Download Free As I Was Burying Comrade Stalin Book in PDF and EPUB Free Download. You can read online As I Was Burying Comrade Stalin and write the review.

Arkady Polishchuk came of age in Stalin's Russia, in the turbulent times before, during and after World War II. His love for the Soviet dictator persisted for years until Polishchuk, a 19-year-old Jew, was not admitted to the university. In 1952, he learned about the preparations for mass deportation of Jews to Siberia. He celebrated Stalin's death in 1953--but state oppression dominated his life as before. As a young reporter for the Kostroma regional newspaper, he met with destitute plowmen, teenage milkmaids and former prisoners turned woodcutters, and wrote about them. When his satirical flair outraged a Communist Party secretary, the KGB initiated a political case against him and he fled to avoid persecution. His memoir describes his painstaking journey toward mental and spiritual liberation.
Arkady Polishchuk came of age in Stalin's Russia, in the turbulent times before, during and after World War II. His love for the Soviet dictator persisted for years until Polishchuk, a 19-year-old Jew, was not admitted to the university. In 1952, he learned about the preparations for mass deportation of Jews to Siberia. He celebrated Stalin's death in 1953--but state oppression dominated his life as before. As a young reporter for the Kostroma regional newspaper, he met with destitute plowmen, teenage milkmaids and former prisoners turned woodcutters, and wrote about them. When his satirical flair outraged a Communist Party secretary, the KGB initiated a political case against him and he fled to avoid persecution. His memoir describes his painstaking journey toward mental and spiritual liberation.
The Second World War was fought not only on the front lines but also in secrets, some of which have never been revealed. One such secret was buried in the deep, dark forest of Katyn, Poland. The other in the pages of a notebook hidden in an otherwise unremarkable café in an ancient Polish city. That notebook, known as the Scottish Book, was an obscure work of intellectual gamesmanship between a specialized group of mathematicians who met at a local pub near the town’s medieval university, where they shared and solved complex mathematical problems in the pages of the book. In 1939, as the Nazis overran the country, the book mysteriously vanished from its hiding place in the café. Some of its contributors avoided certain death by fleeing Poland for America, where the government recruited them. Ultimately, some of these intellectuals became participants in a deadly undertaking: the Manhattan Project. Who Has Buried the Dead? may be fiction, but it draws on years of research to plausibly answer the real questions surrounding one of the last great secrets of the Second World War. What did the Scottish Book contain that led the NKVD, the Gestapo, and the Allies on a desperate search, using any means to find it? Why has its existence not factored into the telling of Second World War history? What is ultimately revealed within the Scottish Book that brought mortal enemies and their top spy operatives into a deadly contest for its discovery and seizure?
Drawing on Soviet archives, especially the letters of complaint with which peasants deluged the Soviet authorities in the 1930s, this work analyzes peasants' strategies of resistance and survival in the new world of the collectivized village
This is the verbatim record of a secret and hitherto unpublished meeting, held in the Kremlin in April 1940, devoted to a post mortem of the Finnish campaign.
A murder mystery featuring Lord Edward Corinth and Verity Browne. After six months in New York, Lord Edward returns to London only for his old sparring partner, Verity Browne, to convince him to investigate a murder in Madrid. Her lover, David Griffith-Jones, has been convicted for the murder of a fellow Communist Party member and is set to face a firing squad. Against all odds, Edward clears David's name and heads back to England. Here, Edward discovers another murder, surprisingly connected to the murder back in Spain. And it isn't too long before a third mysterious murder comes to light... Edward and Verity join forces once again in search of the truth. But danger is all around them, and there is no guarantee that justice will be served and the murders avenged... Praise for David Roberts: 'A classic murder mystery [...] and a most engaging pair of amateur sleuths' Charles Osborne, author of The Life and Crimes of Agatha Christie 'A gripping, richly satisfying whodunit with finely observed characters, sparkling with insouciance and stinging menace' Peter James 'A really well-crafted and charming mystery story' Daily Mail 'A perfect example of golden-age mystery traditions with the cobwebs swept away' Guardian
Russian rethinking of the past has immense political significance. The author of the acclaimed Soviet History in the Gorbachev Revolution now examines the impact of the collapse of Communism and of the subsequent disillusionment with capitalism on Soviet history. The uses of history after the 1991 coup and in the 1995 and 1996 elections are considered in detail. Part two evaluates the unfinished revolution which has partly opened the archives, while part three offers reflections on the future of the Soviet past.
This volume looks into the ways in which film has contaminated and re-shaped culture(s) and the collective unconscious, at both local and global levels, arguing that our lives have been impacted by the ‘then’ that we keep revisiting, lest we forget. It takes the reader from the Berlin Wall to China, and from the terror of communist political prisons and labour camps to the rosy image promoted by propaganda. A key point throughout the text is its interdisciplinary nature, as it brings together literature and film scholars, directors, sociologists and philosophers, whose overall conclusion is that communism, lingering in mentalities, still needs interrogation. Structured along four parts which trace a Homeric (or rather Joycean) journey to a home metonymysed by the long-awaited freedom, this book sets out from the gloomiest aspects of totalitarianism in the Romanian, Serbian and Soviet ‘Hades(es)’ of traumatic psychological and physical experiences and of imposed silencing. The second part gathers together case studies of films illustrating more optimistic views of communism as ‘spring’ (in the USSR) or as a ‘golden age’ (in Romania), thus narcotising the communist ‘subjects’ and preventing them from seeing the actual inferno. The third section offers filmic accounts of the aftermaths of communism, engaging the readers in a nostalgic process that revisits, questions, reflects on and remembers communism on a larger, world stage. The coda rounds up the volume (and the journey therein) by crossing genre frontiers to written narratives with a cinematic component.
On the personality cult and the Programme of CPSU
Exiled Russian journalist colorfully narrates his passage into dissent and his work on behalf of persecuted Christians in 1970s USSR.