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This open access book is the first book that attempts to treat the notion of articulation as an important concept to be added to the lexicon of communication studies and social science. It constitutes the first comprehensive and systematic discussion of ‘articulation’ in English, providing an introduction of its usages and what has occurred on its ‘travels’ from one theoretical realm to another in political philosophy, structural linguistics, new economic anthropology, cultural studies and post-Marxist discourse theory. The proposed research takes a relational approach to society and social action in a way that recognises their relative autonomy. It entails an introduction of the ‘discursive turn’ in the imagery of society and social change, thereby proving that the relational concept of articulation/Gliederung has potential to consider society as both a structured, complex whole and a product of human interaction.
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'The Power of Labelling illuminates a fundamental and intriguing dimension of social and political life. Striking cases from a range of policy contexts generate eyeopening analyses of labelling's causes and consequences, uses and abuses, and of alternatives in thinking and relating.' DES GASPER, INSTITUTE OF SOCIAL STUDIES, THE HAGUE The authors convincingly and often vividly explain how the unavoidable framings and labellings of the objects of policy secrete relations of power which can obscure as much as they reveal and often lead, in policy itself, to perverse outcomes. Their detail is riveting, their analyses persuasive, what they suggest realistic and deeply sensible. This immensely readable collection is indispensable for anyone who wants to think about how they think about 'development', and should be forced on all who don't.' GEOFFREY HAWTHORN, PROFESSOR OF INTERNATIONAL POLITICS, UNIVERSITY OF CAMBRIDGE This is an essential book not only for those interested in understanding the development industry but also for development practitioners. It discusses key questions concerning the ways in which knowledge is generated by development agencies and reaffirms the importance of understanding who categorizes people, why and how.' R. L. STIRRAT, PROFESSOR OF SOCIAL ANTHROPOLOGY, UNIVERSITY OF SUSSEX 'Very important.' Martin Kalungu-Banda, Oxfam GB What does it mean to be part of the mass known as ?The Poor What visions are conjured up in our minds when someone is labelled ?Muslim What assumptions do we make about their needs, values and politics? How do we react individually and as a society? Who develops the labels, what power do they carry and how do such labels affect how people are treated? This timely book tackles the critical and controversial issue of how people are labelled and categorized, and how their problems are framed and dealt with. Drawing on vast international experience and current theory, the authors examine how labels are constituted and applied by a variety of actors, including development policy makers, practitioners and researchers. The book exposes the intense and complex politics involved in processes of labelling, and highlights how the outcomes of labelling can undermine stated development goals. Importantly, one of the book's principal objectives is to suggest how policy makers and professionals can tackle negative forms of labelling and encourage processes of ?counter-labelling?, to enhance poverty reduction and human rights, and to tackle issues of race relations and global security. The Afterword encapsulates these ideas ands provides a good basis for reflection, further debate and action.
How do objects 'speak' to us? What happens to authorship when voice is projected into inanimate objects? How can one articulate an object into speech? Is the inarticulate body necessarily silent? These are just some of the questions brought up by this unique and unusual collection of essays, which presents subjects and categories often overlooked by the disciplines of art history, visual culture, theatre history and comparative literature. Drawing from and expanding upon the 'Performing Objects, Animating Images' academic session run by the Henry Moore Institute at the Association of Art Historians conference, held in London in 2003, this book presents thirteen essays that bring together a multidisciplinary approach to the animated object. Contributions range from literal accounts of magic lanterns, tableaux vivants, puppets and ventriloquist dummies, to the more abstract notions of voice displacement in audio art and authorship projection in writing machines. The contributors come from diverse backgrounds in art history, cultural history, comparative literature, and artistic, theatrical and curatorial practice, and all tackle the issue of 'articulate objects' from a range of lively and unexpected perspectives.
In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the ‘Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus. Al-Mansur, the founder of this dynasty, is usually considered a usurper of caliphal authority, who pursued military victory at the expense of the transcendental achievements of the first two caliphs. But he also commissioned a vast extension to the Great Mosque of Cordoba, founded a palatine city, conducted skilled diplomatic relations, patronised a circle of court poets, and owned some of the most spectacular objects to survive from al-Andalus, in ivory and marble. This study presents the evidence for a reconsideration of this period.
“Zibechi goes to Bolivia to learn. Like us, he goes with questions, questions that stretch far beyond the borders of Bolivia. How do we change the world and create a different one? How do we get rid of capitalism? How do we create a society based on dignity? What is the role of the state and what are the possibilities of changing society through anti-state movements?... the most important practical and theoretical questions that have risen from the struggles in Latin America and the world in the last fifteen years or so.... The book is beautiful, exciting, stimulating.... Do read it and also give it your friends.”—John Holloway, from the Foreword “Raúl Zibechi recounts in wonderful detail how dynamic and innovative Bolivian social movements succeeded in transforming the country. Even more inspiring than the practical exploits, though, are the theoretical innovations of the movements, which Zibechi highlights, giving us new understandings of community, political organization, institution, and a series of other concepts vital to contemporary political thought.”—Michael Hardt, co-author of Empire, Multitude, and Commonwealth This, Raúl Zibechi's first book translated into English, is an historical analysis of social struggles in Bolivia and the forms of community power instituted by that country's indigenous Aymara. Dispersing Power, like the movements it describes, explores new ways of doing politics beyond the state, gracefully mapping the "how" of revolution, offering valuable lessons to activists and new theoretical frameworks for understanding how social movements can and do operate independently of state-centered models for social change.