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Sketching requires only the most basic tools to get started and is immediately accessible to anyone who has the desire. It is a simple yet rewarding exercise, serving as the foundation of all artistic pursuits. This illuminating guide draws on the vast experience of established artists to give readers a rich variety of working methods and topics that will guide and encourage their sketching ability. Artists of all skill levels will benefit from exercises that show them how to: * Sharpen powers of observation and analysis * Capture movement through line * Set up powerful compositions * Render tiny details that breathe life into a sketch * Use sketches as the basis of strong paintings Lucy Watson has a degree in Fine Art with a Masters in advanced printmaking. She is highly experienced in all media and her drawings, prints and paintings have been exhibited at prestigious venues all over Europe, from the Academie Royale de Beaux Arts in Brussels to the National Portrait Gallery in London. She lives in the United Kingdom.
Discover the Keys to Creating Beautiful Drawings with Master Artists Between these pages, artists of all backgrounds will find anything and everything they need to know about drawing. With thorough explanations of materials and their composition, step-by-step demonstrations, and practical advice for creating compositions, The Big Book of Drawing is a comprehensive authority on the medium that is the foundation of all other visual arts. Learn how to handle charcoal, pastel, pencil, and an array of inks; master various shading techniques, including cross-hatching and chiaroscuro; and discover the secrets to constructing attractive and unique compositions. Aspiring artists will learn from the best, with a plentiful array of work by old masters, such as Van Dyke, Rembrandt, Gainsborough, Degas, Toulouse-Lautrec, and others. This combination of a detailed instruction book and folio of masterpiece art inspires and informs artists in a way that no other drawing book does.
Collects excerpts from the personal travel journal sketchbooks of forty-three artists, illustrators, and designers.
Foreword / Connie Wolf and Alison Gass -- Private to Public / Gretchen Diebenkorn Grant -- Understanding Diebenkorn / Steven A. Nash -- Two Sides of a Coin: Reflections on Artistic Practice / Enrique Chagoya -- The Ace of Spades / Alexander Nemerov -- (With)Drawing from Mastery / Peggy Phelan -- The Sketchbooks -- Notes to Myself of Beginning a Painting / Richard Diebenkorn
Published on the occassion of the exhibition "Paul Cezanne: The Basel sketchbooks", March - June 1988.
Designing UNESCO: Art, Architecture and International Politics at Mid-Century represents the first full-length monograph on the genesis, construction and reception of the Paris headquarters of the United Nations' Educational, Scientific and Cultural Organization (UNESCO). The book traces the long and complex birth of UNESCO's permanent seat from its conception in 1950 to its inauguration in 1958, showing how its history constitutes a unique nexus of modernist practices in twentieth-century international politics, art, architecture and criticism. Drawing on a wide range of unpublished archival material and examining critical reception of the building in the local and international press, Christopher Pearson's analysis operates on formal, structural and theoretical levels, revealing many of the largely unspoken assumptions of modern architecture at mid-century and elucidating the conflicted relation between art and science in the post-war period. The volume also throws new light on many of the major architects and artists of the period, among them Breuer, Gropius, Le Corbusier and Eero Saarinen, as well as Picasso, Moore, Mir?rp, Calder and Noguchi. Designing UNESCO is a compelling and original account of one of the most important, yet under-appreciated, buildings of twentieth-century modernism.
"The best way to learn about art is to make it. Discover the secrets of great figure drawing as you sketch along with past and present masters. This working artist's sketchbook guides you from beginning gestures to delicate rendering. It's your art, your tradition, your time. Take your voice and add it to the tradition as if the history of art has saved the best for now."-- Juliette Aristides Figure Drawing Atelier offers a comprehensive, contemporary twist to the very traditional atelier approach to the methods that instruct artists on the techniques they need to successfully draw and ultimately paint the figure. The book offers art instruction, practical and progressive lessons on drawing the figure, and high-quality sketchbook paper in a beautiful package that includes blank pages for sketching and copying. Artists will then have a record of their process, like with a sketchbook, which many artists like to document and save. In this elegant and inspiring workbook, master contemporary artist and author Juliette Aristides breaks down the figure drawing process into small, manageable lessons, presents them progressively, introduces time-tested principles and techniques in the atelier tradition that are easily accessible, and shares the language and context necessary to understand the artistic process and create superior, well-crafted drawings. Atelier education is centered on the belief that working in a studio, not sitting in the lecture hall, is the best way to learn about art. Every artist needs to learn to master figure drawing. Ateliers have produced the greatest artists of all time--and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Figure Drawing Atelier is like having an atelier in a book--and the master is Juliette Aristides, a classically trained artist and best-selling art-instruction author with almost rock star popularity in the contemporary world of representational art. On every page, Aristides uses the works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realistic figure drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, this book offers a serious art course for serious art students and beginners alike.
“As erotic and powerful as the paintings that inspired it.”—Emma Donoghue, author of Room Paris, 1927. In the heady years before the crash, financiers drape their mistresses in Chanel, while expatriates flock to the avant-garde bookshop Shakespeare and Company. One day in July, a young American named Rafaela Fano gets into the car of a coolly dazzling stranger, the Art Deco painter Tamara de Lempicka. Struggling to halt a downward slide toward prostitution, Rafaela agrees to model for the artist, a dispossessed Saint Petersburg aristocrat with a murky past. The two become lovers, and Rafaela inspires Tamara's most iconic Jazz Age images, among them her most accomplished-and coveted-works of art. A season as the painter's muse teaches Rafaela some hard lessons: Tamara is a cocktail of raw hunger and glittering artifice. And all the while, their romantic idyll is threatened by history's darkening tide. Inspired by real events in de Lempicka's history, The Last Nude is a tour de force of historical imagination. Ellis Avery gives the reader a tantalizing window into a lost Paris, an age already vanishing as the inexorable forces of history close in on two tangled lives. Spellbinding and provocative, this is a novel about genius and craft, love and desire, regret and, most of all, hope that can transcend time and circumstance.
Galenson combines social scientific methods with qualitative analysis to produce a new interpretation of modern art.