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The frequency with which particular words are used in a text can tell us something meaningful both about that text and also about its author because their choice of words is seldom random. Focusing on the most frequent lexical items of a number of generated word frequency lists can help us to determine whether all the texts are written by the same author. Alternatively, they might wish to determine whether the most frequent words of a given text (captured by its word frequency list) are suggestive of potentially meaningful patterns that could have been overlooked had the text been read manually. This edited collection brings together cutting-edge research written by leading experts in the field on the construction of word-lists for the analysis of both frequency and keyword usage. Taken together, these papers provide a comprehensive and up-to-date survey of the most exciting research being conducted in this subject.
Since it first appeared in 1968, History of Modern Art has emphasized the unique formal properties of artworks, and the book has long been recognized for the acuity of its visual analysis.
Originally published in 1930, this book contains the widely respected essay 'What Is Art', by the well-known Russian writer Leo Tolstoy, and is highly recommended for inclusion on the bookshelf of any fan of his works. Many of these earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
There has been much scaremongering about the 'death of the book', and how, as words find new ways and means of transmission, young people might gradually begin to shun writing. In the digital age, text becomes information, and information strives to become free. But what value can text hold in the sphere of visual art? How is such text different from poetry? Can the poetic itself be visual art, or is text in this context consigned to the realms of gimmick and catchphrase? Looking at the work of a broad range of artists including Bruce Nauman, Julien Breton, Jeremy Deller, Takashi Murakami, Tracey Emin, Christian Boltanski and many more, The Word is Art examines each of these questions, contending above all that in the digital and online age, words have become more important than ever. With the advent of texting and social media, many predicted the debasement of language, and some have pointed to evidence of this in our so-called 'post-truth' culture. Artist Michael Petry demonstrates that, on the contrary, words remain critical, powerful and central to art practice. Digital communication has seen the word as text permeate life in ways that the poets and artists of yesterday could never have imagined. Presenting a brief history of word- and book-based art, and examining major areas where the word has dominated artistic practice, this book takes us on a fascinating and richly illustrated global tour of diverse contemporary art forms. With 250 illustrations in colour
Pondering June 22, 2012, 8:15 a.m. What benefit are penned words if they are meaningless? If I am penning simply to promote me, I am dead within. Some books are informative and entertaining, while others are a waste of trees. What have you been moved to read lately? What are you searching for an answer to? What is your burning desire to learn or understand? When you think you have that answer, ask yourself why. Inner conflict is a pretty good indicator of spiritual warfare. Does the preceding statement raise any red flags for you? At times, when Im experiencing conflict within, it has always resulted from my human nature and Satan battling my spirit. I have penned about much of this; Ive no doubt there will be more.
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
A new translation into modern American English directly from the original Russian manuscript. This edition contains an Afterword by the translator, a timeline of Tolstoy's life and works, and a glossary of philosophic terminology used throughout Tolstoy's literature and philosophy. "What is Art" (Что Такое Искусство) was completed in Russian in 1897, but first published in English due to Russian censorship issues, Tolstoy's work delves deeply into the considerable investment of time, effort, public funds and societal respect for art and artists, as well as navigating the nebulousness of collective views on art as a motivation for writing the book. In his own words, he mentions that "it is difficult to say what is meant by art, and especially what is good, useful art, art for the sake of which we might tolerate such sacrifices as are offered at its shrine". The book as a whole illustrates Tolstoy's unyielding moralism, judging works of art through the lens of his radical Christian ethics and showing a willingness to reject recognised masters such as Wagner, Shakespeare and Dante, as well as a significant part of his own literary output. Avoiding the use of beauty as a means of defining art, Tolstoy formulates a concept of art as a medium that conveys emotion. "Art is not pleasure, comfort or amusement; art is a great work. Art is the organ of the life of mankind, translating the rational consciousness of men into feeling. In our time, the common religious consciousness of men is the consciousness of the brotherhood of men and of their good in mutual unity. True science must indicate the various ways of applying this consciousness to life. Art must translate this consciousness into feeling."
This detailed book is a “how-to” guide to building controlled vocabulary tools, cataloging and indexing cultural materials with terms and names from controlled vocabularies, and using vocabularies in search engines and databases to enhance discovery and retrieval online. Also covered are the following: What are controlled vocabularies and why are they useful? Which vocabularies exist for cataloging art and cultural objects? How should they be integrated in a cataloging system? How should they be used for indexing and for retrieval? How should an institution construct a local authority file? The links in a controlled vocabulary ensure that relationships are defined and maintained for both cataloging and retrieval, clarifying whether a rose window and a Catherine wheel are the same thing, or how pot-metal glass is related to the more general term stained glass. The book provides organizations and individuals with a practical tool for creating and implementing vocabularies as reference tools, sources of documentation, and powerful enhancements for online searching.
This study provides an illuminating assessment of both the merits and the limitations of Hans-Georg Gadamer's philosophical thought. Kristin Gjesdal uses a close analysis and critical investigation of Gadamer's Truth and Method (1960) to show that his engagement with Kant, Hegel, and Schleiermacher is integral to his conception of hermeneutics.