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Commodore Matthew Calbraith Perry's Japan Expedition (1853-1854), the most important voyage of mid-nineteenth-century American "gunboat diplomacy," resulted in the opening of Japan to Western commerce. This study documents for the first time the expedition's "artifacts of diplomacy," an important collection representing traditional or preindustrial Japanese material culture. Chang-su Houchins describes the range of silk textiles, lacquerware, ceramics, fans and umbrellas, bamboo and wood products, and swords and arms presented to the United States government, President Franklin Pierce, and Commodore Perry. Japanese government commissioners and officials of the Kingdom of Ryukyu gave more than one hundred gifts before and after the signing of the Treaty of Kanagawa in 1854. The monograph also surveys objects the expedition party purchased at bazaars in Hakodate and Shimoda specifically to deposit it in a national museum in Washington, D.C. Drawing on English and Japanese published and archival sources, Artifacts of Diplomacy extensively documents each artifact and presents the context of cultural contacts from both the Japanese and the American points of view.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Empires and Exchanges in Eurasian Late Antiquity offers an integrated picture of Rome, China, Iran, and the Steppes during a formative period of world history. In the half millennium between 250 and 750 CE, settled empires underwent deep structural changes, while various nomadic peoples of the steppes (Huns, Avars, Turks, and others) experienced significant interactions and movements that changed their societies, cultures, and economies. This was a transformational era, a time when Roman, Persian, and Chinese monarchs were mutually aware of court practices, and when Christians and Buddhists criss-crossed the Eurasian lands together with merchants and armies. It was a time of greater circulation of ideas as well as material goods. This volume provides a conceptual frame for locating these developments in the same space and time. Without arguing for uniformity, it illuminates the interconnections and networks that tied countless local cultural expressions to far-reaching inter-regional ones.
Arab messengers played a vital role in the medieval Islamic world and its diplomatic relations with foreign powers. An innovative treatise from the 10th Century ("Rusul al-Muluk", "Messengers of Kings") is perhaps the most important account of the diplomacy of the period, and it is here translated into English for the first time. "Rusul al-Muluk" draws on examples from the Qur'an and other sources which extend from the period of al-jahiliyya to the time of the 'Abbasid caliph al-Mu'tasim (218-227/833-842). In the only medieval Arabic work which exists on the conduct of messengers and their qualifications, the author Ibn al-Farr rejects jihadist policies in favor of quiet diplomacy and a pragmatic outlook of constructive realpolitik. "Rusul al-Muluk" is an extraordinarily important and original contribution to our understanding of the early Islamic world and the field of International Relations and Diplomatic History.
Over 50 papers, first presented at the international congress ‘Greek Art in Motion’ (Lisbon, 2017) in honour of Sir John Boardman’s 90th Birthday, are collected here under the following headings: Sculpture, Architecture, Terracotta & Metal, Greek Pottery, Coins, Greek History & Archaeology, Greeks Overseas, Reception & Collecting, Art & Myth.
Over the past two centuries, abuse of antiquities and fine art has evolved from the “spoils of war” into a medium for conducting terrorism which strives to erase the cultural heritage of “the other”. At the same time, the growth of the art market over the past fifty years has created opportunities for exploitation of cultural property. Since World War II, there has been maturing international awareness that armed conflict and looting pose a threat to cultural property; but simultaneously, art trafficking and the politics of cultural property create opportunities amidst risks in developed “collecting nations” and emerging “source nations”.This is the first book in the literature that touches on the interrelation of the financial value, politics, and security of cultural property and suggests the implications for the power of culture in global affairs. The intersection of these issues forms the basis for a new field which this book examines — cultural security. As part of the changing significance of cultural property in foreign relations, Cultural Security assesses corresponding security threats and opportunities for diplomacy.This book will take readers through the concepts and issues surrounding cultural property, cultural currency and cultural power, leaving readers with invaluable insights on the political economy of cultural property and the resulting source of “alternative power” in global affairs.