense of self-worth and well-being. Enough As She is a must-read.” —Peggy Orenstein, author of Girls & Sex From the New York Times bestselling author of Odd Girl Out, a deeply urgent book that gives adults the tools to help girls in high school and college reject “supergirl” pressure, overcome a toxic stress culture, and become resilient adults with healthy, happy, and fulfilling lives. For many girls today, the drive to achieve is fueled by brutal self-criticism and an acute fear of failure. Though young women have never been more "successful"–outpacing boys in GPAs and college enrollment–they have also never struggled more. On the surface, girls may seem exceptional, but in reality, they are anxious and overwhelmed, feeling that, no matter how hard they try, they will never be smart enough, successful enough, pretty enough, thin enough, popular enough, or sexy enough. Rachel Simmons has been researching young women for two decades, and her research plainly shows that girl competence does not equal girl confidence—nor does it equal happiness, resilience, or self-worth. Backed by vivid case studies, Simmons warns that we have raised a generation of young women so focused on achieving that they avoid healthy risks, overthink setbacks, and suffer from imposter syndrome, believing they are frauds. As they spend more time projecting an image of effortless perfection on social media, these girls are prone to withdraw from the essential relationships that offer solace and support and bolster self-esteem. Deeply empathetic and meticulously researched, Enough As She Is offers a clear understanding of this devastating problem and provides practical parenting advice—including teaching girls self-compassion as an alternative to self-criticism, how to manage overthinking, resist the constant urge to compare themselves to peers, take healthy risks, navigate toxic elements of social media, prioritize self-care, and seek support when they need it. Enough As She Is sounds an alarm to parents and educators, arguing that young women can do more than survive adolescence. They can thrive. Enough As She Is shows us how.
Reprint of the original, first published in 1873.