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The artist's multiple is perhaps the art of the twentieth century. If in the nineteenth century art could be seen as distinct from products of industry, in the early twentieth century industry could confidently project itself as art. The artist's multiple, in its delight in reproducibility, industrial fabrication, and new processes and materials, exemplifies this trend. Stephen Bury explores the historical background of the multiple, examining its relationship to the jeu d' esprit of the artist's studio, the readymade, constructivism, the store and the everyday. It looks at the work of Marcel Duchamp, George Maciunas, Joseph Beuys and Felix Gonzalez-Torres as well as contemporary practice, such as 'The Multiple Store'.An illustrated and chronologically arranged catalogue of over 800 multiples produced between 1935 and 2000 provides a wide selection of different approaches by artists to the medium. A chronology, glossary and detailed bibliography are also included.
Catalog of an exhibition held at The Museum of Modern Art, New York, Feb. 19-May 14, 2012.
An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton's Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and their apposition with Constructivist design in the work of Frederick Kiesler; as well as original readings of the use of vitrines in Surrealism and Fluxus, and in work by Joseph Beuys, Paul Thek, Claes Oldenburg and his collaborators, Jeff Koons, Mike Kelley, Dan Graham, Vito Acconci, Damien Hirst and Josephine Meckseper, among others. Sculpture and the Vitrine also raises key questions about the nature and implications of vitrinous space, including its fronts onto desire and the spectacle; transparency and legibility; and onto ideas and practices associated with the archive: collecting, preserving and ordering.
Billy Apple (born Barrie Bates in Auckland, 1935) is New Zealand's most internationally significant living artist and a pioneer of pop and conceptual art. At the Royal College of Art in London from 1959&–62, Apple studied with key contemporaries &– notably David Hockney &– and staged one of the earliest solo exhibitions in the new &‘pop' art after changing his name, in 1962, to &‘Billy Apple'. In 1964 he moved to New York. There, he worked as an art director, developed his art, exhibited extensively with leading artists (notably in the 1964 American Supermarket exhibition with Andy Warhol, Jasper Johns and others), and established one of the first alternative art spaces &– &‘Apple' &– which hosted some of the new ephemeral activities that enlivened the New York scene in the 1970s. He returned to live in New Zealand in 1990 where he continues to produce his particular brand of conceptual art. Apple's work is held in permanent collections from the Tate to the Philadelphia Museum of Art.This is the first substantial book on Billy Apple's career. Based on over a decade of research all over the world and unprecedented access to Apple's own archive, Billy Apple&®: Life/Work chronicles an extraordinary sixty-year career and the art scenes that have sustained it in London, New York and Auckland.The book includes more than 200 illustrations in colour, with a generous selection of reproductions of Apple's works as well as other illustrative material.
"In addition to a text by the curator, the volume contains essays by scholars, theorists and artists that take a historical, critical, philosophical and sociological look at the theme of multiplication in art through a variety of languages and media: magazines, books, radio, film, design, fashion, performance and editions of artists' originals and multiples, over a period that stretches from the historical Avant-Garde to the 1970s"--Page [11].
• Cutting-edge idea! • Titles on altered books are topping sales charts • Packed with valuable artists’ resources—galleries, bookstores, Web sites, book fairs, exhibitions Famous artists from David Hockney and Andy Warhol to Gilbert and George have created their own books—distinctive bound collections of work, sometimes variations on the popular altered-book craze. Now any artist can follow in the booksteps of these well-known muses, with the help ofCreating Artists’ Books. Author Sarah Bodman, an expert on artists’ books, gives wonderful inspiration and practical guidance on printmaking processes for making books, digital output and computer-based books, assembling books with limited resources, and creating altered books. An invaluable appendix lists bookstores and galleries that sell and exhibit artists’ book; book arts collections, archives, and organizations; book fairs; related Web sites; and more.Creating Artists’ Booksis packed with ideas, inspiration, and information from cover to cover.