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Life and works of Arun Mitra, 1909-2000, Bengali litterateur.
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The Predeominant Feature In Arun Mitra'S Poetry Is His Decisive Reversal From The Prevalent Feeling And Form. His Poems Read Like Soliloques And In Reading Them, One Identifies A Voice No Other Than His Own. Thus His Readers Find Their Agony And Aspiration Expressed In His Poems. The Present Anthology Includes Fifty-Five Poems- A Fairly Sizable And Representative Selection Made By The Poet Himself.
In the middle of one of the worst storms to hit the city, a mysterious letter arrives for Prakash Ray, an out-of-luck journalist, inviting him to a quaint, suburban bungalow, to celebrate the 60th birthday of an uncle he has never heard of... As Prakash reaches the venue, he is introduced to a motley group of people, all gathered there for the old man’s big day: his son, his reticent brother, a dignified middle-aged lady who once owned the bungalow, a listless lawyer who manages his legal affairs, a mild-mannered young man who works as his secretary, his beautiful, young biographer, and his mysterious friend, who has never lost a game of chess to him. As the storm lashes on through the night, one of the people in the bungalow is murdered! In a game of cat and mouse that follows, Prakash soon finds out that under the surface of apparent warmth and friendliness, nothing is as it seems and that the bungalow holds one shocking secret after another! In a bid to save his own life, Prakash hunts for the truth, which lies in a mysterious penumbra of shadows and lights, covered in a sheath of deceit and guile, only to realize that the worst is yet to come!
This book presents the latest findings in the areas of data management and smart computing, big data management, artificial intelligence and data analytics, along with advances in network technologies. The volume is a collection of peer reviewed research papers presented at Seventh International Conference on Data Management, Analytics and Innovation (ICDMAI 2023), held during 20 – 22 January, 2023 in Pune, India. It addresses state-of-the-art topics and discusses challenges and solutions for future development. Gathering original, unpublished contributions by scientists from around the globe, the book is mainly intended for a professional audience of researchers and practitioners in academia and industry.
This volume is a critical reader, focusing on the continuities and discontinuities, confirmations and confrontations, crossovers and collisions, appropriations, adaptations and assimilations in the cultural transitions between British and Bangla vernacular modernist fiction within the context of the imperial modernity of the first half of the 20th century. The volume, consisting of critical essays aspires to illuminate, from multiple but intersecting perspectives, those thematic and structural areas where these two kinds of literary modernism, each aesthetically diverse, historically segmented by onslaughts of wars and other outbreaks of suffering and violence, and ideologically convoluted, but conditioned in many ways by common socio-historical catastrophes and promises, interact with each other to constitute an 'aesthetics of motion and dissonance'. Essays cut across literary criticism to employ interdisciplinary approaches, as they blur the boundaries between histories, biographies and fictional narratives, between individual ethics in and outside the fictional world, between imagined and living communities, between real and generic politics, between the home and the world, and between the corporeal and the cultural. These essays interrogate the mastery in literary techniques, narrative motives and dualities, 'major' and 'minor' genres, (de)formations of canons in respect of the 'worldliness' formed by the textual incorporation of the intricate imperial relationships between the United Kingdom and Bangla.
On the completion of fiftieth year of Sahitya Akademi.